This Wild South edition joins two legendary New Zealand wildlife documentarians — photographer Geoff Moon and sound recordist John Kendrick — on a 1988 trip to Kāpiti Island. Rangers are learning about, and looking after, the sanctuary’s manu (birds), who are “biological refugees” from the mainland, escaping introduced predators. Dogs monitoring kiwi, a kākā census, and tīeke (saddleback) nest boxes are featured. The two old mates narrate the visit, which includes Moon building a bush hide, and footage of a pioneering 1964 tīeke relocation from Hen Island.
This Wild South documentary opens with the haunting call of the kōkako ringing out over the forest canopy at dawn. The film tells the story of Aotearoa’s "avian squirrel" and its struggle for survival — living with introduced cats and rats, while the remnants of its North Island rainforest home face logging. The songbird is framed as an icon of both conservation loss and hope. The script is by poet Brian Turner. The use of composer Hirini Melbourne’s score (with lyrics in te reo) was praised by award judges at British nature film festival Wildscreen.
Some jobs never make the headlines; in the screen industry, one of those unsung positions is the production manager. After seven years on film sets in Asia, Brian Walden returned home in the mid 70s to production manage the shoots of many classic TV dramas, from Hunter’s Gold to Hanlon. In 1985 he went freelance, keeping a firm hand on shoots involving horses, hospital porters, vampires and underwater aeroplanes.
Since first winning fame as lead singer of 60s blues band The Underdogs, Murray Grindlay has gone on to apply his musical talents as a composer for feature films (Sleeping Dogs, Once Were Warriors), veteran jingle-writer (including the classic Crunchie train robbery commercial), and producer (hit single 'Sailing Away', Goldenhorse's Out of the Moon).
Murray Newey produced New Zealand's first horror film - Death Warmed Up, and went on to win international investment in four Kiwi-made features: Moonrise, Never Say Die, teen tale Bonjour Timothy and award-winner The Whole of the Moon.
Ian Wishart has been described by The Listener as “the country’s most influential journalist”. The outspoken editor of Investigate magazine has written several bestsellers examining Kiwi crime cases. Wishart gained renown as the reporter who led the investigation into The Winebox Affair, fronting a Frontline documentary on corporate fraud. He also presented 1997 found footage show Real TV.
Sound designer Mike Hopkins worked on more than 20 feature films. Along the way he won wide respect for his craft and the humble dedication he applied to it. He won awards for his work on Kiwi classics Illustrious Energy, Crush and Heavenly Creatures, and Oscars for his sound editing on King Kong and the second Lord of the Rings movie. Hopkins died in a rafting accident on 30 December 2012.
Alun Bollinger, MNZM, has been crafting the slanting southern light onto film and other formats, for almost 40 years. He is arguably New Zealand's premier cinematographer; images framed by Bollinger's camera include some of the most indelible memories to come from iconic films like Goodbye Pork Pie, Vigil and Heavenly Creatures.
Beginning as an actor, writer and director in local theatre during the 70s, John Banas increasingly focused on dramatic writing for television from the 80s on. After relocating to Australia, he established himself as a prolific TV screenwriter with a string of iconic shows, including Blue Heelers and City Homicide. His New Zealand scripts include award-winning telemovies Siege and How to Murder Your Wife.