Heroes followed a band trying to make it in the mid-80s music biz. Teen-orientated, the show marked a first major role for Jay Laga’aia (Star Wars), and an early gig for Michael Hurst (with blonde Billy Idol spikes). Band keyboardist John Gibson co-wrote the series music; he later became an award-winning film composer. Margaret Umbers (Shortland Street, Bridge to Nowhere) was a non-musician in the cast (with Hurst), but since has sung regularly in a jazz band. A second series follow in 1986.
Long before the comedy of Flight of the Conchords, Heroes followed the triumphs and pitfalls of a band trying to make it in the mid-80s NZ music biz. It marked the first major role for Jay Laga’aia, and early lead gigs for Michael Hurst and Margaret Umbers. In this first episode the band gets together as Dave (Hurst) ditches his covers band, flunks a TV audition, and hooks up opportunist flatmate Ron (Laga’aia), synth player Peter (John Gibson, who co-wrote the series music) and bass player Maxine (Umbers). Synth and leopard skin abound.
Phil Keoghan’s pre-Amazing Race screen education included profiling Kiwi adventure sport thrillseekers in a series of short vignettes for TV3’s Mobil Sport. Scored to a sampler of early 90s pop music, these clips focus mostly on rad airborne acrobats: a ‘para-bungee’, the then-new sport of skysurfing, riding atop a Tiger Moth, Phil losing the sponsor’s product flying with veteran fighter pilot Bryan Cox, plus surfing down sand dunes on snowboards. Keoghan later took the Keoghan’s Heroes concept to Canada and the United States (including a slot on CBS news).
Michael Hurst is an acclaimed theatre actor and director, who has also featured in a broad range of television and film roles, including his long-running gig as sidekick Iolaus in the American TV series Hercules. In the mid-90s Hurst also began directing for the screen, initially on episodes of Hercules and Xena, but also helming the feature film comedy Jubilee, and TV mockumentary drama Love Mussel.
Auckland Museum's Volume exhibition told the story of Kiwi pop music. It's time to turn the speakers up to 11, for NZ On Screen's biggest collection yet. Turning Up the Volume showcases NZ music and musicians. Drill down into playlists of favourite artists and topics (look for the orange labels). Plus NZOS Content Director Kathryn Quirk on NZ music on screen.
More than 100,000 New Zealanders served overseas in World War l. Over 18,000 died; at least 40,000 more were wounded. Campaigns involving Kiwis, from Gallipoli to the Western Front, were identity-forming, and the war's effects on society were deep. The World War l Collection is an evolving onscreen remembrance. Military expert Chris Pugsley writes about the collection here.
This collection, launched to honour 10 years of NZ Fashion Week, celebrates Kiwi fashion on screen. From TV showpieces (B&H, Corbans) to docos on designers; Gloss to archive gold, from Swannies to Split Enz, taniko to foot fetish ... take a stroll down the catwalk of our sartorial screen past. Beauties include ex-Miss Universe Lorraine Downes and a teenage Rachel Hunter.
Low-tech legend Chris Knox is an accomplished musician, cartoonist, critic, filmmaker, and jandal wearer. His particular genius takes flight in the DIY aesthetic of his music videos. “This is a unique and important collection of work perfectly illustrating what is possible with the barest of resources and a free-wheeling imagination”, Flying Nun founder, Roger Shepherd.
To celebrate NZ's unique natural taonga, Peter Hayden has curated a highlights collection from three decades of NHNZ productions. Aotearoa's landforms and its magnificent menagerie of natural oddities - birds, insects, trees like nowhere else on the planet - are showcased in 15 award-winning titles. From Discovery Channel and David Bellamy, to Wild South and Our World classics.
As a showcase history of Christchurch on screen this collection is backwards looking; but the devastation caused by the earthquakes gives it much more than nostalgic poignancy. As Russell Brown reflects in his introduction, the clips are mementos from, "a place whose face has changed". They testify to the buildings, culture and life of a city now lost, but sure to rise.