These behind the scenes shots of the NZBC's mid-60s flagship pop show offer a fascinating glimpse of TV studio production at the time (complete with fixed lens cameras). No broadcast footage from Let's Go survives, so this colour Standard 8 film — shot during a rehearsal by technician Clyde Cunningham — is also the only record of a series only ever seen in black and white. Peter Sinclair is the presenter (in his first TV job), the technicians are resplendent in white coats and the musicians are still in the thrall of Beatlemania with their suits and boots.
Auckland school boy, and master of "the fine art of doing nothing", Josh Murphy realises a couch potato's dream in this episode of the award-winning young inventors' series. A self professed "lazy boy", Josh has dreams of a motorised chair equipped with the necessities of life — Playstation, DVD player and fridge. The show's challenge to Josh is to build his chair and spend a school day in it (including classes, rugby practice and school production); but did the resident experts really try out a jet powered chair? Or was it all a dream for slothful Josh?
In the debut episode of the award-winning young inventors' series, Auckland schoolboy Adam Gaston has a design for rocket-powered ice skates — and the resident Goober experts and guests (including Aquada developer Alan Gibbs and Olympic speed skater Mark Jackson) could be the ones to help him achieve his need for speed. Challenged to create skates that will outsprint Jackson, Adam and 'Build Buddy' Sam Britten discover that rockets may be a step too far. Jet propulsion could be the solution — but will anyone be brave enough to test the results?
This madcap, Qantas award-winning TV2 children's show gives young inventors the opportunity to realise their ideas. It was created by Neil Stichbury and Luke Nola after their zany inventions show for kids, The Goober Brothers, had viewers sending in their own suggestions. There's serious intent in the mayhem with practical science explanations and intellectual property safeguarded. Contributors over six series (to 2012) have included engineer Chris Chitty (creator of animatronic sheep for the film Babe) and Sam Britten (son of motorcycle designer John Britten).
This edition of Prime TV’s history of New Zealand television looks at 50 years of entertainment. The smorgasbord of music, comedy and variety shows ranges from 60s pop stars to Popstars, from the anarchy of Blerta to the anarchy of Telethon, from Radio with Pictures to Dancing with the Stars. Music television moves from C’mon and country, to punk and hip hop videos. Comedy follows the formative Fred Dagg and Billy T, through to Eating Media Lunch and 7 Days. A roll call of New Zealand entertainers muse on seeing Kiwis laugh, sing and shimmy on the small screen.
In the heady days of Beatlemania, Let's Go was the first viable successor to In The Groove (NZ's first TV pop music show in 1962). It was devised and produced by Kevan Moore — with DJ Peter Sinclair in his first big presenting role. Recorded in Wellington at the NZBC's Waring Taylor Street studio (with its notorious sloping floor a challenge for the big cameras), it featured a resident band — first The Librettos and then the Pleasers. Let's Go only lasted two years, but in 1967 Moore and Sinclair teamed up again for the hugely successful C'mon.
“The big ALL FUN show for the whole family to enjoy!” said the ads for this musical comedy, which was one of only two Kiwi features made in the 1960s. Moving from Sydney to a Rotorua music festival, it follows the romance between a lively drummer (Gary Wallace) and Judy (Carmen Duncan), and the hurdles they face to stay true. That's only an excuse for a melange of madcap musical fun. Made by John O’Shea for Pacific Films, the movie featured performers Howard Morrison (who sings in this excerpt), Lew Pryme and Kiri Te Kanawa, plus distinctive graphics by artist Pat Hanly.
This documentary tells the 25-year history of Kohanga Reo via the influential figure of Iritana Tāwhiwhirangi (2014 New Zealander of the Year finalist). Kohanga Reo is a world-leading educational movement that revitalised Māori language, “by giving it back to the children”. Not eschewing controversy, director Tainui Stephens’ film journeys from a time when students were punished for speaking Māori to a present where they can have ‘total immersion’ schooling in te reo. The Qantas Award-nominated doco screened on Māori Television, and at indigenous festival ImagineNATIVE.
Peppermint Twist’s colourful, stylised portrait of 60s puberty floated onto NZ screens in 1987, winning a solid teenage following. Something of a homegrown homage to US sitcom Happy Days, Peppermint was set amongst a group of teens in small town Roseville, and made liberal use of period songs and arrangements. This episode involves mounting rivalries over a typically pressing issue: an upcoming limbo contest. Further nostalgia value is provided by real-life 60s music show host Peter Sinclair, who makes a cameo as compere of the contest.
Inspired by the words of poet James K Baxter, ‘Let Time Be Still' was one of 12 songs recorded for 2000 tribute album Baxter. With help from studio whizz Joost Langeveld, Greg Johnson goes for a spare, percussive approach which puts the lyrics of Baxter's early love poem at front and centre. The video merges blue-washed images of Johnson in and around Jerusalem, with the long-haired, mokoed object of his affection. In 2010 the poem was given a more classical treatment by composer Te Ahukaramū Charles Royal.