This second episode of the three-part series following British MP Austin Mitchell’s return to the country where he began his career in (as a broadcaster and author of 1972 book The Half Gallon Quarter Acre Pavlova Paradise) sees a focus on politics. The former Canterbury University political scientist gives a potted political history, from the roots of a conservative Kiwi political mien to the radical changes wrought by Lange’s 80s Labour government and the rise of women ‘on the hill’. Finally he considers tourism, Treaty settlements and the aspirations of Māori.

Havoc and Newsboy took the malarky of their 90s youth show on the road in this 1999 series. This episode sees the pair talking intelligence. In Wellington they spy on Keith Quinn, simulate an earthquake and hang out outside Defence HQ with journalist Nicky Hager, to talk SIS surveillance and silver protective curtains. The intrepid duo follow Hager's leads to "the most secret place in New Zealand": the Waihopai intelligence base near Blenheim. “We went and did a dance, trespassed and left our masks on the front gate”. On the ferry en route, Newsboy pays homage to song 'Montego Bay'. 

This long-running series tails working dogs and their handlers, who are helping protect New Zealand’s streets, borders, prisons and national parks. This opening episode of the second season sees dog squad member Dan "come a cropper", while chasing thieves; one prison visitor leaves with an unusual gift from inside (while other visitors are worried about their drugs from the night before); and Auckland Airport sniffer dogs snuff out some unwanted imports. Dog Squad's first two seasons were produced by Cream Media, shortly before the company was taken over by Greenstone TV.

This popular series was an early NZBC "pictorial magazine" show that explored "New Zealand’s backyard". Synonymous with producer Conon Fraser, it was a staple of Sunday night 60s TV. Subjects ranged from Chatham Islands lobster fisheries, to Central Otago frost fires, to Miss New Zealand contestants. The show was praised in a 1968 NZ TV Weekly review as breaking new ground in relying more on imagery and interviewees' reflective voice-overs than (then usual) omniscient narration: "one of the few pure television productions to have originated within the NZBC."

This 2002 Touchdown series followed rangers working for the Department of Conservation and Ministry of Fisheries. The series covered work with threatened species — ranging from kākāpō, kiwi and native lizard recovery programmes, to Hector’s dolphin in marine reserves. Other episodes included management of Abel Tasman National Park, and mountain rescue work at Aoraki/Mount Cook. Ten 30 minute episodes screened on TV One. According to the Department of Conservation's annual report for 2002, the series attracted high ratings and received excellent reviews. 

In this episode of the beloved education-focused magazine programme for children the trio of presenters (Ole Maiava, Amber Cunliffe, and future Amazing Race host Phil Keoghan) get touchy with tuna (māori for eel) and other sea creatures. Cunliffe visits an eel fishery at Lake Ellesmere; then Maiava and Keoghan get close to kina, crabs and anemone at Otago University’s Marine Studies Centre. In the second segment Keoghan gets kitted up and meets with some Canterbury ice hockey enthusiasts; he manages, mostly, to stay on his feet, and tries out goal tending.

This Touchdown series profiles the working lives of rangers who work for the Department of Conservation and Ministry of Fisheries, whose office is "the great New Zealand outdoors". This opening episode meets three rangers looking after threatened taonga: Al Hutt is a sea shepherd to Akaroa's Hector's dolphins; lizard hunter Keri Neilson rescues a chevron skink on Great Barrier Island; and Steve Sawyer defends dotterel nests from cats, hedgehogs, stoats and boy racers on the Wherowhero Lagoon beach (near Gisborne). The series screened on TV One in early 2002. 

Set in and around the fictional town of Kapua in 1948, Ngāti is the story of a Māori community. The film comprises three narrative threads: a boy, Ropata, is dying of leukaemia; the return of a young Australian doctor, Greg, and his discovery that he has Māori heritage; and the fight to keep the local freezing works open. Unique in tone and quietly powerful in its storytelling, Ngāti was Barry Barclay's first dramatic feature, and the first feature to be written and directed by Māori. Ngati screened in Critics' Week at the Cannes Film Festival