Forget who shot JR or what was under the hatch ... where were you when Thingee's eye popped out, 'O' was for 'awesome', or Bob "stormed out of the bracken like a yeti" to bop Rod in the 'Tumble in Taupō'? From Wainuiomata to Guatemala this Top 10 presents the most viewed clips from the previous NZ On Screen Legendary Moments collections (in descending order).
On a Tuesday evening in April 1968, the ferry Wahine set out from Lyttelton for Wellington. Around 6am the next morning, cyclone-fuelled winds surged in strength as it began to enter Wellington Harbour. At 1.30pm, with the ferry listing heavily to starboard, the call was finally made for 734 passengers and crew to abandon ship. The news coverage and documentaries in this collection explore the Wahine disaster from many angles. Meanwhile Keith Aberdein — one of the TV reporters who was there — explores his memories and regrets over that fateful day on 10 April 1968.
NZ On Screen’s Top 10 most viewed titles of 2015 features two All Blacks, a pair of animated favourites, a number of guitars, the debut episode of Outrageous Fortune, and a documentary about moko. Check out the top 10 list below, and find out more about the top 10 here.
Month by month, this collection offers up NZ On Screen's most viewed clips for 2016. Alongside legendary adverts, the clips collection features talents lost to us over the year, from Ray Columbus to Martin Crowe and Bowie (via Flight of the Conchords). In this backgrounder, NZ On Screen Content Director Kathryn Quirk guides us through the list.
Director Alyx Duncan set out to make an experimental documentary about her childhood home. What eventually resulted was this acclaimed and award-winning "fictional essay", her first full length feature. Blurring the line between documentary and drama, she cast her conservationist father and Chinese born step-mother as characters partially based on themselves. As they journey from a small NZ island to a big Chinese city, Duncan examines their cross cultural relationship and explores nostalgia, childhood, dreams, environmentalism, globalisation and the meaning of home.
Peppermint Twist’s colourful, stylised portrait of 60s puberty floated onto NZ screens in 1987, winning a solid teenage following. Something of a homegrown homage to US sitcom Happy Days, Peppermint was set amongst a group of teens in small town Roseville, and made liberal use of period songs and arrangements. This episode involves mounting rivalries over a typically pressing issue: an upcoming limbo contest. Further nostalgia value is provided by real-life 60s music show host Peter Sinclair, who makes a cameo as compere of the contest.
Country GP was a major 80s drama series that charted the post-war years 1945 to 1950 in a rural central South Island town. Using fast-turnaround techniques that anticipated later series like Shortland Street, 66 episodes of Country GP were shot in 18 months at a specially built set in Whiteman’s Valley, Lower Hutt. It was groundbreaking as the first NZ series to cast a Samoan in a title role (Lani Tupu as Dr David Miller); but it also provided a nostalgic look back to an apparently kinder, gentler time than mid-80s New Zealand with its major social reforms and upheavals.
Neil Finn has described the lyric to this song as "on the one hand, feeling kind of lost and, on the other hand, sort of urging myself on". The wistful single was Crowded House's breakthrough, hitting number two in the US (and the top spot in Aotearoa, after local radio earlier showed little interest). Australian director Alex Proyas (The Crow) based his video on locations from the band members' childhoods. As Finn walks from room to room, the video also neatly reinforces the band's name. 'Don't Dream It’s Over' remains one of the biggest international hits penned by a Kiwi.
Peppermint Twist’s pastel-tinted portrait of 60s puberty floated onto NZ screens in 1987 and despite winning a solid teen following, only screened for one series. Set amongst a group of teens in small town Roseville (in reality the outdoors set originally used for Country GP), the show’s stylised look and sound had few Kiwi precedents - though its links to US TV perennial Happy Days are clear. Peppermint made liberal, and increasingly confident use of period music, with each episode named after a pop song of the day.
During his last session on air, a veteran radio announcer finds himself on a quest through the streets and sewers. His mission: to retrieve a special record, in time to play it for a devoted listener. Signing Off was made by Nightmare Productions, a team of Dunedin filmmakers. The success of this comic adventure helped lead to Scarfies, the feature debut of Nightmare team member, director Robert Sarkies (Two Little Boys, Out of the Blue). A big seller overseas, Signing Off won awards at film festivals from Dresden to Montreal.