After countless romances, breakups and revelations — plus the odd psycho and crashing helicopter — Shortland Street turned 25 in May 2017. Made on the run, sold round the globe, the Kiwi soap opera juggernaut has provided a launchpad for dozens of actors and behind the scenes talents. Alongside best of clips, the very first episode, musical moments and favourite memories from the cast, Shortland star turned director Angela Bloomfield writes about how the show has changed here, while Mihi Murray backgrounds how it began — and how it reflects New Zealand.

This documentary chronicles the story of Waikato women’s refuge Te Whakaruruhau, and shines a light on a subject not often shown in mainstream New Zealand media: family violence in rural areas. Written "by the women of the Waikato", the film features interviews with the women behind the refuge, who have created a space for victims of domestic violence, safe from danger. Directed by Richard Allan Litt, the documentary screens in Kiwi cinemas from March 2018, with proceeds going to the refuge. Te Whakaruruhau, founded in 1987, was the first Māori women’s refuge.

Open Door is a unique form of community-based television that allows groups or individuals to apply to make a documentary programme about an issue that concerns them. This episode focuses on family violence and the work done by Auckland-based organisation Shine to help those affected. Using actors, it explores the personal experiences of women in abusive relationships and the services Shine provides. They include helping women leave such relationships, child advocacy and helping women improve security so they feel safer at home.

Two families spend the day at a deserted beach on the hottest day of the summer in this short film which marks a directing debut for long time producer and production manager Dorthe Scheffmann. While husbands and children occupy themselves, Margie (Donogh Rees) discovers a terrible secret about her friend Anne (Elizabeth Hawthorne) and her marriage. Margie’s explosive reaction shatters the languor created by the overexposed footage in this Hamburg Film Festival prize-winner (which was also selected for competition at Cannes and Telluride).

Once Were Warriors opened the eyes of cinemagoers around the globe to an unexamined aspect of modern New Zealand life. Director Lee Tamahori's hard-hitting depiction of domestic and gang violence amongst an urban Māori whānau was adapted from the best-selling Alan Duff novel. The film provided career-defining roles for Temuera Morrison and Rena Owen as Jake the Muss and Beth Heke. It remains NZ's most watched local release in terms of bums on seats. Among a trio of backgrounders, Riwia Brown writes about adapting Duff's book for the screen.

Dunedin-based painter Jeffrey Harris is profiled in this episode from an early 80s arts series made for TVNZ. Harris talks about his quest for intensity and impact; and how violence both attracts and repulses him. He also discusses two of his influences at the time — the surrounding landscape (particularly the wilds of Otago Peninsula and Seacliffe, and the older parts of Dunedin) and the photographs, ranging from family portraits to newspaper pictures, that provided the figures that populated his expressionistic works.

The final episode of this long-running TVNZ show for Māori youth comes from a BBQ party atop Auckland's TVNZ HQ. When I AM TV began in 2008 it was all about Bebo. Five years later it’s about Bieber (the singer #tautokos the show), Skux and Twitter, and the hashtag #KeepingItReo. Hosts Kimo Houltham and Chey Milne review the year’s highlights: from Koroneihana to a boil up with Katchafire; from dance crews to hunting for Jeff da Māori, with Liam Messam and The Waikato Chiefs; from a Samoan holiday (with co-presenter Taupunakohe Tocker), to defining mana in 2012.

In this short film, 14-year-old Jimmy (Waka Rowlands) faces a tough decision: stay in his abusive home to protect his younger siblings, or escape to start a new life of his own. Written and directed by Sam Kelly, Lambs was inspired by true stories. It competed at the 2012 Clermont-Ferrand and Berlin Film Festivals, and won the Jury Prize and Audience Award at the 2012 NZ Film Festival; judge Roger Donaldson raved: “It reminded me of Once Were Warriors in the best possible way.” Lambs was one of the first products of the NZ Film Commission’s ‘Fresh Shorts’ funding scheme. 

This film is about the redemption of Jake the Muss. It picks up the story after Jake has turned his back on his family (his wife has left him to escape the violence) and is up to his usual tricks in McClutchy's Bar. After one of his sons dies suspiciously in a gang fight, another sets out to find revenge, accompanied by young gang member Tania (Nancy Brunning). Scripted by Alan Duff and directed by Ian Mune, the film was the second-highest-earning NZ film of the 1990s, (eclipsed only by Once Were Warriors). It scooped most of the categories at the 1999 NZ Film & TV Awards.

Tom Gould’s short film documents the life of Martyka ‘Skin’ Brandt — Mongrel Mob gangster, speedway driver and devoted solo father to 10 children (four of his own, six fostered). Brandt was a rare Pākehā who joined the Mob in the 70s. His stereotype-defying life spans escaping from Sunnyside mental institution as a teen, violence and ‘Mongrelism’, then transformation via parenthood. NYC-based Kiwi Gould filmed Skin in Brandt’s Napier home. Skin won international attention as a Vimeo Staff Pick, Short of the Week, and selection in Dazed magazine’s ‘Doc X’ strand.