This collection looks at some of New Zealand's most significant national tragedies. Spanning 150+ years, it tells stories of drama, caution, hope and recovery — from the 1863 wreck of the Orpheus at Manukau Heads, to Tarawera, the Wahine, Erebus, Pike River and Christchurch. In the backgrounder, Jock Phillips writes about the collection, and the "common sequence" to disaster.
As a showcase history of Christchurch on screen this collection is backwards looking; but the devastation caused by the earthquakes gives it much more than nostalgic poignancy. As Russell Brown reflects in his introduction, the clips are mementos from, "a place whose face has changed". They testify to the buildings, culture and life of a city now lost, but sure to rise.
The Art of Recovery sets out to document "one of the most dynamic, creative and contentious times in the history of Christchurch". Director Peter Young (The Last Ocean) examines a post-quake city where creativity thrives among the rubble: from street art to dance spaces, to the beloved 185 Empty Chairs Memorial. But will the spirit of community and creativity survive the redesign? The Art of Recovery won raves after its 2015 NZ Film Festival premiere at Christchurch's recently restored Isaac Theatre Royal. Stuff reviewer James Croot called the result "kinetic, interesting and inspiring".
Hilary Barry was in her early 20s when she began reporting for TV3 in 1993. Twenty-three years later she left the network, after more than a decade co-presenting its prime time bulletin. In this excerpt from her last TV3 bulletin, newsreader Mike McRoberts gives an emotional farewell speech. A best of Barry video package shows her drinking a Spam smoothie for an early story, laughing about an "emergency defecation situation", and reporting from Christchurch and South Africa. Barry later spoke of leaving TV3 after many close colleagues had left the network.
Chimney Book takes rubble from the Christchurch earthquake, and turns it into the building blocks of a film exploring life in the quake zone. Christchurch musician Blair Parkes took bricks from his chimney — destroyed in the 22 February 2011 aftershocks — painted a letter or symbol on each, then scanned them into his computer. Sound and word form the spine of the result, which is part diary, part experimental film. Parkes explores his experiences of living in Christchurch since the quake through words like 'dust', 'memory', 'place', and a question: 'is it over?'
Gerard Smyth's acclaimed documentary about the Christchurch earthquakes is the story of people coping — for better or worse — with the huge physical and emotional toll that the quakes, and continuing aftershocks, inflicted on them, their homes and their city. It began as a home movie while the devastation of September was surveyed (with thanks given that no-one had been killed); but, as shooting of the recovery continued, the February quake compounded the destruction and claimed 182 lives (including their researcher and 16 colleagues at CTV).
Chris Dudman is an award-winning filmmaker with credits in New Zealand and the UK. His short film Blackwater Summer was nominated for a Student Academy Award. Dudman has gone on to direct both documentary (New Zealand at War, The Day that Changed My Life, Zoo) and drama (Oscar Kightley police show Harry, short film Choice Night). Dudman also directs TV commercials, including the popular Pukeko ads for Genesis Energy.
Nigel Latta is a clinical psychologist and popular TV presenter who has made a range of television shows exploring the human condition. His first foray into television was series Beyond the Darklands, which explored some of New Zealand’s worst crimes and the people behind them. He then hosted three series of Politically Incorrect Guides, which variously covered parenting, teenagers and grown-ups. His documentaries have taken him to Antarctica, up in helicopters, and led him to blow up various objects.
The first instalment of this two part documentary chronicles the effects of Christchurch’s September 2010 earthquake on a variety of everyday people. They have seen damage to their city they would never have imagined, houses have been destroyed, liquefaction has entered their vocabulary and the ground beneath their feet can no longer be trusted. Miraculously, there has been no loss of life. As seismologists seek to understand what happened, the interviewees tentatively rebuild disrupted lives, but the fatal quakes of 22 February cruelly derail that recovery.
Christchurch company Paua Productions has extensively chronicled the effects of the series of earthquakes that decimated large tracts of their city in 2010/11 (and claimed the lives of colleagues in the CTV building). This series of five stand-alone documentaries examines aspects of the city’s past, present and future in the light of the quakes. Individual episodes focus on the significance of heritage, the social impact, the science of seismicity, the business and financial repercussions, and the scope and challenges of such an ambitious rebuild.