Before X Factor there was New Faces, before Masterchef ... Graham Kerr, before Country Calendar there was ... er, Country Calendar. This collection picks the screen gems from the decade that gave Kiwi pop culture, "miniskirts, teenagers — and television." Peter Sinclair, Sandy Edmonds, Howard Morrison, and Ray Columbus star. Do your mod's nod and C'mon!
Family, friends and former foe joined Helen Clark before the cameras for this TV3 documentary, which charts her journey from Vietnam protestor through low-polling Labour Party leader, to long-reigning PM and the UN. In this excerpt, Clark and biographer Denis Welch recall how after becoming opposition leader, Clark was advised to make various changes to her hairstyle and presentation. Featuring appearances by John Key, Don Brash and media-shy husband Peter Davis, the two-part doco was helmed by Dan Salmon and artist/director Claudia Pond Eyley.
This song and dance special screened in 1985, at the tail end of Rob Guest’s Vegas showman days. Guest was yet to take on his beloved role as the Phantom of the Opera, but his versatility and musical talent is clear. It’s a little cheesy (what entertainment show made at Avalon Studios in the 1980s wasn’t?), but Guest shines as the classy all-round entertainer he was. Singers Yolande Gibson and Jan Lampen join in for a medley of James Bond tunes. Also featured: The New Zealand Māori Chorale, and a leggy version of Kenny Rogers' 'The Gambler' with The Lynette Perry Dancers.
This award-winning puppetry/comic book creation follows a put upon heroine enduring jibes from the cool crowd about her hairstyle. She resolves to rectify her situation using a new 'Hairagami Set'. The video was created by duo Trophy Wife (Ian and Rebecca Hart), who later revealed that the Hairzilla monster was a late addition, after US record label Sub Pop felt uncomfortable with "school shooting imagery". The clip won Best Music Video at the 2008 Vodafone NZ Music Awards. Check out the true to life puppets of band members Jonathan Bree and Heather Mansfield.
NZ's first major female pop star, "Queen of the Mods", Dinah Lee is profiled in this NZBC special (one of the earliest surviving interviews with a Kiwi rock'n'roller). Her trademark pageboy-with-kiss-curls hairstyle is almost a character in its own right as she talks about the pressures of celebrity — while footage of her recording 'He Can't do the Bluebeat' reveals a singing voice that is almost a shock after the softly spoken interview. The last word goes to Lee's manager who recounts the "nightmare" repercussions of her TV appearance in Bermuda shorts.
After ten years performing together, Ardijah released their debut album Take a Chance to platinum sales and a 1988 NZ Music Award for Most Promising Group. One of three Top 10 hits off the album, 'Time Makes a Wine' is punctuated by clever light direction and a bright colour palette. All the way through silhouettes, smoke and an upright bass add to the video’s visual appeal. A few questionable hairstyles aside however, it’s the bright animation, reminiscent of A-ha’s classic Take On Me video (and only a couple of years after), that proves the most eye-catching.
Peking Man's self-titled album took away a stack of awards in 1986. It also spawned chart-topper 'Room that Echoes', followed by number six hit 'Good Luck to You'. Directed by The Piano lensman Stuart Dryburgh, thw NZ Music Award-nominated video highlights sibling singers Pat and Margaret Urlich, sax and gel-assisted hairstyles. The Auckland cityscape is littered with construction cranes and glass high rises, shortly before the stock market crash of 1987; and legendary central city cafe DKD (at the back of the Civic Theatre) also takes a starring role.
Black, white and red exuberance abound in this award-winning music video from Supergroove. The band's funk-heavy live performance is intercut with scenes of the band clowning around at the Otara Market, on a Three Kings volcano, and crowded into the back of an open-top VW. The hairstyle of vocalist and future Cambridge classics scholar Karl Steven — shaved, aside from an extended fringe arrangement at the front — is a relic from another era. An alternative video made for the same song revolves around the band doing everything backwards.
Best-known as an outspoken and award-winning columnist, Rosemary McLeod devised and was principal writer on iconic 80s soap Gloss. McLeod was a newspaper reporter for years before moving into broadcasting. She eventually became a sitcom writer and script editor both in New Zealand and Australia, and was among the first women to write a sitcom in either country.
The career of iconic broadcaster Angela D'Audney spanned four decades. After a pioneering frontwoman role on 1974 regional show Look North, D’Audney went on to present news programmes, long-running arts slot Kaleidoscope, and act in teleplay The Venus Touch. In 2001 she was diagnosed with a brain tumour; D'Audney died the following year, after co-writing autobiography A Wonderful Life.