Armed with laser beam-firing crutches and computerised wheelchairs, 'The Kids' are a crime-fighting duo of physically-disabled teenagers working for O.W.L. (Organisation for World Liberty) to defeat the evil S.L.I.M.E. (Southern Latitude's International Movement for Evil!). Directed by Kim Gabara, this opener for the second series of the fondly-remembered show sees the kids foil a kidnap, enlist a new member, and steal a dangerous weapon: the 'Stickling Solidifier'. Neon alert: aficionados will note the early use of graphics from Apple 2 and Apple 3 computers.
The titular kids are a crime-fighting duo of physically-disabled teenagers working for O.W.L. (Organisation for World Liberty) in the battle against the evils of S.L.I.M.E. (Southern Latitude's International Movement for Evil!). With laser beam-firing crutches and computerised wheelchairs at their disposal they inevitably outwit the bumbling crooks. Made in Christchurch, the fondly-remembered kids' show was created by Kim Gabara and screened for two series. Neon alert: Apple aficionados will note the early use of graphics from Apple 2 and Apple 3 computers.
One of New Zealand television's more notorious episodes, the 1987 Gofta Awards start promisingly with an extended montage of Auckland scenes (just before the sharemarket crash). It's downhill from there. Presenters Nic Nolan and Leeza Gibbons (Entertainment This Week) look bizarre in silver suits; an underfed and overexcited audience grows more and more vocal; special guest John Inman (Mr Humphries from English sitcom Are You Being Served?) is heckled; and things come badly unstuck as timing issues see winners turned away as they try to collect their awards.
Tattoo explores the love-hate relationship many people have with this form of permanent body art. Stories range from those who are about to get a tattoo and those who are living with theirs, to those who want their tattoos removed altogether. The doco explores the devil-may-care approach of a tattoo virgin, as well as the quiet reflection of a tattoo veteran going through the long and painful removal process. Tattoo played in TV3's Inside New Zealand series.
Ambitious kids' sci fi series Space Knights pitched the King Arthur myth into a zany universe of Knights of the Round Space Station, Vader-esque villains, rainbow rocket exhaust, and laser lance jousting. The distinctive look of this early South Pacific Pictures series — like a picture book come to life — was led by cartoonist Chris Slane who achieved it by using actors in life-size puppet suits and blue screen effects. In this excerpt, the evil Mordread creates an android Trojan horse to infiltrate Castle Spacelot. The 'Space Junk' theme song is by Dave Dobbyn.
For Kiwi-Chinese soldier Victor Low, World War I was fought mainly underground. Dunedin-born Low was a surveyor attached to the New Zealand Tunnelling Company, which created a network of caverns and tunnels in France before the Battle of Arras in April 1917. The complex was big enough to accommodate 12,000 soldiers and equipment. This episode of Great War Stories uses archive footage and modern laser scanning to map out the tunnels that still exist under the battlefield. Later, Low helped create the famous Bulford Kiwi which sits above Sling Camp in England.
Ambitious Jonathan Gunson-created children's series Space Knights pitched the King Arthur myth into a zany sci fi universe of Knights of the Round Space Station, Vader-esque villains, and laser lance jousting. The distinctive look of this early South Pacific Pictures series — like a picture book come to life — was developed by Listener cartoonist Chris Slane, and achieved by using actors in life-size puppet suits and blue screen effects. The series was 22 half hour episodes and screened internationally. The memorable 'Space Junk' theme song was by Dave Dobbyn.
This single for Mint Chick Kody Nielson's solo project possibly takes its name from the music-hating creatures in Beatles movie Yellow Submarine, or a Balinese mushroom with mind-altering properties. Or both. Director Sam Kristofski's video for this shimmering neo-60s pop song — captioned a "Sci-Fi-Delic Experience" — is in the ‘hipster surrealist’ mode (typified by Spanish collective CANADA). Model Zippora Seven hikes in the woods, overseen by a golden Buddha with laser beam eyes worthy of Flash Gordon. The trippy animation is by Daniel Foothead.
David Blyth cemented his place in the Kiwi filmmaking renaissance with two films that left social realism far behind: 1978 experimental feature Angel Mine, and 1984's Death Warmed Up, New Zealand's first homegrown horror movie. Since then Blyth's work has included family friendly vampire film Moonrise, a number of documentaries on war, and varied works exploring sexuality.
Keith Slater started his journalism career at South Pacific Television before becoming a director, then taking the helm as Auckland Bureau Chief in TV3's newsroom. Along the way he produced shows like Fair Go and Country Calendar, but his heart belonged to current affairs, where his list of credits included TV3's primetime news, 60 Minutes, 20/20, Nightline and Campbell Live. Slater passed away in June 2017.