Three friends cruise inner-city Auckland in a 1946 Ford pickup, as they cope with the changing dynamic of their friendship and encroaching demands of the adult world. In the tradition of American Graffiti it captures the hope promised by a night on the town and a reality that struggles to meet expectations — punctuated by hoons, officious cops and dodgy tow truck operators. Queen Street is a fascinating look at Kiwi car and street culture in the pre-boyracer era, and a snapshot of a downtown that has changed markedly since 1981 when the film screened on TV.
From the icons (Sky Tower, Otara Market, Rangitoto, The Bridge), celebs, clans and stereotypes (Jafas), to the streets (Queen St, K Road), and Super City suburbs (Ferndale, Mt Raskill, Morningside), this collection celebrates Auckland onscreen. Reel through the moods and the multicultural, metro, muggy charms of New Zealand’s largest city. In this backgrounder, No. 2 director Toa Fraser writes about Auckland as a place of myth, diversity and broken jaws.
This short film, made for the second season of Loading Docs, goes beneath a manhole cover to explore a secret history of Auckland’s Queen Street. Waihorotiu is a quest down from the skyscraper canopy of New Zealand’s largest city to find traces of Waihorotiu — an ancient waterway situated under the concrete. Archive material and animation explore the awa's history, from tangiwha lair (the water of Horotiu) to fetid canal and brick sewer severed from its natural source. The film was directed by Frances Haszard and Louis Olsen; Pita Turei narrates.
This episode of C4's music series Homegrown Profiles looks at the 30 year career of singer/songwriter Dave Dobbyn, whose songs are mainstays of the Aotearoa soundscape. Dobbyn talks about nerve-wracking early days with th' Dudes, where the name for band DD Smash originated, and his long solo career. In a wide-ranging and thoughtful interview, Dobbyn discusses the highs and lows of a life in music, including the mayhem and causes of the 1984 Aotea Square riot, being told his best album was unreleasable, and the satisfaction of writing the Footrot Flats soundtrack.
In this 1985 Kaleidoscope edition, reporter Terry Carter meets many of those behind Auckland's 80s construction boom, and examines a cityscape where old landmarks are rapidly being demolished and replaced by mirror glass high-rises. Interviewees include property developers of the day like Mainzeal and Chase Corporation’s Seph Glew; a councillor who argues that commercial interests are dominating; and architect Ivan Mercep and interior designer Peter Bromhead, who critique the buildings’ architectural and civic qualities and their “Dallas TV set” aesthetics.
Like the digital ‘mash-up’ concept to come, this 1970 film uses content from more than one source to create something new. In this film collage, relics of visual and material culture from New Zealand museums are combined to evoke life in earlier eras. These objects — from moa skeletons, to scrimshaw, to a stereoscope, and surveys of Māori culture and sex appeal (!) — are mixed with historical footage (including turn of the century Queen Street) and a classical score. Another Time was directed by Arthur Everard for the National Film Unit.
Combining sketches, pranks and parodies, Jono and Ben at Ten quickly gained popularity after it hit the airwaves in 2012. Critics praised the Jono Pryor (The Jono Project) and Ben Boyce (Pulp Sport) hosted series as one of the top shows that year. In this first episode, Pryor and Boyce hold their own Olympic Games, prank clothing store customers and get child versions of themselves to ask celebrities the hard questions. Meanwhile, comedian Guy Williams sings goodbye to rugby player Sonny Bill Williams at a press conference. The TV3 series was renamed Jono and Ben in 2015.
In this second part of a documentary on Kiwis and cars, host Rita Te Wiata explores motoring in the latter half of the 20th Century. She begins in Christchurch where Ford V8s were a vehicle for post-war romance, then heads to Tahuna for beach racing. Te Wiata pockets the licence she supposedly got in part one and heads to Raglan to look at the car-enabled freedom of the 60s and 70s: surfing, fishing, caravans. While downsides are mentioned (motorways, pollution, accidents), mostly it’s a paean to petrolhead passion. The tour ends with a cruise up Queen St in a muscle car.
Two presenters are tricked into visiting Rotorua in the fourth series of Māori youth magazine show I AM TV. Host Taupunakohe Tocker excitedly tells Kimo Holtham and Chey Milne they are being sent to Las Vegas, but instead they end up in 'Rotovegas'. Holtham and Milne tour around Rotorua diving for coins at Whakarewarewa Village, eating corn cooked in geothermal water, and meeting locals, including musician JJ Rika. Tocker interviews Tiki Taane and ropes pedestrians in to do air guitar, while Stan Walker shows what it's like backstage at his Auckland concert.
Made by the NZ Broadcasting Corporation in the mid 1960s, this half hour TV documentary sets out to summarise New Zealand. More than a promotional video, it takes a wider view, examining both the country’s points of pride and some of its troubles. In a brief appearance Barry Crump kills a pig, although the narration is quick to point out that the ‘good keen man’ image he epitomises is also a root of the country’s problem alcohol consumption. The result is patriotic, but certainly not uncritical. Writer Tony Isaac went on to make landmark bicultural dramas Pukemanu and The Governor.