It's hard to reduce legendary band Split Enz down to a single sound or image. Soon after forming in 1973, they began dressing like oddball circus performers, and their music straddled folk, vaudeville and art rock. Later the songs got shorter, poppier and — some say —better, and the visuals were toned down...but you could never accuse the Enz of looking biege. With Split Enz co-founder Tim Finn turning 65 in June 2017, this collection looks back at one of Aotearoa's most successful and eclectic bands. Writer Michael Higgins unravels the evolution of the Enz here.
The Dominant Species is a loopy look at the relationship between people and cars in 1975 Aotearoa ... from an alien's eye view. Nifty animation and FX intersperse the automotive anthropological survey of Mark IIs, VWs, anti-car activism and driveway car-washing. There's a ladykilling Jesus Christ atop-a-motorcar dream sequence; and Wagner's Ride of the Valkyries scores a rugby match traffic jam (predating Apocalypse Now's choppers). Filmhead will note the tripped out assembly is flush with formative industry talents (see Derek Morton’s guide, under the 'background' tab).
The first part of this controversial, no-holds-barred portrait of Robert Muldoon — the dominant figure of 20th century NZ politics — traces his rise to power. In one of the show’s most contentious themes, Neil Roberts and Louise Callan explore the effect that the death of Muldoon's father from syphilis may have had on his political career. Interviews with colleagues and family members cover his childhood, war service, early years as a husband and father, his immersion in the National Party and the relentless, divisive style that saw him become Prime Minister in 1975.
Made for the Plunket Society by the NFU, A Baby on the Way uses a blackboard and various experts in front of an antenatal class to provide birth education for early 70s Kiwi parents-to-be. Plunket Medical Director Neil Begg lowers his pipe to introduce the lessons, and contemporary advice for ensuring a mother’s health during pregnancy is given by doctors, nurses, and physios. The scenes involving breast massage and analgesics may have induced titters in school-aged audiences, unlike the brief-but-gory concluding birth (set to piped organ music).
The Italian Job meets cheap jugs and a student union gig in this early heist tale from Geoff Murphy (Pork Pie, Quiet Earth, Utu). The plot follows some university students — short on exam fees and beer money — and their scheme to crack a campus safe ... the things kids got up to before internal assessment! Murphy enlisted $4000 and a bevy of mates (including Bruno on bongos) to make the film over nine months of weekends. It screened on TV on New Year’s Eve 1970; its assured pace and naturalist acting stood in stark contrast to the stage-derived telly standards of the time.
This short black and white NFU 'drama' follows three young people on a road trip from Wellington. The trio are meant to be finding a seal colony, but in this early film from director Paul Maunder (Sons for the Return Home), the journey is the destination. The rambling adventure along the coast past Wainuiomata sees the trio discussing paua ashtrays, waning youth, marriage, the state of New Zealand television, and life in general. Future TV director John Anderson (road movie Mark ll) plays the husband, and Sam Neill edits. The music is by Tony Backhouse (The Crocodiles).
“It’s hard to imagine our way of life before the box turned up in our living rooms.” Newsreader Dougal Stevenson presents this condensed history of New Zealand television’s first 15 years: from 60s current affairs and commercials, to music shows and early attempts at drama. The first part of a two-part special, this charts the single channel days of the New Zealand Broadcasting Corporation from its birth in 1960 until puberty in 1975, when it was split into two separate channels. Includes recollections from many of NZ TV’s formative reporters and presenters.
A Week of It was a pioneering satire series that entertained and often outraged audiences from 1977 to 1979, with its irreverent take at topical issues. The debut episode opens with an investigation into what Labour politician Bill Rowling is like in bed, and then Prime Minister Muldoon gets a lei (!). McPhail launches his famous Muldoon impression, Annie Whittle does Nana Mouskouri; and the Nixon Frost interview is reprised as a pop song. The soon to be well-known Gluepot Tavern skit wraps the show: "Jeez Wayne". McPhail writes about first launching A Week of It here.
Directed by Hugh Macdonald, This is New Zealand was made to promote the country at Expo '70 in Osaka, Japan. An ambitious concept saw iconic NZ imagery — panoramas, nature, Māori culture, sport, industry — projected on three adjacent screens that together comprised one giant widescreen. A rousing orchestral score (Sibelius's Karelia Suite) backed the images. Two million people saw it in Osaka, and over 350,000 New Zealanders saw on its homecoming theatrical release. It was remastered by Park Road Post in 2007. This excerpt is the first three minutes of the film.
They came, they battered, they bickered. Peter Hudson and David Halls were as famous for their on-screen spats as their recipes. The couple ("are we gay? Well we're certainly merry") turned cooking into comedy, and won Entertainer of the Year at the 1981 Feltex Awards. This 73-minute documentary explores their enduring relationship and tragic passing — from memorable early days entertaining dinner guests at home and running a shoe store, through to television fame in NZ and the UK. The interviews include close friends and many of those who worked with them in television.