Regular Māori programmes started on TVNZ in 1980 with Koha, a weekly, 30 minute programme broadcast in English. It was the first regular Māori programme shown in primetime. This episode gets two unique perspectives on the milestone Te Māori exhibition of Māori art. It interviews "American tangata whenua": noted Iroquois artist Peter Jemison, and John Kaaho (Tuhoe), security guard for the exhibition at New York's Metropolitan Museum of Art. Te Māori toured the United States in 1984 and opened up a world of Māori taonga to international audiences.

Florian Habicht first won attention for 2003's Woodenhead, a fairytale about a rubbish dump worker and a princess. By then Habicht had already made his first feature-length documentary. Many more docos have followed: films that celebrate his love for people, and sometimes drift into fantasy. In this collection, watch as the idiosyncratic director meets fishermen, Kaikohe demolition derby drivers (both watchable in full), legends of Kiwi theatre and British pop, and beautiful women carrying slices of cake through New York. Ian Pryor writes here about the joys of Florian Habicht.

The decade of fondue and flares also cooked up colour television. Our black and white living room icons — from Selwyn Toogood to Space Waltz — melted into a Kiwi kaleidoscope of Top Town, Grunt Machine, and Close to Home. And 'our stories' and rights fights — boks, hikoi, nukes and 'nam — echoed onscreen (Sleeping Dogs, Tangata Whenua). Ready to roll?

He learnt kapa haka as a child. He learnt to smoulder on Shortland Street. He punched a country in the guts with Once Were Warriors. Temuera Morrison has starred in Māori westerns, adventure romps, and cannibal comedies. In the backgrounder to this special collection, NZ On Screen editor Ian Pryor traces Temuera Morrison's journey from haka to Hollywood.  

Billy T’s unique brand of humour is captured here at its affable, non-PC best in this compilation of skits from his popular 80s TV shows. There’s Te News (“... somebody pinched all the toilet seats out of the Kaikohe Police Station ... now the cops got nothing to go on!”) with Billy in iconic black singlet and yellow towel; a bro’s guide to home improvement; the first contact skits, and Turangi Vice. No target is sacred (God, The IRA, the talking Japanese sketch) and there are classic advertising spoofs for Pixie Caramel’s “last requests” and Lands For Bags’ “where’d you get your bag”.

Love Story sees director Florian Habicht finding a movie, a plot, and a beautiful Ukranian on the streets of New York. The offbeat romance is part love letter to NYC, part the story of Florian and Masha, and possibly part true: with the script to this genre-bending tryst being written before our eyes, via story ideas from real life New Yorkers. Love Story won Aotearoa awards for best film and director, and raves from Variety and the Herald’s Peter Calder, who described Auckland Film Festival audiences gasping at the "strange, surprising and wildly romantic ideas sprinkled through it".

Billy Apple: enigma, con man, or artist? Being Billy Apple looks at one of New Zealand's most controversial contemporary artists: a man who changed his name, then turned himself into a brand. Director Leanne Pooley (The Topp Twins: Untouchable Girls) follows Apple's life, and looks at his work in the context of the development of conceptual art overseas. This opening excerpt from the 70-minute documentary sees Apple talking with the filmmaker about whether it is important his face is even seen on screen.  

Jack Lovelock won New Zealand’s first Olympic athletics gold medal. He did so in spectacular fashion, winning the 1500 metres at the 1936 Berlin Olympics. In front of Hitler and 110,000 spectators, the famous ‘Lovelock kick’ unfurled into NZ’s sporting and collective consciousness: from Timaru to Oxford, to Berlin triumph. Yet Lovelock was an enigmatic achiever. In this short film, the race — the supremely judged apex of a sporting career — is contrasted with his mysterious and tragic death, in front of a train on the New York subway in 1949.

"Jazz is an attitude ... how you look at yourself, how you look at the world." So argues the subject of this rich and moody Work of Art documentary: jazz pianist Mike Nock. The Ngaruawahia-raised muso first went on the road in his teens, and by 18 had left New Zealand for a long career in Sydney, London and New York City. Director Geoffrey Cawthorn and his film crew travel with Nock in small-town New Zealand and big city NY, capturing memories of childhood, touring and inspiration. Also included: some beautifully-lit performances by Nock and his cohorts.

This episode of C4's music series Homegrown Profiles features singer/songwriter Anika Moa, who was signed to international label Atlantic Records and recording her debut album Thinking Room in New York when she was barely out of her teens. Moa talks about growing up in a musical household in Christchurch; being discovered through the annual Rockquest competition; her American experience and the decision that it wasn't a good fit for her; and her return to New Zealand and the happier experience of making her second album Stolen Hill.