Later retitled Arts Review, series Review debuted on New Zealand's only television channel in the early 70s. Among those who presented or reported for the arts based series were Max Cryer (Town Cryer) and onetime Town and Around reporter Barbara Magner.
Month by month, this collection offers up NZ On Screen's most viewed clips for 2016. Alongside legendary adverts, the clips collection features talents lost to us over the year, from Ray Columbus to Martin Crowe and Bowie (via Flight of the Conchords). In this backgrounder, NZ On Screen Content Director Kathryn Quirk guides us through the list.
This Review episode from 1973 offers an interview with Hone Tuwhare — then 51 years old — at the Māori Writers' and Artists' Conference at Tukaki Marae, in the town of Te Kaha. One of New Zealand’s best-loved and lauded poets, Tuwhare speaks of various influences, including sex, religion, trade unionism and communism. Poet Rowley Habib sits alongside Hone in the interview, and occasionally contributes to the conversation. This documentary also features a poetry reading from Dunedin's Globe Theatre.
This edition of the National Film Unit’s wartime newsreel series tracks the 1000s of New Zealand prisoners of war being repatriated from Germany, shortly after VE Day. “Men from all over the world are here. Waiting to get out. Waiting to get back to their homes …” The ANZACs travel to a transit centre in Brussels, where they enjoy “a first real beer in years” and go sightseeing, before crossing the North Sea to be hosted in England, where thoughts turn south. The reel ends with a rousing rendition of the Māori Battalion marching song in an English pub.
This National Film Unit magazine film meets the NZ team for the 1948 London Olympics as they prepare to depart by boat (accompanied by a manager, and a chaperone for the sole female competitor). Each of the seven members is profiled in this reminder of an era when athletes had day jobs, training was 'several hours a day' and swimsuits looked more like impediments than performance aids. A nicely-shot demonstration of weightlifting technique by Maurice Crow is a highlight. Despite the enthusiasm of Selwyn Toogood's voiceover, the team failed to win any medals.
This was the very last edition of the National Film Unit’s Weekly Review, a magazine-style film series which screened in New Zealand cinemas from 1942 until 1950. The first item is winter sports fun (ice skating, ice hockey) on a high country lake; the second report examines prototype newsprint made in Texas, from New Zealand-grown pine; the last slot covers the touring British Lions rugby team’s match against the NZ Māori, at a chilly Athletic Park. The Māori play the second half a man down after losing a player to injury (this was before injury substitutions were allowed in rugby).
This post-war Weekly Review urges Kiwi farmers to grow more wheat in the face of a world shortage, and out of a patriotic duty to help Britain. Graphic images of global poverty (especially in the final minutes) are counterpointed with NZ wealth and agricultural ingenuity. The film features scientist Otto Frankel, who introduced new wheat varieties that were better suited to the local climate. This was director Alun Falconer's only on-screen credit while working at the National Film Unit. He and Roger Mirams soon left to found pioneering company Pacific Film Unit (later Pacific Films).
This 1950 edition of the Weekly Review series welcomes the touring British Lions rugby team in Wellington, where speeches are given on the wharf. It was the first post-war tour by the Lions (notable for the debut of their iconic red jerseys — not able to be discerned in this black and white reel!). Then it’s down to Canterbury Museum to explore displays of moa bones, cave paintings and the relics of the moa hunters. Finally it’s up to the farthest north to visit Te Rerenga Wairua, for a look at life keeping the ‘lonely lighthouse’ at Cape Reinga Station.
This post-war Weekly Review boards a RNZAF Dakota flying “the longest air route in the world”: a weekly 17,000 mile ‘hop’ taking mail to Jayforce, the Kiwi occupation force in Japan. Auckland to Iwakuni via Norfolk Island, Australia (including a pub pit-stop in the outback), Indonesia, the slums of Singapore, Saigon, Hong Kong; then Okinawa, Manilla and home. Director Cecil Holmes’ pithy comments on postcolonial friction and rich and poor avoided censorship, but won a warning not to rock the boat. The next year he was controversially sacked from the National Film Unit.
The highlight of this instalment of the NFU’s weekly newsreels is a report on a motorcycle grand prix, held at Cust in Canterbury, where speeds in excess of 100mph were reached in the 152 mile race — with 1,000 gallons of sump oil sprayed on roads to prepare the racing surface. From the Wellington waterfront, there is coverage of the arrival of a delegation of Australian ex-servicemen to meet their NZ counterparts; and an emotional United Nations appeal asks viewers to donate one day’s pay, profits, work or produce to help the world’s needy children.