Four-part series Revolution examined radical changes in New Zealand society in the 1980s and 1990s. This final episode sums things up, after examining "the second wave" of neoliberal reform when National took power in 1990, shortly after Telecom was sold to American interests. Incoming finance minister Ruth "mother of all budgets" Richardson oversaw a reduction of welfare payments, a shake-up of the health system, and a curbing of union powers. Richardson: "in a human sense I understood that [community outrage], but that wasn't going to deflect me".

The Ralston Group was an early 90s TV3 political chat show where politicos and media industry insiders vigorously debated current affairs. In this mid-1991 episode ringmaster Bill Ralston prods RNZ political editor Richard Griffin, broadcaster Leighton Smith, North & South editor Robyn Langwell and lawyer Trevor de Cleene to tell it as they see it. They debate service on Air New Zealand, the reform of Accident Compensation Corporation, the National Party’s broken promise for a Guaranteed Retirement Income, and the vexed issue of personalised car number plates.

As part of the radical 80s neoliberal reform of the public and corporate sector in New Zealand, many government-run assets were turned into state owned enterprises; some were sold off to foreign buyers. Screening on TV3, this 1991 film, written by Metro columnist Bruce Jesson, examines the controversial programme by asking “who owns this country and who controls it?”. Those answering range from businesspeople to politicians, academics, journalists, vox pops and critics of the ‘cashing-in’, from the Hamilton Jet family to UK environmentalist Teddy Goldsmith.

This episode of the early 90s political chat show sees ringmaster Bill Ralston, lawyer Trevor de Cleene, RNZ political editor Richard Griffin, North & South editor Robyn Langwell and broadcaster Leighton Smith vigorously debating parliamentary filibusters; whether Kiwis are sexual puritans (in the wake of Nightline’s notorious '69-in-60' sex position broadcast); and whether NZ youth is a generation lost to sex, suicide and car crashes. Ralston argues “the wowsers are winning again”; Langwell correctly predicts the end of paper The Star, and Smith predicts a Wallabies win on Saturday.

The tagline runs: "The story of unemployment in New Zealand" and In A Land of Plenty is an exploration of just that; it takes as its starting point the consensus from The Depression onwards that Godzone economic policy should focus on achieving full employment, and explores how this was radically shifted by the 1984 Labour government. Director Alister Barry's perspective is clear, as he trains a humanist lens on ‘Rogernomics' to argue for the policy's negative effects on society, "as a new poverty-stricken underclass developed".

Someone Else’s Country looks critically at the radical economic changes implemented by the 1984 Labour Government - where privatisation of state assets was part of a wider agenda that sought to remake New Zealand as a model free market state. The trickle-down ‘Rogernomics’ rhetoric warned of no gain without pain, and here the theory is counterpointed by the social effects (redundant workers, Post Office closures). Made by Alister Barry in 1996 when the effects were raw, the film draws extensively on archive footage and interviews with key “witnesses to history”.

This second episode of the three-part series following British MP Austin Mitchell’s return to the country where he began his career in (as a broadcaster and author of 1972 book The Half Gallon Quarter Acre Pavlova Paradise) sees a focus on politics. The former Canterbury University political scientist gives a potted political history, from the roots of a conservative Kiwi political mien to the radical changes wrought by Lange’s 80s Labour government and the rise of women ‘on the hill’. Finally he considers tourism, Treaty settlements and the aspirations of Māori.

Gibson Group production Public Eye was inspired by the British series, Spitting Image. Latex puppets caricature topical personalities, mostly drawn from the world of politics (Ruth Richardson, Helen Clark, Winston Peters etc). Their foibles are duly skewered in fast-moving comic skits such as the 'Ruatoria Rasta' segment, 'The White Way' and 'Honky Tanga'. The wickedly grotesque puppets were based on drawings by cartoonist Trace Hodgson, and built by a team headed by future Weta FX maestro, Richard Taylor.

Inspired by the British series Spitting Image, Gibson Group's Public Eye features latex puppets based on drawings by cartoonist Trace Hodgson and built by a team headed by future Weta FX maestro, Richard Taylor. Highlights from the first episode include a boxing match between former finance minister Ruth Richardson and Winston Peters; Helen Clark's attempts to convince a bunch of labour party ministers to enforce a ban on pornography; and cricketer Richard Hadlee's failure to promote a life insurance company while being interviewed by Keith Quinn.

On the heels of Issues (1990), More Issues offered more of the same satirical takes on local and international current affairs. It pokes fun at the advent of news-presenting personalities like Judy Bailey, Richard Long and Paul Holmes - such a prominent feature of NZ TV at the time. Politicians Ruth Richardson and Robert Muldoon also featured regularly, and celebs such as Oprah Winfrey and Rachel Hunter made appearances. Issues of the day included Martin Crowe's upcoming nuptials, the first Gulf War, and Māori land claims.