Snapper is the Flying Nun combo with the big fat sound formed by one-time member of The Clean, Peter Gutteridge (also formerly of The Chills and The Great Unwashed). The driving and hypnotic ‘Buddy’, from the band’s eponymous debut EP, became an indie classic both in New Zealand and abroad, with fans including Stereolab and the Jesus and Mary Chain. Since the self-titled EP in 1989, they have released the album Shotgun Blossom (1992), a seven inch single ‘Gentle Hour’ (1993), and, more recently, the internationally-acclaimed A.D.M. album.
With more than 15,000 kilometres of coastline and nowhere in Aotearoa further than 130 kilometres from the sea, is it any wonder that recreational fishing is such a popular pastime here? More than a million Kiwis fish each year, not to mention the overseas visitors that come for that very reason....
‘Buddy’ is a mean and distorted classic, and director Stuart Page’s video matches the menacing mood with imagery that includes bad-arse motorbikes, underwater sea creatures, and skulls. Grainy, grungy, great.
Florian Habicht returns to Northland (home surf and turf and Kaikohe Demolition territory) to chronicle the annual Red Snapper Classic fishing competition. The first prize is $50,000 but the participants chase the joy of the cast as much as the purse. The solitary figures on the epic sweep of Ninety Mile Beach provide striking images, while Habicht teases out their innermost thoughts and some fine homespun philosophy. A 50s era soundtrack is an apt match while the closing underwater sequences are a stunning counterpoint to the anglers' endeavours.
This “best of” episode from Māori TV’s long-running te reo food show revisits stories that presenter Peter Peeti has shot throughout the North Island. It‘s a celebration of food harvested from the land, rivers and sea, ranging from stingrays on the East Coast and the Tūhoe Wild Food Festival at Waimana, to goat hunting in Taranaki and fishing on Parengarenga Harbour. Peeti’s korero with the people of the land is equally important, and his giggle is worthy of Billy T. Recipes include mussel fritters, baked hapuka, venison casserole and curried snapper.
This animated series for Kiwi kids follows Massey Ferguson, the red tractor who lives with his farm equipment family on Murray and Heather’s farm. In this 12th instalment, Murray takes his boat Lazy Daisy out to the Harbour to defend his title in the annual fishing contest. Murray has hooked a big one but when competition appears in the form of a rude four-wheel drive, it’s up to Massey to save the day. The series was created by broadcaster Jim Mora (Mucking In) and Brent Chambers from Flux Animation; Mora also narrates.
In this episode of the 2014 web series, South Auckland family the Saumulus finally make it on stage to perform in a best-of-the-factories talent quest. Tensions rise before the family debut, with teenager Tavita late to arrive. The Saumalus sneak through, but one of the judges warns that their act needs an upgrade: “this is X Factory not the History Channel.” Later a fish spill threatens to expose Tavita’s after hours work, as events at the laundry heat up. The Factory was inspired by the Kila Kokonut Krew musical stage show.
An offshoot of legendary Flying Nun band The Clean, The Great Unwashed recorded two psychedelic-pop albums in the early 80s. The first — Clean Out of Our Minds — was recorded in Christchurch by brothers Hamish and David Kilgour in 1983, while they were giving The Clean a rest. By their second recording, the brothers had been joined by Peter Gutteridge (Snapper), who gave the band a harder sound. The Great Unwashed are seen as an important part of Flying Nun heritage, linking from The Clean to the music all three members went on to make.
Formed in Dunedin in 1988 and signed to Flying Nun; the 3D’s Nun lineage was distinguished: Dominic Stones (Bird Nest Roys, Snapper); Denise Roughan (Look Blue Go Purple); and David Mitchell (Chug). The wild guitar-playing of David Mitchell, coupled with the warped pop song-writing sensibilities of David Saunders led to The 3Ds making a big early 90s impact, being well-received live and on record. ‘Outer Space’ was the band’s big single with its unforgettable line - “I left my face, in outer space.”
Director and photographer Kerry Brown's extended résumé of image-making began when he was a teenage boarder snapping his skate culture. Having directed iconic videos and concerts for many legendary Kiwi bands, including Crowded House (Four Seasons in One Day) and The Exponents (Why Does Love Do This To Me?), he now works as a stills photographer on movie sets around the globe.