Episode four, series four of this Māori artists’ profile series, tracks eminent photographer Fiona Pardington. In this extract Pardington works with her brother Neil, and discusses her life path: her Māori roots, wanting to be a photographer at age six, art school, and the hard road to making a living as an artist. Describing her medium as one of mood and depth, her search is for a balance of knowledge and wairua. Includes images of her stunning interpretations of cultural taonga, such as specimens of esteemed (and extinct) huia birds, and carved pounamu.
Drama and commercials director Peter Burger (Until Proven Innocent, Fish Skin Suit) is profiled in this episode from a bilingual Māori Television series about artists. In this extract, he traces the origins of his career to a “crazy little accident” in the form of drama lessons taken to correct a childhood lisp. His early aspirations to be an actor were soon eclipsed by a fascination with the process of directing. Making adverts provided him with a chance to develop and hone the storytelling skills he would apply to television and film.
Ryan and Betty-Anne Monga, the core of South Auckland “poly funk” band Ardijah, are profiled in this episode from a Māori Television series about leading Māori artists. In this excerpt, they recall their early days, with Betty-Anne as a soloist and Ryan leading a “boys group” covers band with dreams of a residency on the club circuit. Their decision to join forces resulted in a chart hits like ‘Give Me Your Number’ and ‘Time Makes a Wine’, and in the band becoming a family business — with their son playing bass (but only after a rigorous audition).
This episode of the Māori Television series about Aotearoa artists follows Māori screen pioneer Merata Mita. Mita produced vital work anchored in culture and community. This extract concentrates on the occupation of Bastion Point. Mita and protest leader Joe Hawke talk of how 25 May 1978 shaped her concerns as a filmmaker: "It was life, it was a transformation". The documentary includes footage from Bastion Point: Day 507, Patu, Mita's feature Mauri and Utu, and sees her running a lab for indigenous filmmakers. The episode was the 17th screened in Kete Aronui's fifth season.
Kiwi hip hop pioneer, poet and videographer Dean Hapeta (aka Te Kupu) delves into his Hutt Valley childhood and his deep connection with Māori self-determination in this Kete Aronui excerpt. Hapeta says he was "colour conscious" from a young age, and while violin lessons and an "embarrassing" stint as a choir boy didn't stick, he was always drawn to making music. Hapeta and Upper Hutt Posse exploded onto the Kiwi music scene in 1988 with the punchy E Tu, a single and a music video that was proudly political and marked the birth of Aotearoa hip hop.
Richard Nunns is a renowned expert in taonga pūoro — traditional Māori instruments like wood and bone flutes. This 2007 episode of the Māori Television arts show sits down with him as he narrates his collaboration with Brian Flintoff and the late Hirini Melbourne — “a magic coalition of separate skills” — and the journey they’ve undertaken to resurrect lost sounds. Inspired by museum objects, literature and song, the trio led the revival of the form in contemporary Aotearoa. Nunns says the pūoro would’ve functioned as “a cellphone to the divine” for tohunga (experts).
This episode from series five of Kete Aronui, a documentary series featuring Aotearoa's artists that screened on Māori Television, follows the careers of iconic contemporary dancers Taane Mete and Taiaroa Royal. For both, training at Te Whaea propelled them into their art, teaching them not only technique but also a way of life. Featuring footage of Royal dancing in Douglas Wright's Forever (1993), the excerpt also includes a dance class with Michael Parmenter, another dance great, and discussion of dance companies Limbs and Black Grace.
Kete Aronui is a documentary series that features leading contemporary Māori artists. Screening on Māori Television, produced by KIWA Media, and funded through Te Māngai Pāho, its title translates as "basket of knowledge." Each episode provides a portrait: surveying the lives and practices of the artists, often with a focus on how they interact with their whanāu and community. The series surveys artists working in a diverse range of mediums, including dance, photography, theatre, film, poetry, music, tā moko, weaving, and sculpture.
Māori Television hit the airwaves on 28 March 2004. This collection demonstrates how the network has staked its place as Aotearoa's indigenous broadcaster. The kete is overflowing with tasty morsels — from comedy, waiata, hunting and language learning, to award-winning coverage of Anzac Day. Māori Television HOD of Content Development Nevak Rogers backgrounds some MTS highlights here, while Tainui Stephens unravels the history of Māori on television here: choose from te reo and English versions of each backgrounder.
In this Māori Television reboot of the classic game show, presenters Pio Terei and Stacey Daniels Morrison take the roadshow to the North Island town of Ohakune, under the foot of Mount Ruapehu. To be able to barter for te moni or te kete, contestants have to successfully answer locally themed questions. In this fifth season episode, contestants — including one who saw Selwyn Toogood in the original show as a six-year old — are quizzed on giant carrots, halitosis, stamps and ski fields. Imagine those famous carrots in the MultiKai cooker!