This is the first of a six-part TVNZ series which follows seven couples from antenatal classes to the reality of childbirth and parenthood. Along the way they share their hopes and fears as they await the arrival of their first born. This episode focuses on antenatal classes, decisions that have to be made and practical adjustments, including jobs and budgeting. The fathers-to-be provide some of the most humorous lines, mostly displaying their naivety (one looks forward to the chance to "laze back a bit"). But all the participants show an honesty that makes for fascinating viewing.
Karen and Mark, who are both intellectually disabled, are expecting a child. In this episode from stripped back documentary series First Hand, the couple become a family when baby Terry arrives. Terry's birth means the usual support they receive from IHC must be ramped up, and a new caregiver steps in to help Karen and Mark cope with the 24/7 responsibilities of parenthood. It's a story full of hope and love, but no one close to the couple is under any illusions about the amount of support needed to successfully parent Terry.
On 27 July 1965, Auckland fish’n’chip shop owners Sam and Shirley Ann Lawson became parents of a boy — Samuel — and four girls — Deborah, Lisa, Shirlene and Selina. The birth made world headlines as the first set of quintuplets conceived using hormone treatment. But out of the public eye it wasn't happy families: Sam and Ann split up when the quins were six and in 1982 their mother was murdered by her abusive second husband. Director Mark Everton’s award-winning doco regathers the quins, who discuss the ‘quin bond’, tragedy, resilience and their tumultuous lives.
Chris Warner (Michael Galvin) debuted in Shortland Street on the very first episode, when the young doctor got sweaty with an aerobics instructor. Over 25 years the character has been through his share of drama (including five marriages and counting, by 2017). In this short interview, Galvin reflects on his favourite storyline while playing Warner: the shock 2016 arrival of three adult children (triplets!) that he fathered as a sperm donor in the show’s second year. In the accompanying Shortland St clips, Sass Connelly (Lucy Lovegrove) tells Warner that he was "the Dad I never knew".
Originally conceived as a TV series, Gaylene Preston's comedy was a local hit, uplifting recession-era audiences with its tale of resourceful misfits. Ruby (Yvonne Lawley), an 83-year-old trying to dodge a retirement home, rents a room to Rata (Vanessa Rare in her screen debut) — a solo mum with sidelines in music and benefit fraud. Rata's son is into shoplifting, while Simon Barnett plays a hapless yuppie wannabe. Marginalised by the deregulated economy of the 80s and living on their wits, they may just find common cause despite themselves, in this tale from writer Graeme Tetley.
Anne and Gordon left high school unable to read or write to a basic level. This documentary follows their progress with the Auckland Adult Literacy Scheme, and culminates with the pair sitting the written and oral exam for their drivers' licence. Anne found innovative ways around the kids' bedtime stories, but froze when it came to filling in forms. Gordon has been driving illegally for years; he wants to ace his drivers' test and finds an acceptance within the Adult Literacy Scheme he never did at school. The First Hand series has a stripped back style, using small cameras and crews.
In this interview publicising 1996 comedy The Birdcage, Robin Williams turns his humour settings to a surprisingly low level. Quizzed on matters political by Holmes reporter Ewart Barnsley, Williams argues that politically correct people can display the “same kind of repressive tendencies” as others, and admits that the portrait of homosexual parents in the Mike Nichols-directed comedy could be offensive to both gays and straights. But, he adds, the majority of viewers "go and laugh their ass off and find some common ground and humanity in it”.
Twins are afflicted with a strange power: the power to make others stare. Presented by singer Jackie Clarke, herself a twin, this documentary grabs a fascinating topic with both hands. Among those interviewed are two sets of twins who are romantically involved, a family with twin sets of twins, and an uncanny pair of older women whose thoughts seem to run in tandem, every time they turn up on screen. There is talk of the close relationships twins have, identical medical misaventures, tricks paid on the unsuspecting, and how fathers are often less able to tell twins apart.
Solo is a story about three people on the edge of nowhere, struggling to decide how much of themselves to share with those they care about. Young Australian hitchhiker Judy romances solo Dad Paul, who finds peace flying fire patrol planes above the forest. Paul's precocious son reacts badly to losing pole position to Judy, and takes to the air. Inspired partly by the oft-painful times when we are "more acutely in touch” with our emotions, Tony Williams' romance helped launch the Kiwi movie renaissance. But as he writes in the backgrounder, there was no fun in filming it three times.
Movie Vermilion follows composer Darcy (Jennifer Ward-Lealand) over a summer month, as her daughter prepares to marry. Darcy sees colours when she plays musical notes, but after seeing the colour vermilion she is prompted to secretly make her own plans. The exploration of motherhood, family and female friendship marks the feature debut of director Dorthe Scheffmann (Cannes-selected 1995 short film The Beach). The ensemble cast includes Theresa Healey, Goretti Chadwick (Game of Bros), and newcomer Emily Campbell. The production team were 85 per cent female.