Presented by restaurateur and two time Auckland mayoral candidate John Palino, Top Shelf’s The Kitchen Job visited restaurants and cafes around New Zealand that were in need of help. Palino is a self-proclaimed “restaurant fixer”, who brings his experience from working in his native New York. From Invercargill to Onehunga, he takes on and comes to the aid of eateries across the country. While a number are cases of investments gone bad and family businesses on the line, not all the problems are quite so ordinary; as evidenced by one haunted restaurant down south.
In this dark short film debut by director Simon Baré, newly promoted Catherine (Kirsty Hamilton) is taken to an opulent restaurant by the more worldly-wise Grant (playwright David Geary) and Sarah (Smuts-Kennedy). The evening promises a “dance with our darkest fear” — but its amoral reality utterly challenges Catherine (and makes grim Greenaway-esque irony of the title). Singer/composer Janet Roddick provides the soundtrack (Edith Piaf’s ‘Non, Je Ne Regrette Rien’) for this winner at the NZ Film Awards and Clermont-Ferrand Short Film Festival.
This short promo was part of a mid '70s Tourist and Publicity Department campaign touting New Zealand to New Zealanders. It focuses on nightlife to highlight the swinging face of our cities: bars, bands, dancing, floor shows and restaurants. As the jingle says: "Share it, share it, you've got to share it with each other." Delight in fast-cut '70s fashion and styles even if the chop stick, champagne and ciggie-filled affair has a faintly ominous vibe (just what is the bartender slipping in the cocktail?). The film ends with the Orwellian instruction to "go there ... now".
Whanganui-born chef Peter Gordon helmed the Sugar Club in Wellington in the 80s, before moving to the UK and started up a series of acclaimed restaurants, including Providores and Tapa Room (opened shortly after this doco was made). Plaudits as a pioneer of ‘fusion’ cooking followed. Here the ‘kai magpie’, takes in everything from paw paw to paua on a homecoming taste trip: raw fish in Rarotonga, Waikato River 'tuna', deer at Wairarapa’s Te Parae, Seresin organic olive oil, Marlborough koura, Stewart Island oysters, and more. The one-off special screened on TV One and on BBC2.
This film investigates and captures the dramatic changes to Wellington's cityscape in the 70s and 80s. "To get in before nature's earthquake we created one of our own". As a result of mass demolition of buildings deemed to be earthquake risks and the subsequent building boom, graveyards make way for motorways, and wood and stone for steel, glass and concrete. There are interviews with the boosters (Bob Jones, Sir Michael Fowler), demo workers, and laments for the loss of heritage and local culture (Harry Seresin, Aro Valley protesters, and surprisingly, Rex Nicholls).
Tired of working his go nowhere job at Pete’s Emporium in Porirua, Jamie (Jamie McCaskill) persuades some of his workmates (Cohen Holloway, Rob Mokaraka and Jerome Leota) to form band The Māori Sidesteps. Throughout this web series they find themselves at inopportune gigs, deal with interference from their over-reaching manager Dollar$ (Raybon Kan), and face an early band break up. Luckily the band is reinforced by Jamie’s brother Kelly (Erroll Anderson), who joins as a fifth member — outshining several other auditionees (including Jemaine Clement).
This 1999 documentary see presenter Gary McCormick exploring the lives of New Zealand expats living in London. London Kiwis – including MTV Europe head Brent Hansen, Angel at My Table actor Kerry Fox, chef Peter Gordon, house-boaters Karyn Hay and Andrew Fagan, and drunk backpackers at The Church – reflect on their overseas experience and the meaning of home. Produced alongside a companion documentary on Kiwis in Ireland, London Connection was a further collaboration between McCormick, director Bruce Morrison and producer William Grieve (Heartland).
Made in an era before “coolest little capital” and Absolutely Positively Wellington, the title of this NFU promotional film — Promises, Promises — nods to the capricious charms of the harbour city. A reflective narration is scored by a saxophone soundtrack as the film tours from the stock market, school fair, and swimsuit shopping, to Trentham and up hillside goat-tracks. The opening of Parliament is cut together with a Lions versus France rugby match at Athletic Park, while Scorching Bay is jam-packed with sun-seekers (it must have been filmed on a good day).
This episode of the te reo Māori anthology series follows a scandalous relationship between Siva (Pua Magasiva), a 19-year-old Samoan man, and Haka (radio DJ Ngawai Greenwood) a 45-year-old Māori poet. Unable to contain their passion, the couple's public lovemaking hits the headlines. Siva's family take matters into their own hands. This episode marked the first on-screen starring role for Magasiva, who would make his name as nurse Vinnie Kruse in Shortland Street. Director Paora Maxwell later spent three years as Chief Executive at Māori Television.
Shot for an Australian Travel Agents Seminar, this short film seeks to portray 1969 New Zealand as a hip and happening place. The tourism clichés of a scenic wonderland remain, but the film attempts to present a more sophisticated NZ to entice jet-set Aussies east. After all, we "got rid of six o'clock closing ages ago." To complement the Anzac staples of sport, beer and gambling there are mountains and Māori. Nightclubs offer show bands and strippers for "relaxation" after strenuous days of sightseeing. C’mon is a fascinating snapshot of a nation in transition.