Peter Wells broke ground as one of the first New Zealanders to tell gay stories on-screen. Aside from his work as an author, he explored gay and historical themes in several acclaimed drama and documentaries — including pioneering TV drama A Death in the Family, colourful big screen melodrama Desperate Remedies and Georgina Beyer documentary Georgie Girl. Wells died on 18 February 2019.
Stewart Main is a director noted for his strong sense of visual style, and commitment to themes of individuality and sexuality. Alongside his own projects (including 2005 feature 50 Ways of Saying Fabulous), a fruitful partnership with Peter Wells has produced several noted dramatic and documentary films, including colonial-set bodice-ripper Desperate Remedies.
Martin Blythe’s work as a publicist includes the Transformers and Shrek franchises. Long ago he directed cult car culture film Queen Street, before deciding filmmaking was far too egotistical an exercise. Kiwi-born Blythe went on to gain a PhD in film and TV, review films for The Listener, and write 1994 book Naming the Other: Images of the Māori in New Zealand Film and Television. He has been based in LA since 1984.
As a 20-something theatre actor Kelly Johnson starred as larrikin car thief Gerry Austin in Goodbye Pork Pie, the first NZ blockbuster. Johnson reunited with director Geoff Murphy for Utu, and starred as a farmer hitting the city in Carry Me Back. There were more vehicular hijinks in Queen Street and Pheno was Here. The Whangarei lawyer has also co-scripted short film Sink or Swim, and guested on Shortland Street.
Producer Trevor Haysom has worked on projects ranging from ballroom dancing to bro'Town; a four decade screen career has seen Haysom notably produce for emerging filmmakers, including Gregor Nicholas (Rushes, Hey Paris) and the late Brad McGann (In My Father's Den, Possum). Haysom formed company T.H.E Film in 1991, and took away the inaugural SPADA Independent Producer of the Year Award in 2004.
Sarah Peirse is a multi-award winning actor on screen and stage, best known for her portrayals of two very different mothers — the kind-hearted Honorah Rieper in Heavenly Creatures, and the disaffected sophisticate in Rain. Peirse has also won awards for Vincent Ward’s The Navigator, and one of her earliest starring roles: A Woman of Good Character.
Leon Narbey is one of New Zealand’s most prolific and lauded cinematographers. His talents have contributed to roughly 20 features, including Whale Rider, Desperate Remedies, The Price of Milk and No.2. Narbey's work as a director includes movies The Footstep Man and Illustrious Energy, an acclaimed drama about Chinese goldminers.
Cinematographer Stuart Dryburgh has helped create some of the most iconic images of New Zealand cinema: the girl with a mop of red hair, standing at the end of a country road in Angel at my Table; the piano on a deserted beach in The Piano, and the charged kitchen scenes of Once Were Warriors.
Peter Sharp is one of New Zealand's most prolific directors of screen drama. Though his directing work covers the gamut from police shows and soap satires to live performance, Sharp is best known for his work helming kidult dramas - including Maurice Gee period tales The Fire-Raiser and The Champion. He also directed award-winning mini-series Erebus: the Aftermath.
One of NZ’s most experienced and prolific TV producers, Ross Jennings cut his teeth at Avalon in the late 1970s on dramas like Close to Home and Moynihan. After stints as Head of Drama at TVNZ and at Crawfords in Melbourne, he began a long association with Screentime Communicado where he created early reality TV series Middlemore, and Police 10-7. Jennings passed away on 25 March 2016.