More than 100,000 New Zealanders served overseas in World War l. Over 18,000 died; at least 40,000 more were wounded. Campaigns involving Kiwis, from Gallipoli to the Western Front, were identity-forming, and the war's effects on society were deep. The World War l Collection is an evolving onscreen remembrance. Military expert Chris Pugsley writes about the collection here.
In Māori mythology Maui fished up the North Island from the sea; here the fisherman plunging into the depths is a giant drill ship, Discoverer II. By the 1960s technological changes had made it possible to prospect for oil in shallow offshore waters. This NFU film documents the months-long process of exploring for oil and gas, and the discovery of the underwater dome off the Taranaki coast that came to be known as the Maui gas field — one of the largest in the world in 1969. The field was subsequently exploited and was mostly depleted by the early 2000s.
Peter Howden’s daily letters to his wife Rhoda during World War I provide one of the most comprehensive accounts of what life was like for a Kiwi soldier in the trenches at Passchendaele in Belgium. In his letters, read in this short documentary by his great-grandson, he tells of camping out within the sightline of the enemy, dugouts formed in disused trenches, and the treacherous terrain the soldiers had to navigate. Howden would fall victim to a gas attack which left him blind, and eventually caused his death on 17 October 1917.
This specially designed light and sound installation was projected onto the facade of the Carillion in Wellington's Pukeahu Park in 2016 to commemorate the 100th anniversary of WWI. Archival material, like photographs and excerpts from letters, mix with original artwork inspired by natural imagery, and Māori and Pacific motifs, to tell Kiwi stories from the frontline. Among them are the HMS New Zealand's involvement in the Battle of Jutland, and important work by Kiwi tunnellers. This version is slightly expanded from the original 2015 film.
Suzy Cato explores the workings of the digestive system in her science programme for five to nine year olds. A plate of baked beans is the starting point — but, first, the inevitable by-product of baked bean consumption is addressed in vox pops. Vinegar, funnels and pantyhose are just some of the aids Cato uses to simulate the process; and the changes are contrasted with untouched baked beans at each stage. The results aren't pretty but the explanation is clear and good natured — and the audience outside the studio is spared the resulting smells.
New Zealand Munitions was the 26th National Film Unit effort, and the longest made in the Unit's first year. The NFU was established in August 1941 to make films illustrating New Zealand's war effort. Completed in December of that year, this is a classic propaganda piece. As World War II intensifies, New Zealanders are reassured that the country has the heavy industry required to supply its army. Factories are converted to wartime needs and munitions pour out. A suitably bellicose script informs viewers "This is our striking power: men and munitions."
When a man is found dead in the petrol station run by Horace Jones (Mark Hadlow), a surprising opportunity arises to get rid of some debt. But things get complicated when a menacing customer (Jed Brophy from The Hobbit ) shows up looking for the dead man’s money. Shot entirely on an iPhone at a petrol station in Motueka, Blue Moon is the third feature from writer/director Stefen Harris, who used his years as a police officer as inspiration for what goes on in the wee small hours. The film debuted in the Christchurch leg of the 2018 NZ International Film Festival.
Rizk Alexander found himself in a rare situation during WWI — he was an Ottoman subject who chose to fight for the British Empire. His brief life still holds a fascination for his descendants. From a Syrian Christian family, Alexander had only been in New Zealand three years, when the 17-year-old signed up for war. Hoping to fight the Turkish Ottomans, he instead ended up on the Western Front, proving himself at the Battle of Messines in 1917. Later gassed, Alexander returned to Wellington to recuperate but he never fully recovered, dying in 1924. He was 27.
Designed to inspire school leavers to find their career, Pathways sees a selection of young New Zealanders talk about their job paths. The pilot episode of this 1994 Careers NZ resource is bookended with a 'mini-drama' about young people flatting together, which includes some familiar faces. Karl Urban plays lazy surfer Wayne, while Robbie Magasiva is the sales assistant whose plans of climbing the career ladder go awry. Marcus Lush plays a DJ who links a series of interviews with people either working or training. Later Lush interviews experts on youth employment prospects.
Rock’s wild man hits Wellington (and unfortunate bystander Rosie Langley) in this lip-synched version of single 'I’m Bored'. Filmed by a Radio with Pictures crew when Iggy Pop made a promotional visit to New Zealand in July 1979, the clip shows the legendary singer acting up around Parliament, and at a pub reception attended by local media personalities (including Roger Gascoigne). It’s an uncomfortable experience for some as Iggy pulls all his stage moves among the straight-faced (and partly straight-laced) crowd. The trip was promoting his third solo album New Values.