Pj.jpg.540x405
Collection

The Peter Jackson Collection

Curated by NZ On Screen team

Peter Jackson has gone from shy fanboy to master of his craft; from Pukerua Bay to Wellywood. With six journeys into Middle-earth now behind him, he has few peers in the realm of large scale filmmaking. Led by early 'behind the scenes' docos this collection pays tribute to PJ's journey, from re-making King Kong in his backyard to err ... re-making King Kong in his backyard. 

Making music   bill lake key image

Making Music - Bill Lake

Short Film, 2005 (Full Length)

Bill Lake of Wellington blues/roots institution The Windy City Strugglers takes the podium for this episode from a series for secondary school music students. Accompanied by fellow Strugglers Andrew Delahunty (guitar) and broadcaster/music critic Nick Bollinger (bass), he plays ‘Good Grief’ as an example of the way a song can be written through thinking about a single phrase. However, the main order of business is a beginners guide to the blues and rock’n’roll rhythms he holds so dear (along with a demonstration of guitar playing using open tunings).

Making music concord dawn key image

Making Music - Concord Dawn

Short Film, 2005 (Full Length)

Evan Short, one half of drum and bass duo Concord Dawn, talks about electronic music making in this episode from a series made for high school students. Appropriately, he first met future collaborator Matt Harvey in school music lessons and they later reconnected as drum and bass fans while studying audio engineering. To the thundering accompaniment of Concord Dawn’s student radio hit 'Morning Light', Short discusses hardware, software for beginners, the importance of developing good "ears", and the international recognition they have received.

Making music   whirimako black key image

Making Music - Whirimako Black

Short Film, 2005 (Full Length)

Whānau is at the forefront of this episode from a series made for high school music students, which features bilingual Māori jazz and soul diva Whirimako Black. After an introduction in te reo, there’s an intimate acoustic performance of ‘Te Tini O Toi’ from her award-winning debut album Shrouded in the Mist. It’s a lullaby written for her children — and grandchildren to come — so they will know where they come from. Black also honours her grandfather, a multi-instrumentalist who began encouraging her to make music when she was three years old.

Making music   hinewehi mohi key image

Making Music - Hinewehi Mohi

Short Film, 2005 (Full Length)

In this episode from a series for secondary school music students, singer Hinewehi Mohi recalls the controversy that followed her Maori language rendition of 'God Defend New Zealand' at the 1999 Rugby World Cup. She talks of her immersion in music at school and its importance to her following the birth of her daughter with cerebral palsy (and the Raukatauri Music Therapy Centre this inspired her to establish). As a songwriter who doesn't play an instrument, she explains the origins of 'Kotahitanga' — her Maori language-meets-dance pop hit with Oceania in 2002.

Making music wayne mason key image

Making Music - Wayne Mason

Short Film, 2005 (Full Length)

Wayne Mason — multi-instrumentalist and composer of The Fourmyula classic 'Nature' — talks about songwriting and his musical evolution in this episode, from a series made for high school students. He demonstrates his piano playing (on an energetic boogie-woogie work out) and a Scandalli accordion on 'High and Dry' (which he wrote in the Warratahs). He discusses the origins of 'Nature', and his songwriting technique (which always begins on a guitar); and muses on his high school band The Fourmyula which took him to Abbey Road, where he met The Beatles.

Making music   p money

Making Music - P-Money

Short Film, 2005 (Full Length)

Hip hop DJ/ producer P-Money (Pete Wadams) talks about a career born from very modest beginnings in this episode from a series for secondary school music students. After initial attempts at scratching on his father’s turntable were quickly rebuffed, he began making music using twin cassette decks. Success in DJ contests followed; and creating his own beats led to collaborations with acts including DLT, Scribe and Che Fu. He describes the process where his music for Scribe’s ‘I Remember’ was built up from samples from a particularly unlikely source.

Making music   goodshirt key image

Making Music - Goodshirt

Short Film, 2005 (Full Length)

Rodney Fisher and Gareth Thomas from Auckland band Goodshirt preach a DIY message, in this episode from a series directed at secondary school music students. In the backyard of the house where they made their debut album, they perform stripped back versions of 'Slippy' (inspired by a Grey Lynn bus ride) and 'Blowing Dirt'. There's also a guided tour of the back shed where they built a recording studio with accessibly priced equipment that was good enough to produce a chart topping single in 'Sophie' — and stop them going into debt to a record company. 

Making music   blindspott key image

Making Music - Blindspott

Short Film, 2005 (Full Length)

Drummer Shelton Woolright and guitarist Marcus Powell from West Auckland metal band Blindspott feature in this episode from a series made for high school music students. They talk about their beginnings playing in sheds and paddocks in Taupaki and their decision to “get serious” which led to a major label record deal and radio play in Australia and South East Asia. The third Blindspott single ‘S.U.I.T. (So Us Is This)’ gets an acoustic run through as its construction is explained and there are some school friendly excerpts from the music video.

Making music   deceptikonz key image

Making Music - Deceptikonz

Short Film, 2005 (Full Length)

Mareko, Savage and Alphrisk from Dawn Raid act Deceptikonz offer a rhyme filled hip hop primer in this episode from a series for secondary school music students. Their vision of hip hop has little use for American-style guns and gangster rappers, but fighting with words is another matter and there are tips on the art of writing a battle verse (along with unlikely endorsements for The Discovery Channel and English classes). They also stress the importance of understanding an industry where artists arrive as musicians but need to leave as businessmen.