This song from the mysterious duo Fatcat & Fishface is from the Birdbrain album, praised by the Sunday Star Times as “the best children's record of 2009, and as witty as it is educational.” A collaboration with the Department of Conservation, the song gets down with the manu (birds) to reimagine the inhabitants of the NZ native bush at night as personalities dancing in a nightclub — from prowling with ruru/morepork to jiving with kiwi (“getting down on the ground”) and a boogying DJ kākāpō (“boom, boom!”). Nightclub was animated by Stephen and Ruth Templer.
Sir Howard Morrison (1935 - 2009) was a Kiwi show business icon. This collection is a celebration of 'Ol' Brown Eyes' on screen. From classic concerts and performances of 'Whakaaria Mai', to riffing with with Billy T James; from hosting Top Town, to starring in 60s feature film Don't Let it Get You, to a This is Your Life tribute. Ray Columbus: "He was a master entertainer".
Sam Neill has acted in forgotten Kiwi TV dramas (The City of No) and classic Kiwi movies (Sleeping Dogs, The Piano, Hunt for the Wilderpeople). His career has taken him from the UK (Reilly: Ace of Spies) to Hawaii (Jurassic Park) to dodgy Melbourne nightclubs (Death in Brunswick). As Neill turns 70, this collection celebrates his range, modesty and style — and the fact he was directing films before winning acting fame. In these backgrounders, friends Ian Mune and Roger Donaldson raise a glass to a talented, self-deprecating actor and fan of good music and pinot noir.
At a time when TVNZ light entertainment inevitably meant major studio productions complete with dancing girls, Live from Chips presented singers in a live, no frills environment freed from big budget distractions. The venue was Wellington nightclub Chips and each episode focussed on one singer and backing band playing a 25 minute set. Four episodes were made featuring artists from outside the pop/rock orbits of Ready to Roll and Radio with Pictures — Tina Cross, Herb McQuay, Frankie Stevens and Mark Williams (flown in from Sydney to do the show).
This collaboration between dancer Douglas Wright and director Gregor Nicholas was one of a series of music and movement-based shorts that established Nicholas’s reputation. A dramatised film noir sequence leads to a cross-dressing dance duel between Wright and Debbie McCulloch, shifting between an Orwellian cityscape and retro nightclub. Wright choreographs the bodies and Nicholas the bold and sensual visual rhythms in black and white (shot by Stuart Dryburgh). Nicholas went on to direct acclaimed commercials, short film Avondale Dogs and feature Broken English.
Shot for an Australian Travel Agents Seminar, this short film seeks to portray 1969 New Zealand as a hip and happening place. The tourism clichés of a scenic wonderland remain, but the film attempts to present a more sophisticated NZ to entice jet-set Aussies east. After all, we "got rid of six o'clock closing ages ago." To complement the Anzac staples of sport, beer and gambling there are mountains and Māori. Nightclubs offer show bands and strippers for "relaxation" after strenuous days of sightseeing. C’mon is a fascinating snapshot of a nation in transition.
Director Grahame McLean uses the notorious (then recent) 'Mr Asia' drug smuggling saga as fodder for this Wellington underbelly tale. Hello Sailor’s Harry Lyon headlines as a musician and ex-con who partners with a beautiful journo to investigate a global drug syndicate, in between nightclub sessions with fellow musos Beaver and Hammond Gamble. High on 80s guitar licks, Should I be Good? was made in the tax break era without Film Commission investment. McLean followed it right away with The Lie of the Land, becoming a rare Kiwi to make two movies back to back.
After three years of playing live, the first single from Th’ Dudes was this classic, chiming piece of pop written by Dave Dobbyn. The video was made at TVNZ’s Manchester St Studios in Christchurch. With Dobbyn taking lead vocal, there was no onstage role for Peter Urlich — so he sits at a table in the foreground of the empty nightclub set. Assistant floor manager Peter Bain-Hogg plucked a passerby off the street to play the waitress. The song would become an enduring Kiwi classic — three decades later, it closed out the final episode of Outrageous Fortune.
Boy director Taika Waititi teams up with his Eagle vs Shark star Jemaine Clement to present this bloody comedy about the travails of a flat of vampires. Reality TV-style cameras tag the vamps as they struggle to get into Courtenay Place nightclubs, squabble over chores and face off werewolves. A roster of Kiwi comedic talent (including Jonathan Brugh and Rhys Darby) feature. After winning fangtastic reviews at America's Sundance and SXSW festivals, Shadows won a run of global sales, local success and four Moa awards, including Best Self-Funded Feature.
Presented by Jayne Kiely, this series catches up with couples from earlier reality series Weddings (1999), to see what married life has delivered. This episode revisits Barbara and Stu, who decided he wanted to cross-dress for the wedding; Christian couple Michael and Fiona, who believed in abstinence until marriage; and Chris and Jackie (whose mother was terminally ill). Affairs, death, the weight of reality TV stardom and nightclub ownership all provide challenges to true love. The original Weddings series (also presented by Kiely) followed couples on their journey to the altar.