This collection, launched to honour 10 years of NZ Fashion Week, celebrates Kiwi fashion on screen. From TV showpieces (B&H, Corbans) to docos on designers; Gloss to archive gold, from Swannies to Split Enz, taniko to foot fetish ... take a stroll down the catwalk of our sartorial screen past. Beauties include ex-Miss Universe Lorraine Downes and a teenage Rachel Hunter.

Actor Kevin Smith could do it all; from brooding like Brando in a Tennessee Williams play, through Xena, to the gentle romantic lead of Double Booking, and self-parody in Love Mussel. Collected here are selections from a career cut short (he died in a 2002 film-set accident). Plus tributes from James Griffin, Michael Hurst, Geoffrey Dolan and Simon Prast. 

This collection shows the screen icons from the decade of Springboks, sax and the sharemarket crash. The world champ All Blacks' jersey was loose, socks were red and shoulders were padded. On screens big and small Kiwis were reflected ... mullets n'all: from Bruno and the yellow mini, to Billy T's yellow towel, Karyn Hay's vowels, Poi-E, Gloss, Dog and more dogs showing off.

This Heartland channel series marked 50 years of television in New Zealand. Each episode chronicled a decade of screen highlights, alongside an interview with a personality who worked in that era. In this excerpt from the 1990s episode, host Andrew Shaw chats to Peter Elliott about his TV career, from painting the floor for Grunt Machine to becoming a high profile actor (Gloss,  Shortland Street), and presenter (Captain’s Log). Elliott reflects on the Shortland Street (and Civil Defence advert) curse, and the screen industry’s growing confidence in telling local stories. 

In this Koha story, reporter Temuera Morrison arrives on the East Coast to watch the making of Mauri, the first dramatic feature directed solo by a Māori woman. Writer/director Merata Mita argues that the 50s set drama is "about birth and death, and all that takes place between", and talks about how the film is important in giving Māori filmmaking experience, and a voice on screen. Actors Zac Wallace (Utu) and Eva Rickard are interviewed, while locals talk about the challenges of making movies. There are also glimpses of some of the Ralph Hotere-designed sets. 

Fresh-up in the Deep End saw sportsmen turned TV larrikins Marc Ellis and Matthew Ridge facing challenges far outside their comfort zones. This episode has the pair taking on dancing, from ballroom and latin styles, through to cabaret, contemporary and Irish. En route they try some body percussion with Black Grace Dance Company, and do the can-can under the watchful eye of cabaret legend Debbie Dorday. Then they must put their new found skills to the test in full on competition. Ridge and Ellis' skills with a rugby ball in hand don't always translate onto the dancefloor.

If a single word could sum up the free-wheeling flavour of alternative music and comedy in Aotearoa during the 1970s, that word would surely be ... Blerta. The 'Bruno Lawrence Electric Revelation and Travelling Apparition' included foundation members of the NZ screen industry (Lawrence, Geoff Murphy, Alun Bollinger) plus other merry pranksters. Drawing on the Blerta TV series and beyond, Blerta Revisited  (aka Blerta - The Return Trip) is an anarchic collection of comedy skits, musical interludes and films culled from the Blerta archives. Costa Botes writes about Blerta here. 

Anna Kingston (Outrageous Fortune's Robyn Malcolm) isn't having a good year: her husband has left her and their two teenage daughters, forcing her to relinquish a pampered lifestyle to return to work. Devised by Robyn Malcolm, this TV One comedy-drama follows Kingston as she tries to sell real estate and live with her parents. Her rich friends give her the cold shoulder, and her sleazy work colleague Leon Cruickshank (Adam Gardiner from movie Hopeless) proves he can't be trusted. Rejected by everyone, Kingston turns to self-help CDs for inspiration: "I deserve to win".