On 4 December 1966 pirate radio hit Kiwi airwaves when Radio Hauraki broadcast from the Colville Channel aboard the vessel Tiri. In this feature, rookie director Craig Newland and writer Andrew Gunn fictionalise the true life story of the station’s battle to get to air — overcoming courtroom rulings and a conservative state broadcasting monopoly, as well as storms at sea. Go Girls actor Matt Whelan (who was Moa-nominated for the role) plays young rebel journo Richard Davis, fighting for free speech, the freedom to choose, the woman he loves … and rock’n’roll!

This documentary follows two young people with significant disabilities — Miles Roelants and Shelly West (real name Michelle Belesarius) — as they move into a flat together and face considerable challenges. Shelly is blind with rheumatoid arthritis, and Miles has spina bifida. The film provoked public debate at the time of screening about disabled peoples' right to live ‘normal’ lives. This was the first of several documentaries about Belesarius including the high-rating Shelly Has A Baby and Mum, Dad and Michela. She died in 2010.

This documentary tracks severely disabled Miles Roelants from his 21st birthday through a year that culminates in him meeting his hero, actor Michael J Fox, in Los Angeles. Roelants was born with spina bifida and his own interviews with his parents and siblings candidly confront the challenges faced by families with a disabled child. Also featured is Shelly West (real name Michelle Belesarius) who is blind with rheumatoid arthritis; despite that she is planning a trip to Italy. Miles Turns 21 was the first of a series of documentaries featuring the pair.

This documentary chronicles the story of Waikato women’s refuge Te Whakaruruhau, and shines a light on a subject not often shown in mainstream New Zealand media: family violence in rural areas. Written "by the women of the Waikato", the film features interviews with the women behind the refuge, who have created a space for victims of domestic violence, safe from danger. Directed by Richard Allan Litt, the documentary screens in Kiwi cinemas from March 2018, with proceeds going to the refuge. Te Whakaruruhau, founded in 1987, was the first Māori women’s refuge.

For a small country from the edge of the world, achievements on the Olympic stage are badges — silver fern-on-black — of national pride: precious moments where we gained notice (even if it was Mum’s anthem playing on the dais). This legacy collection draws on archive footage, some rarely seen, to celebrate the stories behind Kiwis going for gold.

Florian Habicht first won attention for 2003's Woodenhead, a fairytale about a rubbish dump worker and a princess. By then Habicht had already made his first feature-length documentary. Many more docos have followed: films that celebrate his love for people, and sometimes drift into fantasy. In this collection, watch as the idiosyncratic director meets fishermen, Kaikohe demolition derby drivers (both watchable in full), legends of Kiwi theatre and British pop, and beautiful women carrying slices of cake through New York. Ian Pryor writes here about the joys of Florian Habicht.

In 1865, Wellington became the Kiwi capital. In the more than 150 years since, cameras have caught the rise and fall of storms, buildings, and MPs, and Courtenay Place has played host to vampires and pool-playing priests. Wind through our Wellington Collection to catch the action, and check out backgrounders by musician Samuel Scott and broadcaster Roger Gascoigne. 

This collection of tourism promos sets out to entice the world with the "upbeat, action-filled New Zealand scene". Skis, swimsuits and scenery are all on the itinerary — plus mile-high hairdos, some totally groovy music, Boy's James Rolleston and an excerpt from three-screen classic This is New Zealand. Listen to the man: C’mon to New Zealand.

This NFU classic tells Peter Snell's story, up until just before his triumph at the Tokyo Olympics (he'd already won 800 metres gold in Rome, and beaten the world record for the mile). Snell's commentary — focused, candid — plays over footage of training and some of his key races. "It always gives a feeling of exhilaration to run in the New Zealand all black singlet." Snell offers insights into the marathon-style training of coach Arthur Lydiard (15 miles daily, 100 miles a week), and there's priceless footage of Snell running through bush and leaping fences in Auckland's Waiatarua hills.