Lawrence 'Curly' Blyth volunteered for World War 1 despite being under age. In 1916 his rifle brigade was sent to the Western Front, where he fought for 23 days amongst the mud of the Somme. In the final weeks of WW1 Blyth helped liberate the strategic French town of Le Quesnoy from German forces, later winning a French Legion of Honour for his efforts. In this documentary his grandson, director David Blyth, uses interviews and stock footage to chronicle the times at war of his bossy yet personable grandad, who died in 2001, aged 105.
In this tale of an English servant woman doing it hard down under, Lizzie (Sarah Peirse, who won a Feltex) finds herself trapped on a rundown Canterbury sheep farm alongside three men: one mean, one silent, and one simple-minded (Bruno Lawrence, who Lizzie first meets in this excerpt). Directed by David Blyth between his edgy debut Angel Mine and splatter-fest Death Warmed Up, the pioneer tale was written by English author Elizabeth Gowans. Newbie scribe Fran Walsh later extended the film to tele-movie length, from its original incarnation as A Woman of Good Character.
Pre-dating Peter Jackson's arrival (Bad Taste) by three years, New Zealand's first horror movie sees Michael Hurst making his movie debut as he fights mutants (including Bruno Lawrence) on Waiheke Island. Hurst's character is out to avenge the mad scientist who forced him to kill his parents. A grand prize-winner at a French fantasy festival (with cult director Alejandro Jodorowsky on the jury), David Blyth's splatterfest marked the first of many horrors funded by the NZ Film Commission. It was also the first local showcase of the smoothly-flowing Steadicam camera.
David Blyth cemented his place in the Kiwi filmmaking renaissance with two films that left social realism far behind: 1978 experimental feature Angel Mine, and 1984's Death Warmed Up, New Zealand's first homegrown horror movie. Since then Blyth's work has included family friendly vampire film Moonrise, a number of documentaries on war, and varied works exploring sexuality.
Though Michael Heath helped create a run of pioneering examples of the Kiwi cinema of unease, his contributions to our culture defy easy categorisation. His scripts include many films which have made a comfortable home between genres: children’s vampire tale Moonrise/Grampire, nostalgic Ronald Hugh Morrieson chiller The Scarecrow, Heath’s work with director Tony Williams, and his acclaimed song-cycle A Small Life.
Mike Westgate began working in sound in his native England. Since moving to New Zealand in the 1970s, he has contributed his skills to documentaries, drama series, and more than 20 features, and passed them on to a new generation, both on film sets and as a guest tutor at South Seas Film & Television School.