Nia’s Extra Ordinary Life follows the adventures of Nia, a 10 year-old girl living in the Northland seaside town of Tinopai. There the ordinary becomes extra ordinary thanks to the power of her imagination — brought to life partly via onscreen animation. In this second episode Nia (Shania Gilmour) gets over leftover mussels and tomato sauce in her school lunch (yuck!) and missing her Mum, by building a sandcastle. The tide is getting closer, but no matter...Made by the team behind Auckland Daze, Nia’s Extra Ordinary Life marked Aotearoa’s first web series for children. 

New Brighton beach in Christchurch: Peter Donnelly is busy creating art, art with a lifespan that can be measured in hours. Using a rake and a piece of wood, Donnelly draws elaborate artworks in the sand - more than 700 of them to date. "I bring something to life, and then its life is over, and at the end of the four hours it wants to go, it's worn out ... it just wants to be gifted, and it goes to the sea." Beautifully shot by director Peter Young, this Artsville documentary captures Donnelly both in action, and musing on the beauty of impermanence.

Making heavy use of Auckland Museum’s marble corridors, the sepia tone video for Grace’s 'Black Sand Shore' is pure 90s pop. Jason Ioasa leads the vocals while exploring the many corridors — although the three Ioasa brothers spend most of their time standing intensely at the entrance to the museum’s interior ‘Centennial Street’. All the while, an hourglass placed by an Ioasa and an unknown woman ominously ticks down. The single was the third off Grace's album Black Sand Shore, which was included in Nick Bollinger’s 2009 book 100 Essential New Zealand Albums.

'Lyin' in the Sand' closed Hello Sailor's self-titled debut album in 1977, the song's languid South Seas vibe providing respite after 'Gutter Black' and various guitars. Inspired by a spontaneous South Pacific parody from vocalist Graham Brazier one night, it was written by guitarist Harry Lyon after observing how Takapuna's smart set took their beach for granted. TVNZ filmed the band playing live in a Christchurch studio in 1978, just before the band set off to try to make it in LA. Lyon sings, so Brazier is absent; drummer Ricky Ball's hula confirms that the band’s tongue was in its chic.

Hello Sailor's time in the sun saw them spending time in Ponsonby, LA and Sydney, becoming a legendary live act, and releasing an iconic debut album. This collection features documentary Sailor's Voyage, founder member Harry Lyon's account of the birth of the band, and tracks from Hello Sailor, both together and apart. Some of the solo songs were incorporated into the group's live set after they reunited. Included are 'Blue Lady', 'New Tattoo' and 'Gutter Black’, later reborn on TV's Outrageous Fortune.

More than 100,000 New Zealanders served overseas in World War l. Over 18,000 died; at least 40,000 more were wounded. Campaigns involving Kiwis, from Gallipoli to the Western Front, were identity-forming, and the war's effects on society were deep. The World War l Collection is an evolving onscreen remembrance. Military expert Chris Pugsley writes about the collection here. 

Florian Habicht first won attention for 2003's Woodenhead, a fairytale about a rubbish dump worker and a princess. By then Habicht had already made his first feature-length documentary. Many more docos have followed: films that celebrate his love for people, and sometimes drift into fantasy. In this collection, watch as the idiosyncratic director meets fishermen, Kaikohe demolition derby drivers (both watchable in full), legends of Kiwi theatre and British pop, and beautiful women carrying slices of cake through New York. Ian Pryor writes here about the joys of Florian Habicht.

From the icons (Sky Tower, Otara Market, Rangitoto, The Bridge), celebs, clans and stereotypes (Jafas), to the streets (Queen St, K Road), and Super City suburbs (Ferndale, Mt Raskill, Morningside), this collection celebrates Auckland onscreen. Reel through the moods and the multicultural, metro, muggy charms of New Zealand’s largest city. In this backgrounder, No. 2 director Toa Fraser writes about Auckland as a place of myth, diversity and broken jaws.

New Zealand artist Michael Smither (well known for his idiosyncratic realist paintings, such as Rocks with Mountain) is a man of many theories and ideas. This film, made for TV, documents his experiments rebuilding eroded beaches around Taranaki with driftwood. Only partially successful, these experiments nonetheless reveal Smither as something of a visionary. They contrast with the New Plymouth City Council's own efforts to check sand erosion; and over two decades later, Smither's less orthodox methods look the more sensible, and sustainable.