Before X Factor there was New Faces, before Masterchef ... Graham Kerr, before Country Calendar there was ... er, Country Calendar. This collection picks the screen gems from the decade that gave Kiwi pop culture, "miniskirts, teenagers — and television." Peter Sinclair, Sandy Edmonds, Howard Morrison, and Ray Columbus star. Do your mod's nod and C'mon! 

Host Paul Holmes puts the life of opera star Dame Malvina Major in the spotlight and discovers her origins in a large Waikato family whose first love was country music. Guests include John Rowles and Dame Kiri Te Kanawa (a fellow pupil of their often terrifying teacher, “the tiny force behind the biggest voices”, Dame Sister Mary Leo). Major’s triumphs are revisited, as is her decision to give up her international career to farm with her husband in Taranaki. A good sport throughout, she even manages a yodel for a ukulele-led family sing-along.

This 2002 documentary explores the stories behind one of Aotearoa’s most beloved songs: ‘Pokarekare Ana’. Claims for the authorship of the waiata aroha are examined, and Kiwis famous and lesser known reflect on the song’s place in the culture. Directed by Chas Toogood, the doco features classic performances: from St Joseph’s Girls’ Choir singing in the Waitomo Caves in 1960, to Inia Te Wiata going low in English, Kiri Te Kanawa soaring in concert, Hinewehi Mohi enlisting a 30,000 strong league crowd as backing singers, and sailing away in a 1987 America’s Cup campaign song. 

Big hair, big shoulder pads and big earrings feature in this video celebrating Three’s 30th birthday. On 26 November 1989, TV3 — the first privately owned TV channel in New Zealand — transmitted from its Auckland studios for the first time. The promo opens with fresh-faced news reporters/presenters hamming it up for the camera, including Joanna Paul, Eric Young and Genevieve Westcott. The rest of the clip celebrates Three's successes (Outrageous Fortune, bro’Town, 7 Days) and takes a light-hearted look at its failings, revisiting times it went into receivership.

John O'Shea was godfather to generations of Kiwi filmmakers; he was an inspirational force committed to bringing new perspectives to the screen. As Ngati actor Wi Kuki Kaa put it, "had he been a Māori, he would have been a kaumatua years ago". This documentary backgrounds O'Shea and his pioneering indie production company Pacific Films, ranging from his efforts to put Māori on screen, to banned 60s ads. The cast provides proof positive of O'Shea's influence — amongst the ex-Pacific staff interviewed are the late Barry Barclay, Tony Williams and  Gaylene Preston.

Howard Morrison gets the surprise of his life in this emotional reunion of his showbiz friends and whānau. Veteran This Is Your Life presenter Bob Parker consults his big red book to revisit all of Morrison's major career milestones. Known as 'The Sinatra of New Zealand' and 'Ol' Brown Eyes', Morrison was a New Zealand entertainment icon. The show brings back his first singing teacher, his Mum, Kahu, his sisters and many friends from the industry. The show is a roll call of major NZ entertainment figures who come to pay tribute to 'Mr Entertainment'.

In this episode from the 1990 documentary series chronicling modern Māori music, the spotlight shines on popular Māori vocalists. Singers from several genres feature — from internationally renowned bass baritone Inia Te Wiata to Bunny Walters, who sang covers on mainstream TV music shows before launching a successful solo pop career. Jazz and cabaret performer Ricky May is remembered as a special talent, and Sir Howard Morrison reflects on the toll his life in show business took on his young family. Tainui Stephens (The New Zealand Wars) directed the seven-part series.

Christopher Columbus sailed 15,000 miles to find the new world: "500 years later, it turned up on the doorstep." This documentary chronicles New Zealand's hit contribution to Expo '92, held on the Seville island where Columbus apparently planned his voyages. Amidst the celebrations, come culture clashes. Reporter Marcia Russell argues that ultimately Expo is about creating consumers and brand awareness, by selling New Zealad as sophisticated, exotic, proud, and culturally mature. It is also a chance to persuade the masses that Aotearoa is actually south.

Made in an era before “coolest little capital” and Absolutely Positively Wellington, the title of this NFU promotional film — Promises, Promises — nods to the capricious charms of the harbour city. A reflective narration is scored by a saxophone soundtrack as the film tours from the stock market, school fair, and swimsuit shopping, to Trentham and up hillside goat-tracks. The opening of Parliament is cut together with a Lions versus France rugby match at Athletic Park, while Scorching Bay is jam-packed with sun-seekers (it must have been filmed on a good day).

This National Film Unit film visits Christchurch roughly four years before the main event, to promote the city’s readiness to host the Commonwealth Games. A comical potted history of New Zealand precedes a montage of young women cycling around Canterbury environs and a split screen catalogue of NZ tourist attractions, before getting into a survey of the venues. As the opening demonstrates, “there’s always a traditional welcome awaiting our friends!” In 1973 the NFU completed a second film called Christchurch 74, before covering the games themselves in the feature-length Games 74.