Rubbings from a Live Man is a semi-dramatised biography largely performed by the subject himself — legendary theatre actor and director Warwick Broadhead. He recounts his dramatic life story by adopting a number of personas. The collaboration with director Florian Habicht marked a rare time the camera-wary Broadhead performed on screen. He describes his troubled upbringing as a lot of cover-up and pretence. "Then I went into the world of theatre," he says, "which is cover-up and pretence." Broadhead passed away in January 2015, having predesigned a memorable funeral.
"Kevin has a strict daily routine, part of which is about to be taken away — throwing his life into turmoil." The Kevin in question is Solid Gold FM DJ Kevin Black, and the essential part of his everyday routine being removed is … sleep. This second episode of the 2001 Touchdown reality series — in which varied participants deal with deprivation — sees ’Blackie' slowly but surely disintegrating over 70 sleepless hours. Despite caffeine, gym and jigsaws, his performance at memory game Simon suffers, he faces hallucinations, and the delirious results are heard over the airwaves.
This four-part series explores New Zealand social history through rugby, from the first rugby club in 1870 to the 1995 World Cup. In this episode commentators muse on the roots of rugby in a settler society, in "a man's country". Rugby's unique connection with Māori, from Tom Ellison and the Natives’ tour to a Te Aute College haka, is explored; as well as the national identity-defining 1905 Originals’ tour, and the relationship between footy and the battlefield. As the Finlay Macdonald-penned narration reflects: “Maybe it's just a game, but it's the game of our lives”.
Roots reggae act Kora present this Living Room episode from the beach at Whakatāne — hometown for the four Queenstown-based brothers. Then ex-Mental As Anything guitarist Reg Mombassa (born in Auckland as Chris O'Doherty) talks from Sydney about his iconic artworks for Mambo — including the notorious Australian Jesus series — and wonders if he's turning into a blowfly. Finally there’s a profile of outsider artist Martin Thompson, whose painstaking mathematically-based work has travelled from Wellington community workshops to Wallpaper* magazine.
These excerpts from arts show The Living Room mark an early screen appearance for "jungle folk comedy duo" Flight of the Conchords. Starting in Wellington and building to performances at the 2002 Edinburgh Festival Fringe, the item sees longtime colleague Taika Waititi playing the duo's wisetalking manager, pre Rhys Darby. After meeting Jonah Lomu at the airport, dreams of fame face cramped digs and the intense competition of Edinburgh. The duo handle things with their droll resolve. The following year the Conchords were nominated for a Perrier Award, en route to stardom.
In the second episode of Harry Sinclair’s late night TV3 micro-series, Liz (Danielle Cormack) and Neil (Joel Tobeck) watch the sun rise from a Karangahape road carpark; but, romantic as this could be, it seems Neil has no more chance of keeping up with Liz than her less than inspiring boyfriend Ant (Ian Hughes). Meanwhile, back at home, Ant is making scones and entertaining some random visitors — larger than life drag queens (and K Road identities) Buckwheat and Bertha. But baking is a step too far for a hungover Liz ... and her mother is on the phone.
This early episode from the award-winning arts series drops in on the Urale sisters — directors Sima and Makerita and publicist Maila — in the living room of their Lyall Bay fale. The prolific Samoan-Kiwi siblings visit local haunts, discuss work, and brother Bill (aka King Kapisi) is mentioned in dispatches. Other Kiwi creatives featured include 'nu jazz' practitioner Mark de Clive-Lowe playing at Cargo in London; designer Ross Stevens building his challenging Happy Valley shipping container conversion; and Cannons Creek beatbox king Dougie B breaking it down.
A magazine show with an edge, The Living Room won awards for its creative and dynamic approach to covering the arts. These excerpts from series two cover a wide range of artists, from those working in multimedia to those puttng stencil art on walls. Also featured are dub band Kora, novelist Kelly Ana Morey and drummer Anthony Donaldson. In the second to last clip, Taika Waititi pretends he hasn't done any rehearsals for his one man show Taika's Incredible Show, which features an alien with ridiculous teeth and Gunther the dancing German.
Campbell Live was Three's flagship current affairs programme for a decade. Despite a public campaign to save it, the show ended on 29 May 2015. This final episode presents a greatest hits reel. Alongside acclaimed reporting (Novopay, the Pike River mine disaster and collapse of Solid Energy, the 2011 Christchurch Earthquake) there are campaigns for healthy school lunches, and to get the All Blacks to play in Samoa; plus marvellous moments like the 2011 Rugby World Cup final. An emotional John Campbell tautokos his team, and signs off: "Ka kite anō and a very good evening indeed."
Brought to you from "the Samoan Embassy" (in reality the Naked Samoans' motel room) this episode of The Living Room follows the comedic theatre troupe during their time at the Edinburgh Fringe Festival. Then it retreats to the wild west coast of the South Island, where acclaimed cinematographer Alun Bollinger reflects on his diverse life and career. Also featured is the first 'proper' exhibition of Illicit artists on K' Road (featuring the late Martin Edmond), and a visit to small town Mangaweka, setting for Michael Reihana's surrealist short film Little Gold Cowboy.