This video for the debut single from Christchurch rockers The Feelers was one of the first made by director Joe Lonie after the disbanding of Supergroove (where he played bass, and learnt his craft directing their videos). It earned Lonie a nomination for Best Video at the 1998 NZ Music Awards. The video begins, as it ends, with a man fleeing from unseen forces. Lonie builds and maintains momentum with constant motion and cutting, while underlining the pressure motif by having the band performing in a boiler room, and claustrophobically running through a pipe.
This selection — in partnership with the NZ Film Commission — showcases award-winning examples of Kiwi short filmmaking. From the the tale of two men and a Cow, to the sleazy charms of The Lounge Bar, from Cannes to Ngawi; this collection is a celebration of "a beautiful medium for nailing an idea to the fence post with a piece of No.8 wire."
This collection celebrates rugby in New Zealand as it has been seen onscreen: from classic bios and tour docos, to social history, dramas and protest. In the accompanying backgrounders, broadcaster Keith Quinn looks at the on air history of rugby in NZ; and playwright David Geary asks if rugby is a religion, and argues it is a good test of character.
'No 8 wire' Kiwi ingenuity is defined by problem solving from few resources (No 8 wire is fencing wire that can be adapted to many uses, an ability that was particularly handy for isolated NZ settlers). Embodied in heroes from Richard Pearse to PJ, Kiwi ingenuity is a quality dear to our national sense of self. It has been memorably celebrated, and sometimes satirised, on screen.
In Scarfies, five Dunedin students find themselves in a free squat, and a dark place, after taking a criminal captive in their basement. The debut feature from Robert Sarkies starts as a comic tribute to Otago student days, then turns into a psychological thriller. Outside of the two Warriors movies, Scarfies was the most successful Kiwi release of the 90s on home turf. It went on to scoop best film, director and screenplay awards at the 2000 NZ Film and TV Awards. This excerpt sees the scarfies torn between dealing with the crim and a footy match at Carisbrook.
The dark arts of the maul and scrum are shown in a new light in this short horror from Wellington filmmaker Colin Hodson. A failed try out for the local team spurs young rugby player Will (Ian Lesa) into greater efforts at training; after all, as the cardboard cutout rugby hero in the shop window tells him: “no guts, no glory”. But when he discovers some oval-shaped oddities in the steamy changing room, he’s given cause to question his ambitions. Maul screened at New Zealand and Melbourne Film Festivals in 2013. Ex-All Black Dallas Seymour plays the coach.
Oft-derided across the dutch for its vowel-mangling pronunciation (sex fush'n'chups anyone?) and too fast-paced for tourists and Elton John to understand, is New Zealand's unique accent. Presented by Jim Mora, New Zild follows the evolution of New Zealand English, from the "colonial twang" to Billy T. Linguist Elizabeth Gordon explains the infamous HRT (High Rising Terminal) ending our sentences, and Mora interprets such phrases as 'air gun' (how are you going?). Features Lyn of Tawa in an accent face-off with Sam Neill and Judy Bailey.
This short film finds four 90s teenagers caught in the vicissitudes of growing up in Hutt Valley suburbia. Rising tensions during a day hanging out at the local park see misfit Rory ignite a cracker bag of cravings for belonging, furtive sexual feelings, violence, racism and boredom. The combustive results of his misdirected teen spirit give the film’s title a grim irony. Fijian-born director Shahir Daud based the story loosely on his own teen experiences; Double Happy screened at Montreal Film Festival and was a Short of the Week website pick in May 2011.
Radio with Pictures producer (and future MTV boss) Brent Hansen talks to musician David Bowie, while he is in NZ to star in feature film Merry Christmas Mr Lawrence. His darker 1970s days behind him, Bowie proves a relaxed and charming interviewee. Following a triumphant Broadway run in The Elephant Man, he discusses stage and screen acting, the use of his music in recent films and his own directing aspirations. Bowie explains the cut-up technique of writing learned from William S Burroughs, and looks forward to making his next album (the hugely successful Let’s Dance).
This episode of current affairs show Close Up offers a fascinating portrait of the early days of New Zealand's foreign exchange market. Reporter Ted Sheehan heads into "the pit" (trading room), and chronicles the working life of a senior forex dealer, 25-year-old accountancy graduate John Key. The "smiling assassin" (and future Prime Minister) is a calm and earnest presence amongst the young cowboys playing for fortunes and Porsches, months before the 1987 sharemarket crash. As Sheehan says, "they're like addicts who eat, breathe and sleep foreign exchange dealing".