Director, Executive [Ngāti Whanaunga, Ngāti Tamatērā, Ngāti Raukawa ki te Tonga, Ngāti Hine, Nga Puhi ki Te Tai Tokerau]
For more than 20 years, Haunui Royal has been driven by the desire to be part of a vibrant Māori voice in broadcasting. The director turned executive got his break at TVNZ in 1988, before directing everything from a long line of documentaries (The Truth about Māori), to entertainment (Havoc and Newsboy's Sellout Tour). Later he spent seven years as General Manager of Programming at Māori Television.
When I left high school the Springbok tour was on and Māori land protests were ongoing. It was a very heightened political time. I saw film and television as a tool I could use to engage people in discussion, explore social injustice and express the alternative Māori world view. Haunui Royal
This 2014 documentary celebrates Māori Television’s first decade. It begins by backgrounding campaigns that led to the channel (despite many naysayers). Interviews with key figures convey the channel's kaupapa – preserving the past and te reo, while eyeing the future. A wide-ranging survey of innovative programming showcases the positive depictions of Māoridom, from fresh Waitangi, Anzac Day, basketball and 2011 Rugby World Cup coverage, to Te Ao Māori takes on genres like current affairs and reality TV (eg Native Affairs, Homai Te Pakipaki, Kai Time on the Road, Code, and more).
The opening episode of the Prime TV series celebrating 50 years of New Zealand television travels from an opening night puppet show in 1960, through to Outrageous Fortune five decades later. It traverses the medium's development and its major turning points (including the rise of programme-making and news, networking, colour and the arrival of TV3, Prime, NZ On Air, Sky and Māori Television). Many of the major players are interviewed. The changing nature of the NZ living room — always with the telly in pride of place as modern hearth — is a story within the story.
This edition of Prime TV’s history of New Zealand television looks at 50 years of entertainment. The smorgasbord of music, comedy and variety shows ranges from 60s pop stars to Popstars, from the anarchy of Blerta to the anarchy of Telethon, from Radio with Pictures to Dancing with the Stars. Music television moves from C’mon and country, to punk and hip hop videos. Comedy follows the formative Fred Dagg and Billy T, through to Eating Media Lunch and 7 Days. A roll call of New Zealand entertainers muse on seeing Kiwis laugh, sing and shimmy on the small screen.
This edition in Prime’s television history series surveys Māori programming. Director Tainui Stephens pairs societal change (urbanisation, protest, cultural resurgence) with an increasing Māori presence in front of and behind the camera. Interviews with broadcasters are intercut with Māori screen content. The episode charts an evolution from Māori as exotic extras, via pioneering documentaries, drama and current affairs, to being an intrinsic part of Aotearoa’s screen landscape, with te reo used on national news, and Māori telling their own stories on Māori Television.
This third episode of Mike King’s Treaty series heads north. After the 43 signatures at Waitangi on 6 February 1840, Queen Victoria decreed that more were needed for the Treaty to gain legitimacy, and Governor Hobson took the Waitangi Sheet to the people. King talks to Professor Pat Hohepa about the role of missionaries, and his tīpuna Mohi Tawhai. He visits key Northland locales — where he hears of anti-Treaty Pākehā like ‘Cannibal’ Jack Marmon — and meets a descendant of Nopera Panakareao, who recalls his ancestor’s famous shadowy reading of the Treaty.
This fifth episode of comedian Mike King’s Treaty discovery series goes on the trail of the two sheets that travelled around the Bay of Plenty in 1840. One, carrying a forged signature, travelled east with young trader James Fedarb (King asks why, despite gathering 26 signatures in 28 days, the salesman is largely missing from the history books); the other went south with a pair of missionaries. King learns about the Te Arawa and Tūwharetoa refuseniks from Paul Tapsell — and from Tamati Kruger, the reason Fedarb didn’t venture into Tūhoe territory.
This sixth episode of Mike King's exploration of the original journey of the Treaty travels to Tauranga, where the comedian finds tales of murder, cannibalism, inter-tribal conflict — and a missing Treaty sheet. King’s whodunit asks why some people signed and why some were so against it, notably Hori Kingi Tupaea. The Tauranga sheet includes 20 signatures from Ngāi Te Rangi and only one chief from Ngāti Pukenga. King also discovers an unlikely twist: an unused Treaty sheet has ended up with the (then-French-aligned) Catholic Church for safekeeping.
Episode two of comedian Mike King’s acclaimed Treaty of Waitangi series travels to the Bay of Islands, to talk to historians and signatory descendants, and explore the background to the Treaty's original signing: from debaucherous colonial Russell to Governor Busby’s Declaration of Independence, and William Hobson’s drafting (and controversial translation) of the Treaty. Constitutional lawyer Moana Jackson, author Jenny Haworth and MP Hone Harawira give their takes on the Treaty's birth, and its reception by Māori during this pivotal time in NZ history.
Māori of different ages and backgrounds talk frankly about their culture and how they feel they are perceived in this Inside New Zealand doco. Contributors include Pio Terei, Brian Tamaki, Carol Hirschfeld, Leilani Joyce and Tau Henare (who is unapologetic about his Dirty Dogs). By turns passionate, pointed and humorous, they discuss issues ranging from sex and food to teen pregnancy and prejudice. We also learn that rotten corn is not universally loved, staunchness is at best a dubious asset and not all Māori are blessed with singing ability. The Truth About Maori
Havoc and Newsboy's Sell-out Tour saw the intrepid pair ramble up and down the country offering their irreverent take on all things Aotearoa. This episode from the second series (subtitled 'Ratings Drive') is a deadpan homage to Discovery Channel as they go on the hunt for dangerous animals. They head to Nelson to cage-swim with sharks; then down to Waimairi Beach sand dunes to check out NZ's deadliest spider, the rare katipō. Finally they don disguises on return to Gore, the town they'd infamously outed as "the gayest in New Zealand" in series one.
Haunui Royal directs this 1999 documentary on the people who live in the Far North, and their guardianship (kaitiakitanga) connection with the land and sea. Royal looks at how this traditional ownership is under pressure: from urban sprawl, pollution, and changing land use. Kaitiaki include farmer Laly Haddon, fisherman Rick, paralegal Ani Taniwha (whose work with ōi (shearwater) helped deepen her connection to the land); Ngāti Kuri members looking after Te Rerenga Wairua (Cape Reinga), and a group of rangatahi from Auckland.
Postwar Māori, Pākehā and Pacific Island migrants made Ōtara the fastest growing area in New Zealand. But as local industries closed, it became a poster suburb for poverty and crime. This TV3 Inside New Zealand documentary sees eight successes from Ōtara telling their stories — from actor Rawiri Paretene and MP Tau Henare, to teachers and entrepreneurs. They reflect on mean streets, education, community and the Ōtara spirit. The first documentary from Ōtara-raised producer Rhonda Kite (who is also interviewed), it won Best Māori Programme at the 1999 NZ TV Awards.
Lee Tamahori's searing drama Once Were Warriors made Rena Owen a household name in New Zealand. The 1994 film's depiction of domestic violence within a Māori family left cinema goers shaken, and Owen's performance as the resolute Beth Heke made her career. In this documentary, Owen visits Māori women and men whose lives have been marred by family violence. Men who, with the help of organisations like Homai Te Rongopai Trust, are facing their abusive past, and women rape and abuse survivors who are finding new strength in their Māoritanga.
This full-length documentary looks at the grim reality of our fast-disappearing national symbol, and the efforts of people passionate about saving it. Remarkable facts about the evolutionary oddity are framed by the point that “the nation which laments that the moa was wiped out is committing the same crime against the kiwi”. The film raises the unsettling question: do we want the stoat or kiwi as our national icon? It also makes a compelling call to action to save a unique taonga, which could be extinct from the mainland in 20 years.
Onetime All Blacks Marc Ellis and Matthew Ridge cemented their on screen partnership with late 90s show Fresh-up in the Deep End. The Touchdown series saw the pair taking their lovable, duelling larrakin personas to a variety of locations: they did time in the armed services, the circus, flash restaurant Petit Lyon, and as butler and chauffeur to model Rachel Hunter. They also launched their own political party, did the Coast to Coast, and tried a variety of dance moves. Fresh-up in the Deep End ran for two seasons.
The irrepressible Suzy Cato (who previously presented TV3's Early Bird Show and 3pm) presents a programme for pre-schoolers. From a set designed to look like a house with bathroom, bedroom and live garden, Suzy talks directly to her audience and makes extensive use of te reo. A multi-cultural focus also comes through in the show's stories, songs, animations and puppetry. Suzy's on-set companions are a doll, teddy bear, clown and scarecrow — and a sock puppet family makes regular appearances. More than 2000 episodes were made in eight years.
The Edge was an early edition in a series of magazine style arts shows made by the Gibson Group. Later shows included Sunday, Bookenz, Bill Ralston-hosted Backch@t, and Frontseat. Diverging from then-standard Kaleidoscope model (sometimes lengthy documentaries, often on single subjects) The Edge took a faster-paced approach, with multiple pieces in a half hour show. Subjects ranged from the birth of special effects company Weta to early landscape painter Alfred Sharpe. Fronted by writer Mary McCallum, two series and over 60 episodes of the show were produced.
Hosted by Phil Keoghan not long before he left for the US, Short Sportz was a TV3 sports show encouraging kids to get involved in sports. Keoghan (later to win fame as host of Amazing Race) often kitted up himself Paper Lion-style: here he takes base against Black Sox pitches and cycles with future ironman champion Cameron Brown. This 1991 ‘best of’ show is notable for a segment presented by a rising Wainuiomata league star who’s just been signed by Newcastle Knights: Tana Umaga. Umaga’s NRL career was short-lived, and he went on to become an All Black legend.
Following the demise of alternative music show Radio with Pictures, TVNZ tried a new approach to feeding the country’s diverse audience of music fans. Taking over in the same Sunday night time slot as RWP, new show CV began each evening by concentrating on mainstream music, then progressively widened the musical palette as it got later in the evening. After an elaborate animated opening, enthused young presenters Robert Rakete, Larnie Gifford and Mark Tierney offered a new style to the minimalist cool seen on RWP.
In late 1989 U2 played to 60,000 at Lancaster Park. Exhausted by a relentless schedule and criticism of their recent explorations of American music, the band hoped for a short, fun tour with BB King. These performances were shot for music show CV. Reaction to show opener ‘Where the Streets Have No Name’ shows it was a good idea not to give up on the song during recording. After the classic ‘I Will Follow’, Bono invites a cool as a cucumber audience member up to play guitar on ‘People Get Ready’. U2 went on to reinvent themselves in Berlin with the acclaimed Achtung Baby.
Magazine show Weekend dates from an era just before NZ television underwent major change: the series ended shortly before the finish of ad-free Sundays, and new competition from TV3 in 1989. The mainstay of each extended live show was journalist Gordon McLauchlan, who took the time to introduce items over a cup of tea, and handled studio interviews. Joining him at various points was Kerry Smith, Judy McIntosh, Terry Carter, and food/wine expert Vic Williams. Weekend won three Listener awards for Best Factual Series; in 1987 McLauchlan was named Best Presenter.
What Now? is a long-running entertainment show for primary school-aged children. Filmed before a live studio audience on weekend mornings, What Now? is a New Zealand TV institution; it was the first TV show to have live phone-ins. The series is known for its challenges that sometimes result in participants being 'gunged'. A roll-call of presenters includes Steve Parr, Danny Watson, Simon Barnett, Jason Gunn, Michelle A'Court, Tamati Coffey, Antonia Prebble, and more. 'Get out of your Lazy Bed' by Matt Bianco is the theme song memorable to generations of Kiwi kids.