Rubbings from a Live Man is a semi-dramatised biography largely performed by the subject himself — legendary theatre actor and director Warwick Broadhead. He recounts his dramatic life story by adopting a number of personas. The collaboration with director Florian Habicht marked a rare time the camera-wary Broadhead performed on screen. He describes his troubled upbringing as a lot of cover-up and pretence. "Then I went into the world of theatre," he says, "which is cover-up and pretence." Broadhead passed away in January 2015, having predesigned a memorable funeral.
"Kevin has a strict daily routine, part of which is about to be taken away — throwing his life into turmoil." The Kevin in question is Solid Gold FM DJ Kevin Black, and the essential part of his everyday routine being removed is … sleep. This second episode of the 2001 Touchdown reality series — in which varied participants deal with deprivation — sees ’Blackie' slowly but surely disintegrating over 70 sleepless hours. Despite caffeine, gym and jigsaws, his performance at memory game Simon suffers, he faces hallucinations, and the delirious results are heard over the airwaves.
This four-part series explores New Zealand social history through rugby, from the first rugby club in 1870 to the 1995 World Cup. In this episode commentators muse on the roots of rugby in a settler society, in "a man's country". Rugby's unique connection with Māori, from Tom Ellison and the Natives’ tour to a Te Aute College haka, is explored; as well as the national identity-defining 1905 Originals’ tour, and the relationship between footy and the battlefield. As the Finlay Macdonald-penned narration reflects: “Maybe it's just a game, but it's the game of our lives”.
Roots reggae act Kora present this Living Room episode from the beach at Whakatane — hometown for the four Queenstown-based brothers. Then ex-Mental As Anything guitarist Reg Mombassa (born in Auckland as Chris O'Doherty) talks from Sydney about his iconic artworks for Mambo — including the notorious Australian Jesus series — and wonders if he's turning into a blowfly. Finally there’s a profile of outsider artist Martin Thompson, whose painstaking mathematically-based work has travelled from Wellington community workshops to Wallpaper* magazine.
This episode from The Living Room is presented by Wellington band TrinityRoots. First stop is a dans paleis, where competitors (including Fat Freddys' DJ Mu) tweak samples in a battle for the MPC heavyweight title. Then Dunedin artist Phil Frost tours his studio, talks skulls and bones and skate video Tulgonia Two (where broken ankles are the price of filming mad tricks). Poet Cameron Hockly takes his words to Te Awamutu's streets; and mainlander Peter King lathe cuts bespoke records for clients from the Beastie Boys to Trinity Roots (whose True LP is cut here).
Campbell Live was Three's flagship current affairs programme for a decade. Despite a public campaign to save it, the show ended on 29 May 2015. This final episode presents a greatest hits reel. Alongside acclaimed reporting (Novopay, the Pike River mine disaster and collapse of Solid Energy, the 2011 Christchurch Earthquake) there are campaigns for healthy school lunches, and to get the All Blacks to play in Samoa; plus marvellous moments like the 2011 Rugby World Cup final. An emotional John Campbell tautokos his team, and signs off: "Ka kite anō and a very good evening indeed."
These excerpts from arts show The Living Room mark an early screen appearance for "jungle folk comedy duo" Flight of the Conchords. Starting in Wellington and building to performances at the 2002 Edinburgh Festival Fringe, the item sees longtime colleague Taika Waititi playing the duo's wisetalking manager, pre Rhys Darby. After meeting Jonah Lomu at the airport, dreams of fame face cramped digs and the intense competition of Edinburgh. The duo handle things with their droll resolve. The following year the Conchords were nominated for a Perrier Award, en route to stardom.
With his soulful pop and sexually ambiguous image, Mark Williams was a sensation in 1975 as he topped the singles chart with 'Yesterday Was Just The Beginning Of My Life' and followed it with NZ's best selling pop/rock album of the decade. By 1979, he was based in Australia but he returned home to record this TVNZ special in a Wellington night club. The image is toned down but, backed by a seasoned band, Williams puts in an energetic and polished performance (which includes 'Yesterday' and his other number one 'It Doesn’t Matter Anymore').
Reality TV host Marc Ellis tones down his laddish antics to present this series on other cultures and beliefs. In this episode he asks "what makes the Hare Krishna tick...what makes them so happy all of the time?". Ellis moves in with a Krishna community in West Auckland, where his strikingly casual guide teaches him what it is to be a Hare Krishna. Late night and early morning dance sessions prove to be less of a struggle than anticipated for Ellis, who seems to fit right in — although the haircut might be a little close, and the proximity of the local pubs a temptation too far.
A magazine show with an edge, The Living Room won awards for its creative and dynamic approach to covering the arts. These excerpts from series two cover a wide range of artists, from those working in multimedia to those puttng stencil art on walls. Also featured are dub band Kora, novelist Kelly Ana Morey and drummer Anthony Donaldson. In the second to last clip, Taika Waititi pretends he hasn't done any rehearsals for his one man show Taika's Incredible Show, which features an alien with ridiculous teeth and Gunther the dancing German.