Jackie van Beek directed and starred in this 2014 short film, playing a tramper who finds her solitude interrupted in a Southern Alps hut. The short was filmed in Arthur’s Pass, where van Beek spent time climbing and exploring near her family crib, while growing up. Uphill won Best Film at an international showcase for organisation Women in Film and Television International; van Beek also won Best Actor at Kiwi festival Show Me Shorts. She would collaborate again with producer Aaron Watson on her feature directing debut, 2017 drama The Inland Road.
The decade of fondue and flares also cooked up colour television. Our black and white living room icons — from Selwyn Toogood to Space Waltz — melted into a Kiwi kaleidoscope of Top Town, Grunt Machine, and Close to Home. And 'our stories' and rights fights — boks, hikoi, nukes and 'nam — echoed onscreen (Sleeping Dogs, Tangata Whenua). Ready to roll?
Chris Knox mines his immediate, 1981-era surroundings for this elaborate stop-motion clip. Record players go crazy, sleeping bags swallow people, and hardly anyone on screen seems to have a face. On the telly are Springboks and protests, plus the Ready to Roll top 20 countdown. And all this unravels a full two decades before editing programme Final Cut Pro made homespun hip again, and directors like Michel Gondry (The Science of Sleep) started popularising the craft aesthetic.
It’s sometimes called the forgotten war, but Korea lives bright in the mind of Maurice Gasson. Volunteering at 21, Gasson found himself on the freezing battlefields of Korea as part of an artillery battery. Poorly equipped, the Kiwi soldiers swapped bottles of whisky with their American counterparts for sleeping bags and blankets. Conditions improved, but the fighting intensified. Gasson took part in the three-day Battle of Kapyong, a key episode of the conflict. His stories are chilling and some of his experiences are reflected through his poetry.
“When old and young come together to do this, it shows the strength of their convictions.” This film is a detailed chronicle of a key moment in the Māori renaissance: the 1975 land march led by then 79-year-old Whina Cooper. A coalition of Māori groups set out from the far north for Wellington, opposed to further loss of their land. This early Geoff Steven documentary includes interviews with many on the march, including Eva Rickard, Tama Poata and Whina Cooper. There is stirring evidence of Cooper’s oratory skills. Steven writes about making the film in the backgrounder.
Train enthusiast David Sims captured the dying days of steam trains in this 1968 National Film Unit short. It features arresting images of a Kb class locomotive billowing steam as it tackles the Southern Alps, en route from Canterbury to the West Coast. Kb Country was released in Kiwi cinemas in January 1968, just months before the steam locomotives working the Midland Line were replaced by diesel-electrics. Sims earned his directing stripes with the film. As he writes in this background piece, making it involved a mixture of snow, joy and at least two moments of complete terror.