Onstage, Jonny Brugh's comic armoury has included melon-throwing, mutant clowns and hanging in the air in a superhero costume – some of the above occured while he was in high energy, Billy T award-winning duo Sugar and Spice (with Jason Hoyte). Brugh played a current affairs host in TV's The Jaquie Brown Diaries, before winning further laughs as vampire Deacon in hit movie What We Do in the Shadows, where his erotic dance scene went down a treat. He has also played idiotic school principals (web series Educators), dating gurus (How to Meet Girls from a Distance) and firefighters (800 Words).
Comedian Jonathan Brugh is another standout as Carl, Toby's 'love coach'. [L]argely responsible for the laugh-out-loud moments, Brugh deservedly gets to deliver the film's cleverest gag in the third act, which acts as a reminder this script is sharper and filled with more twists and turns than it first seems. Francesca Rudkin, reviewing How to Meet Girls from a Distance, NZ Herald, 1 November 2012
Funny As traces the history of New Zealand comedy through archive footage, and extensive interviews with local comedy talent. Debuting on TVNZ 1 in July 2019, the five-part series explores how Kiwis "have used comedy to navigate decades of profound cultural change". Funny As touches on everything from live and musical comedy, to pioneers of Kiwi screen humour (e.g. Fred Dagg, Lynn of Tawa) and the hit exports of later years (Flight of the Conchords, Rose Matafeo). The series was made by production/creative agency Augusto, and produced by comedy veteran Paul Horan.
John (Anton Tennet) is a small town crim with a big time dream: to abscond from Thames to Paeroa with his boss’s sister. A robbery gone wrong and a mysterious Chinese bracelet send his plans into a spin, and he finds that going back to the future has a price. Hong Kong action movies, Kiwi slapstick and time travel head to the heartland in Tim van Dammen’s follow-up to Romeo and Juliet: A Love Song. Jonathan Brugh (What We Do in the Shadows) plays the villain; Milo Cawthorne and Yoson An are also in the cast. Mega Time Squad was selected for the Fantasia festival in Montreal.
This first series of The Watercooler features stories about sauna etiquette, nurse-patient relations, Trans-Tasman cricket rivalry and urination. The web series is based mostly on yarns provided by the show’s Facebook audience, supplemented by creator and star Mike Minogue’s own sauna story. The allegedly true stories are reenacted by a cast that includes Jonathan Brugh, Cohen Holloway and Abby Damen (The Māori Sidesteps). Each story is introduced as a chat over the office watercooler, with the storyteller and their audience also playing the main characters.
Actor/director Taika Waititi teamed up with his Eagle vs Shark star Jemaine Clement for this mockumentary about life for a flat of vampires. Cameras follow the vamps as they struggle to get into Wellington pubs, squabble over chores and face off against werewolves. A roster of Kiwi comedic talent (including Jackie van Beek and lazy vampire Jonathan Brugh) feature. After winning fangtastic reviews at America's Sundance and SXSW festivals, Shadows won a run of global sales and four Moa awards, including Best Self-Funded Feature. It also spawned two TV series, and a live show.
In this 'peeping tom rom-com' Toby (Richard Falkner) gets a little carried away un-obscuring the object of his desire — SPCA worker Phoebe (Scarlet Hemmingway). His dating guru Carl (comedian Jonathan Brugh) doesn't help. The inaugural winner of the Make My Movie Feature Film Competition was made in six months for $100,000. The Wellington team behind Distance proved that you don't need a big budget and years of development to make a crowd-pleasing feature. Following successful screenings at the 2012 NZ Film Festival, it was picked up for theatrical release.
Christmas Eve 1953: Cricketer Bob Blair (Ryan O'Kane) is in South Africa, days away from batting for New Zealand. His fiancée Nerissa Love (Maddigan's Quest's Rose McIver) is boarding an ill-fated train, which in this excerpt will plunge into the Whangaehu River at Tangiwai, in the country's worst rail disaster. The Dominion Post's Linda Burgess found this TV movie retelling of the tragic romance "first-rate", noting "consistently excellent" performances from O'Kane, McIver, and Miranda Harcourt as Nerissa's wary mother. Tangiwai won four NZ TV awards, including best cinematography.
Auckland's home of stand-up comedy, The Classic theatre in Queen Street, is the subject of this "behind the scenes" mockumentary TV series. Anchored by MC Brendhan Lovegrove, episodes follow a night's performances; onstage routines are intercut with action from the green room and front of house. The line between reality and self-deprecatory fiction is blurry, with the participants happy to send themselves up. Show biz glamour is in short supply and, at times, it's preferable to look just about anywhere except the screen. A second series screened in 2012.
TV personality Jaquie Brown plays (and plays up) herself for further delightful comic effect in the second series of The Jaquie Brown Diaries (renamed The Jaquie Brown Odyssey for DVD release). In the Qantas Award-winning TV3 satire Brown is an egomaniacal reporter looking to climb the media ladder any which way she can. This episode sees Brown googling herself, and a late-night forum post sends her spiralling towards celebrity booze binge self-destruction on K Road. In her wake Auckland’s Metro social pages set are skewered with self-referential glee.
TV personality Jaquie Brown plays (and plays up) herself for delightful comic effect in this hit TV3 satire. Former Campbell Live reporter Brown plays an egomaniacal journalist looking to climb the media ladder any which way she can. Auckland's aspirational set: a cast of Metro social page alumni and wannabes, are skewered with self-referential glee. The second series was retitled for DVD release as The Jaquie Brown Odyssey; both series won acclaim and Best Comedy gongs at the Qantas Film and TV Awards. The Listener gushed: "A local sitcom that doesn't suck."
TV personality Jaquie Brown plays (and plays up) herself for delightful comic effect in this hit TV3 satire. Brown plays an egomaniacal reporter looking to climb the media ladder any which way she can. Auckland's aspirational set: a cast of Metro social page alumni and wannabes, are skewered with self-referential glee. The show won Best Comedy at the 2009 Qantas Film and TV Awards. This episode sees Jaquie striving to exit Woman's Day's 'Plump it Hottie' section, appropriating a tampon, and performing in a celeb singalong.
Created by superhero fan Stephen J Campbell, this light-hearted adventure series follows teen Ben Wilson (Carl Dixon) who discovers his father and grandad have done time as superheroes. Still getting to grips with the basics of being one himself, Ben enlists family and friends to help fight assorted villians. The show ran for three seasons, and spawned web series The Wired Chronicles and Origins. Nominated for awards in Rome and New Zealand, it picked up one in Korea. The eclectic cast included the tried (David McPhail) and the new (Hannah Marshall from Packed to the Rafters).
This black comedy sees Kiwi blokes Barry (Tim Gordon) and Kev (Jason Hoyte) set off into the sunrise for a day’s fishing. The ‘men alone’ glories of Godzone in a runabout are disrupted when they discover their attitudes towards domestic violence and sexuality are at odds. Director Adam Stevens adapted the story from a scene in Atrocities, a play written by Hoyte and Jonathon Brugh (aka Sugar and Spice). In 2001 Beautiful went to the New York, Melbourne and Montreal film festivals, before screening at Sundance; it won Best Short Film at the 2003 NZ Film Awards.
This comedy series followed the daily life of an 1800s Māori chief (Pio Terei) and his interactions with other Māori and newly-arrived Pākehā settlers. Nothing was sacred as a subject for satire, from disease to English gold lust. Created by Ray Lillis (Pio!), the series features Rachel House (Whale Rider), Jason Hoyte (Late Night Big Breakfast), William Davis (Belief) and Jonathan Brugh (What We Do in the Shadows). Guests included Dalvanius and Charles Mesure. It was produced by Terei’s Pipi Productions for TVNZ over two seasons; Terei had shifted from TV3 after his series Pio! in 1999.
This turn of the century comedy series follows the daily life of fictional colonial Māori chief Te Tutu (Pio Terei). In the first episode, 'Welcome', it’s 1838 and Te Tutu meets a shipload of newly-arrived New Zealand Company settlers. Ngāti Pati elders debate whether or not to eat them. Tama (Dalvanius) wants to, but Te Tutu pushes for the vegetarian option by outlining the threat of Pākehā diseases to Māori private parts. The boys can’t decide but when Tama’s wife arrives everything is ka pai, and the kōrero turns to real estate. The script is by series creator Ray Lillis.
This turn of the century comedy series was a satirical look at colonial life through the eyes of moderately hapless Māori chief Te Tutu (Pio Terei). Complications from over-fishing of kai moana (seafood) are the main plot spurs of this second episode. Meanwhile a newcomer to Aotearoa – Herrick's brother, an English army toff played by Charles Mesure (Desperate Housewives, This is Not My Life) – attracts the attention of Hine Toa (Rachel House), and hatches an evil plan (‘MAF’: Murder All Fishes). Meanwhile the patronising Vole continues his campaign of colonisation.
This turn of the century comedy series is a satirical look at colonial life through the eyes of Māori chief Te Tutu (Pio Terei). In this third episode, Te Tutu interrogates efforts by the settlers to mine for gold, and has designs on Vole's stove. Objects of ridicule include Pākehā and Māori cuisine; settler lust for “a useless, worthless, dangerous, coloured stone”; and patronising colonialism: “what’s the story with those beads and blankets? Haven’t they got any cash?” Meanwhile hangi pits are causing a spate of injuries. Michael Saccente has a guest role as an American miner.
Religion is the subject of this fourth episode of the series satirising colonial relations between Māori and Pākehā. Chief Te Tutu (Pio Terei) is disturbed by the bells ringing from the new church being built by settler Henry Vole, and goes to investigate. He finds a tohunga dressed like a tui. Te Tutu’s interpretation of the scripture leads to complications. Meanwhile Mrs Vole (Emma Lange) continues to do all the work while the Pākehā blokes chinwag. John Leigh (Sparky in Outrageous Fortune) guest stars as an Anglican minister under pressure from Vole to spice up his sermons.
In the tradition of Billy T's 'first encounter' skits, this series used satire to examine pre-Treaty of Waitangi relations between tangata whenua and Pākehā settlers. The topic of this fifth episode is health. After Te Tutu (Pio Terei) wakes with a bad back, his daughter Hine Toa (Rachel House) suggests trying out some alternative medicine: Pākehā bedding. Newly arrived Nurse Veruca (a cameo from Susan Brady) clashes with comical tohunga Tu Meke (William Davis) and stirs up symptoms in Henry Vole. Terei has commented that the show's take-no-prisoners humour was ahead of its time.
This topic of the sixth episode of this Māori/Pākehā satire is 'war'. Irish Colonel North (played by veteran actor Ian Mune) and his British Army soldiers arrive, on their way north to fight Hōne Heke — provoking chief Te Tutu (Pio Terei) and Ngāti Pati into action. Te Tutu’s warmongering with the settlers includes mooning, flagpole-felling and insulting Mr Vole's long-suffering wife (Emma Lange). When the signals aren’t picked up, a stolen rooster gets things moving. A fierce haka is answered by a traditional English song: 'Old Macdonald had a farm'.
The final episode of the first season of this colonial comedy tackles the Treaty, as settler Henry Vole argues that his land (purchased off a bloke he met at a bar in Tauranga) is fairly his. The pros and cons of a treaty are debated: “where all Māori may benefit from the administration that gave us the 18 hour working day for children”. Te Tutu counters with a Martin Luther King dream: “where the English are not marginalised in Aotearoa simply because they are a minority … where the English language won’t be lost because we’ll have Pākehā language nests …”
Bressa Creeting Cake's jaunty calypso romp, described by the band as "a very happy holiday song full of gaiety, summer, and love for one's fellows", gets a suitably madcap treatment in this video directed by Michael Keating and band member Edmund McWilliams (aka Ed Cake). Actor and comedian Jonathan Brugh (What We Do in the Shadows) gets to mug for the camera while the band lurks in the background in their "sinister suits". Auckland's Little Shoal Bay, near the Harbour Bridge, is the opening location, and elsewhere, a guitar is used as a percussion instrument.
Pulp Comedy succeeded the talent quest A Bit After Ten as a TV outlet for stand-up comics. Its origins lay in Auckland's Comedyfest which was established to capitalise on the city's burgeoning early 90s stand-up scene. Showcases at the Powerstation led to a request from TV3 for a television series. Produced by Mandy Toogood and Simon Sinclair, it ran for eight years and provided national exposure for novices as well as leading lights like Mike King, Ewen Gilmour, Flight of the Conchords, Michele A'Court, Brendhan Lovegrove, Philip Patston and Cal Wilson.
This film records the devising of a “work in progress” by theatre director Ashley Thorndyke (Jason Hoyte). The concept — by Duncan Sarkies (Two Little Boys, Scarfies) — mocks the gamut of thesp and drama school cliches: from ‘wanky’ director to wacky warm-up exercises (animal impersonations, primal screams, Love Boat theme song). Peter Burger, fresh out of Broadcasting School, co-directs, and the willing cast is drawn from the 90s Wellington theatre scene orbiting around Bats and Victoria University. Future Conchord Jemaine Clement memorably learns to get loose.