This collection celebrates all things equine on New Zealand screens. Since the early days of the colony, horses have been everything from nation builders (Cobb & Co) to national heroes (Phar Lap, Charisma) to companions (Black Beauty) to heartland icons. Whether work horse, war horse, wild horse, or show pony, horses have become a key part of this (Kiwi) way of life.
Harold Beven reckons he’s the luckiest man to serve in the Second World War. Born in a village east of London, he saw plenty of action in the (UK) Royal Navy, but by his own admission, never got his feet wet. Joining up as soon as possible after the outbreak of war, Beven served in almost all the naval theatres. As a Chief Petty Officer, he was involved in the evacuations of Greece and Crete — and later the allied invasions of Sicily and Italy — as well as the D-Day invasion of France. At the age of 96, Beven remembers entire conversations as if it was yesterday.
Pictorial Parade was a newsreel series made by the National Film Unit. The trio of items in this 1956 entry starts with 'Salute to Sālote,' in which the Queen of Tonga admires the territorial army recruits at Papakura military camp. In 'What is Dutch for Easter?', Dutch settlers hide painted Easter Eggs for the children of Roseneath school in Wellington. Finally 'The Life of Opo' shows priceless footage of Opononi's world-famous dolphin Opo, and her Marlborough Sounds cousin Pelorus Jack. Shots of 'gay' Opo tossing bottles and frolicking with swimmers are set to a jaunty ditty.
This 1978 National Film Unit documentary provides a potted history of settler groups that came to New Zealand from Europe. Archive material and narration covers the colonials. Then visits are paid to the German-descended Eggers, tobacco growers from Moutere, and newly arrived French bakers and Dutch dairy farmers. Aptly for a film directed by actor and future winemaker Sam Neill, the film drops in on an Italian play and the Babich family of Dalmatian winemakers. Neill worked at the NFU in his 20s, around the time of his breakout acting role in Sleeping Dogs (1977).
A request from Holland's National Museum of Ethnology to acquire a Māori war canoe (waka taua) as a permanent exhibit resulted in master builder Hector Busby being commissioned to craft one. Jan Bieringa’s film looks at the history of waka, and follows the project from construction and launch, to the training of a Dutch crew and arrival in Holland. The first waka to permanently leave New Zealand shores makes a surreal sight on the canals of Abel Tasman’s birthplace. Onfilm reviewer Helen Martin praised it as "a special film about a very special project."
Musician, DJ and accomplished sailor Andrew Fagan heads to Indonesia with guitar in hand — plus some miniature sail boats. The trip includes an active volcano, a dodgy riverboat, the peaceful vibe of an Islamic festival, and some catchy Fagan tunes. The result is a standout episode, thanks partly to an enthusiastic and straight-talking host: a man who makes the most of each moment, without turning his head away from the realities of poverty, or the after-effects of terrorist bombing. Warning: animal lovers may want to avoid certain scenes.
In this series celebrating diversity in Kiwi neighbourhoods, former Highlanders prop Kees Meeuws introduces an eclectic mix of migrants who call North Dunedin home. Meeuws muses that the student-filled suburb "on a clear day, sparkles like the jewel in the crown of Dunedin". A Japanese student enriches his life by volunteering to help an elderly woman, a German jewellery designer explores identity in her creations, an Afghani family celebrate New Year's Day with a feast, and an eighth generation Indonesian puppet master shows off his snake-shaped dagger.
This post-war Weekly Review boards a RNZAF Dakota flying “the longest air route in the world”: a weekly 17,000 mile ‘hop’ taking mail to Jayforce, the Kiwi occupation force in Japan. Auckland to Iwakuni via Norfolk Island, Australia (including a pub pit-stop in the outback), Indonesia, the slums of Singapore, Saigon, Hong Kong; then Okinawa, Manilla and home. Director Cecil Holmes’ pithy comments on postcolonial friction and rich and poor avoided censorship, but won a warning not to rock the boat. The next year he was controversially sacked from the National Film Unit.
This 1982 Kaleidoscope report interviews artist Theo Schoon, on his return to New Zealand after a decade in Sydney and Bali. Schoon was a pioneer as a Pākehā engaging with Māori design, melding modernist and Māori motifs (e.g. moko and kowhaiwhai patterns). He discusses his earlier estrangement from the New Zealand art world ("talking to the deaf"), his eight years documenting Māori cave drawings ("art galleries of a sort, art galleries that I'd never been conscious of"), growing and carving gourds, and being inspired by Rotorua’s geothermal activity. Schoon died in 1985.
New Zealand, 1903. A veteran of the Boer War (Sexy Beast’s Ray Winstone) is hired to hunt a Māori seaman (Temuera Morrison), who has been framed for murder. So begins a cat and mouse chase where pole position keeps changing, and the South African is pressed to open up about his past. Directed by Brit Ian Sharp (Mrs Caldicot’s Cabbage War) and scripted by Dutch-born emigre Nicolas van Pallandt — who died before it got to the screen —Tracker was one of the last productions to win cash from the UK Film Council. The extras include interviews with both lead actors.