This 1982 Radio with Pictures report surveys the Dunedin music scene, and the bands who are starting to be grouped together under the label ‘the Dunedin Sound’. Critic Roy Colbert discusses the influence of punk pioneers The Enemy and Toy Love, and the benefits of being outside fashion. A roster of future Flying Nun notables are interviewed, including David Kilgour, Shayne Carter, and Jeff Batts (The Stones). Martin Phillipps is psychedelic, and Chris Knox dissects the new bands’ guitar-playing style (without using the word "jangly"!). And then there’s Mother Goose.
This documentary tells the story of the legendary Flying Nun music label up to its 21st birthday. The label became associated with the 'Dunedin Sound': a catch-all term for a sprawl of DIY, post-punk, warped, jangly guitar-pop. The Guardian: "[it's] as if being on the other side of the world meant the music was played upside down". Features interviews with founder Roger Shepherd and many key players, the spats and the glory. The label's influence on the US indie scene is noted, and Pavement's Stephen Malkmus covers The Verlaines' 'Death and the Maiden'.
RWP reporter/director Brent Hansen (later head of MTV Europe) visits the South Island: checking venues, talking to local luminaries, catching live bands and generally taking the pulse of the local music scene. Flying Nun is on the rise (and just starting to attract international attention) although none of the label's major acts are playing near the RWP cameras. Christchurch is in flux waiting on the next big pop act to emerge, while Dunedin is a hive of activity with a new generation of Flying Nun acts starting to come through. Then there's Crystal Zoom...
New Zealand's so-called 'cinema of unease' is stretched in new directions in this psychological drama, inspired by real-life interviews with criminals and victim's families. Writer/director Stuart McKenzie's feature debut follows Lisa (Michelle Langstone), a young woman haunted by the rape and murder of a former teenage acquaintance. Lisa's fascination leads her to the victim's parents - and to prison, to interview the charismatic killer (Tim Balme). The result is an intelligent examination of the after effects of violent crime. Shayne Carter provides the soundtrack.
Filmed at Bethells Beach and in a tunnel somewhere in the Auckland suburb of Ellerslie, this award-winning video from future Whale Rider director Niki Caro traces a sea nymph, a beating heart and an elderly gentleman's struggle with his hat. Clearly reluctant to move into the 90s, the eternally rock Shayne Carter looks splendid in dark eye shadow — a look he later told RipItUp was "definitely a low point in rock". Bad Note for a Heart was judged best music video at the 1990 New Zealand Music Awards.
A triumph of imagination and creativity over budget, this now classic Jonathan Ogilvie clip cost just $250 to make, and the song is probably their best known. Coloured cellophane and a projector created the far out psychedelic look on the band members’ underwater heads; the performance shots capture the Fits on the back of a truck, going through the Lyttelton tunnel. The ever-cool Shayne Carter snarl is supported by an almost-mullet — apparently self-styled.
Drawing from Dimmer's debut album I Believe You are a Star, this early video effortlessly channels the minimalist cool that would be a Dimmer trademark. The set is dark, dominated by a red-lit 'Dimmer' sign likely inspired by one showcased in Elvis' iconic 1968 comeback special. The vocals are provided by four males in white suits — including a pint-sized version of Dimmer founder Shayne Carter, and, briefly, his late father. The first, long in gestation Dimmer album signalled a new stage in Carter's career, with sparse grooves dominating over guitars.
This brooding collaboration with Ladi6 from Shihad frontman Jon Toogood's other project The Adults, is yet another departure from his hard rocking day job (although guitarist Shayne Carter briefly raises the temperature). Director Sam Peacocke's split screen video was shot at legendary Auckland studio The Lab (where The Adults recorded their debut album). Ladi6 anchors one side with a typically soulful performance while Toogood (uncharacteristically playing bass), Carter, drummer Gary Sullivan and engineer Nick Roughan are all serious intent beside her.
A Kiwi supergroup, The Adults had their origins in songs written by Shihad frontman Jon Toogood that didn't suit that band. Instead, Toogood reached out to Shayne Carter (Straitjacket Fits, Dimmer) and Julia Deans (Fur Patrol) to help him record them for a solo project. The original songs were soon shelved in favour of all new collaborations and an album was recorded with a diverse pool of musicians including Anika Moa, Ladi6, Warren Maxwell (Little Bushman), Gary Sullivan (Dimmer, JPSE) and Tiki Taane (who co-produced the project with Toogood).
The first single from the final Straitjacket Fits album features a typically oblique Shayne Carter lyric hinting at despair and defiance — possibly touching on the departure of founding member Andrew Brough. The overcast lyrical content and lurching, hard edged guitars find their match in this black and white video from director Andrew Dominik, which shrouds the band in studio shadows. Dominik went on to direct lauded films Chopper, The Assassination of Jesse James by the Coward Robert Ford, and Killing Them Softly (the latter two starring Brad Pitt).