Hamilton hard rockers Knightshade produced a run of sweaty, riff-heavy 80s anthems. This live performance of ‘Out for the Count’ comes from a 13 May 1987 show at The Galaxy in Auckland, which was recorded for both a 1987 album and a Radio with Pictures special. The other featured band was Stonehenge. Knightshade vocalist Wayne Elliott is joined by Gael Ludlow (then better-known as presenter of nature show Our World). The live album Out For The Night Live! made it to 37 on the Kiwi charts. ‘Out for the Count’ had previously got to number 26 on the singles charts in November 1986.
The Mockers had a breakthrough year in 1984. Their sixth single 'Swear It's True' caught New Zealand's attention, and in May their debut album peaked at number four on the Kiwi charts. In June they played Mainstreet for one of 1984's batch of Radio with Pictures specials, spawning the live album Caught in the Act, which was released in July. Vocalist and part-time poet Andrew Fagan cuts a piratical figure in his sailor's jacket and trademark fingerless gloves. Dunedin band The Idles were a lesser known proposition. They made ripples in 1984 with their first EP, 'Agroculture'.
This collection celebrates rugby in New Zealand as it has been seen onscreen: from classic bios and tour docos, to social history, dramas and protest. In the accompanying backgrounders, broadcaster Keith Quinn looks at the on air history of rugby in NZ; and playwright David Geary asks if rugby is a religion, and argues it is a good test of character.
In the beginning — of both movies and books — is the word. Many classic Kiwi films and television dramas have come from books (Sleeping Dogs, Whale Rider); and many writers have found new readers, through being celebrated and adapted on screen. This collection showcases Kiwi books and authors on screen. Plus check out booklover Finlay Macdonald's backgrounder.
It started with grunge and ended with Spice Girls; Di died, Clinton didn't inhale and the All Blacks were poisoned. On screen, Ice TV and Havoc were for the kids and a grown-up Kiwi cinema delivered a powerful triple punch. Tua's linguistic jab proved just as memorable, Tem got a geography lesson and Thingee's eye popped and reverberated around our living rooms.
Hamilton hard rockers Knightshade emerged in the 1980s with sweaty, riff-heavy anthems like ‘Out for the Count’, ‘Sheila at the Wheel’ and 'The Physical You'. Led by Wayne Elliott, they spawned two EPs and a 1987 live album, and supported acts from Jimmy Barnes to Guns N’ Roses. They left Glyn Tucker Jnr's Reaction Records for Mushroom Australia, but directives from Mushroom to record ballads soured the deal. A (self-titled) studio album was released in 1995 on Hark Records, before touring pressures saw them disband. Knightshade reunited in 2011 and 2014. Elliott died in 2018 after a battle with cancer.
A helmet cam records the claustrophobic reactions of a rookie mercenary (Elliot Travers) as an interplanetary combat raid goes wrong in Ferand Peek's debut short. Peek produced the one-shot DIY Gravity in Wellington over five years. Audio was recorded first, then Travers (shot in a special rig), then CGI effects were forged with the help of Miramar/Weta filmmaking crew. The result was touted by io9 doyen Annalee Newitz: “All we see of the world around him are reflections in his helmet, and yet the suspense is incredible. Plus, the story [is] surprisingly moving.”
In late 1989 U2 played to 60,000 at Lancaster Park. Exhausted by a relentless schedule and criticism of their recent explorations of American music, the band hoped for a short, fun tour with BB King. These performances were shot for music show CV. Reaction to show opener ‘Where the Streets Have No Name’ shows it was a good idea not to give up on the song during recording. After the classic ‘I Will Follow’, Bono invites a cool as a cucumber audience member up to play guitar on ‘People Get Ready’. U2 went on to reinvent themselves in Berlin with the acclaimed Achtung Baby.
Charlie Horse is a personal film diary by actor Martyn Sanderson showing the breaking-in and training of a young colt in rural Hawke's Bay. It was made when Sanderson was a vital part of the gang of Blerta creatives who based themselves at Waimarama Beach in the 1970s. Some stunning ‘wild horses' imagery is captured (shot by Sanderson and cinematographer Alun Bollinger) and narration is intriguingly provided from audience comments recorded at a local screening of the footage. It features music by Blerta members Bruno Lawrence, Chris Seresin and Patrick Bleakley.
Inspired by an Australian musician who was drafted to fight in the Vietnam War, this song was first recorded by Aussie singer Ronnie Burns before Kiwi Craig Scott turned it into one of his biggest hits. Released in June 1971, Scott's version would go on to win the Loxene Golden Disc Award. These extended takes of Scott in action were likely cut together with footage taken from other angles — footage which is now missing in action. Thanks partly to regular appearances on music show Happen Inn, photos of Scott and his hair adorned bedrooms across the country in the early 1970s.