A colonial widow, recently arrived in New Zealand from England, answers an advertisement from a stoic settler for a wife. They agree to an arrangement. Later Mrs Brown forms an attachment to their Māori servant girl Atawhai, and slowly learns the secret behind her presence. Written by playwright April Phillips (who also plays Mrs Brown) this short film was directed by Christchurch theatre director Craig Hutchison. It was filmed at Wellington's Nairn Street Cottage. ‘Utu Pihikete’ was a derogatory term for half-caste children meaning “paid for in biscuits”.
Short film Letter for Hope is about a chance encounter of the best kind, at a point when there isn't much hope around. April Phillips (who also wrote the script) plays Jane, who must face the revelation that her pregnancy will be terminal. While trying to process the news, she encounters an old man (veteran actor Don Langridge) whose kindness and humanity will help in surprising ways. The self-funded short competed at multiple film festivals in the United States, and won an Honourable Mention at the 2014 Sarasota Film Festival.
This episode of 'magazine-film' series New Zealand Mirror educates its British audience about trampers, trout and trolling for big-game fish in Aotearoa. The first clip sees members of the Tararua Tramping Club hiking through mud, snow and water in the Tararua Ranges, laden with building supplies to construct a new hut. Heading up the island, the second clip captures Rotorua trout hatchery workers taking eggs from trout, and later releasing the tiny fish into waterways. The Bay of Islands stars in the final story, where a Yale University team studies big-game fish.
Bros meets The Bachelor in this hit Māori Television reality show, which was billed as a "hunt for the ultimate Polynesian warrior". The contestants' muscles might look good, but do the personal trainers and dancers have their ancestors’ skills? This first episode tests the 12 entrants in spear throwing, waka portage and hakamoa (Hawaiian wrestling). The show swapped po-faced reality TV conventions for Polynesian humour: dropped lavalavas and tattooed torsos are slathered with innuendo by hosts Pani and Pani (Goretti Chadwick and Anapela Polataivao).
Freaky creator Thomas Robins’ second horror anthology for kids makes use of a sophisticated story structure. Years ago Room 21 at Killian High was cursed by its satanic school founder. A new principal dismisses warnings and opens the space, unleashing the curse onto new students. Each episode is split into three parts as three students battle demons. The number 21 plays an important role; the 21 students of Room 21 must overcome an eclectic range of demons or else the evil Killian claims their souls ‘forever’. A second season followed in 2008.
This series, made for use as a teaching resource in secondary schools by the NZ Music Industry Commission, was produced and directed by longtime Kiwi music champion Arthur Baysting. The full series featured 47 leading acts (including Don McGlashan, the Black Seeds, Nesian Mystik, Chris Knox and Fat Freddy's Drop) talking directly to the next generation of musicians about their music and careers. They offer intimate performances of classic songs, and heartfelt advice on subjects including songwriting, recording techniques, technology and the music industry.
The first feature from Jackie van Beek was born from the idea of three very different people in a house, after a crisis. The central character is teen runaway Tia, who after a car crash moves in with a family who are connected to the accident. To find their lead actor — newcomer Gloria Popata — writer/director van Beek and casting director Yvette Reid did an epic casting call across Aotearoa. Reid auditioned 340 people. Van Beek is best known as an actor herself, often in comic roles. She directed seven shorts, before The Inland Road was invited to debut at the Berlin Film Festival.
Nominated for a Qantas Media Award, this documentary examines prejudices against Asians in New Zealand, as immigration grows (80,000 ethnic Chinese and 20,000 Koreans have arrived in New Zealand since 1988). Directors John Bates and Manying Ip look back at the history of Asian settlement in Aotearoa: from colonial xenophobia and a poll tax inflicted only on Chinese migrants, through "ching chong Chinaman" abuse, to the present day — where 21st century migrants face struggles with discrimination, language barriers and integrating in their new home.
From early teleplay The Evening Paper to the edgy Outrageous Fortune, this episode of 50 Years of New Zealand Television talks drama and comedy. Key players, from actors to executives, recall a host of signposts in the development of storytelling on Kiwi TV screens. John Clarke recalls 1970s sitcom Buck's House; Paul Maunder remembers the drama that likely helped introduce the DPB; and TV executive John McRae recalls worries about the projected cost of global hit Hunter's Gold, and mentioning the word 'placenta' on the first episode of Shortland Street.
This edition of Prime TV’s history of New Zealand television looks at 50 years of entertainment. The smorgasbord of music, comedy and variety shows ranges from 60s pop stars to Popstars, from the anarchy of Blerta to the anarchy of Telethon, from Radio with Pictures to Dancing with the Stars. Music television moves from C’mon and country, to punk and hip hop videos. Comedy follows the formative Fred Dagg and Billy T, through to Eating Media Lunch and 7 Days. A roll call of New Zealand entertainers muse on seeing Kiwis laugh, sing and shimmy on the small screen.