This award-winning kidult series is set in the colonial town of Wainamu, amidst the North Island’s ‘thermal wonderland’, c.1900. It follows the challenges that Sir Charles Pemberton (Terence Cooper) faces in building a spa on Māori land. In this episode local lad Tom, son of the hotelier, is piqued by the arrival of Sir Charles and his aristocratic entourage, (particularly granddaughter Sarah Jane aka “Little Miss Prim”), whose train is late due to being spooked by natives. His gang of shanghai-toting scallywags also take on the mean local butcher.

While convalescing down under Sir Charles Pemberton (Terence Cooper) schemes to build a thermal spa in the town of Wainamu c.1900. Conflict ensues as the spa’s planned location is on Māori land. The action is seen through the eyes of youngsters: hotelier’s son Tom, and Pemberton’s granddaughter Sarah Jane; who — along with an erupting volcano — eventually impart on Sir Charles a lesson about colonial hubris. The 13-part series was a marquee title from a golden age of Kiwi kidult telly-making: it won multiple Feltex awards, and screened on the BBC in 1980.

In the 1960s, parody songs like 'Rugby, Racing and Beer' and 'Pūha and Pākehā' were big hits for singer Rod Derrett. Un-PC lyrics such as "I don’t give a hāngī for the Treaty of Waitangi / You can’t get fat on that – give me some pūha and Pākehā" struck a popular chord, but were also subversive. Here the latter song is illustrated in a segment for popular NZBC Sunday show Looking at New Zealand. A Pākehā tourist who falls into a mud pool becomes an impromptu boil-up. The song (and some of the Looking at NZ footage) were rereleased in 2012 to promote cannibal comedy Fresh Meat.

Recut from material shot at least five years before, this National Film Unit short appears to have been driven by the Tourist and Publicity Department. Coming in for praise are New Zealand’s primary exports (farm products), road and railways, and social security. In the 50s long distance air links were opening NZ up to the world but international tourism was not a major industry, and NZ was focused firmly on agriculture. People are shown farming, “a little unsmiling” on city streets, and at play (fishing, sailing and skiing). Kids drink milk and Māori are assimilating.