This acclaimed Māori Television series saw Kiwi musicians teaching bars behind bars — working with prisoners to compose and record songs, drawn from their life experiences. In this opening episode from the third season, Anika Moa, Ladi6, Scribe and Troy Kingi head to Christchurch’s men’s and women’s prisons. For Moa, Ladi6 and Scribe, Christchurch is their "music whakapapa". For Scribe it is a reminder of earthquake tragedy. The jail itself revives memories of childhood visits to his father (an upbringing which the two explored in 2015 play The White Guitar).
This debut episode of a not completely fictional series follows Wayne Anderson, “Manurewa’s greatest singer”, and his attempts to break out of the rest home circuit and find fame and fortune. Wayne dreams of taking the evergreen music of his idols Engelbert and Elvis to the world. But even his manager’s show business links — he works in a video store — aren’t bringing in the 50 dollar gig needed each week. Things may be looking up with the best perm Wayne’s ever had, plus an audition in a Karangahape Road bar. As a non-driver, he will have to get there by bus.
Pull up a chair and grab your guitar; the Modern Māori Quartet — aka musicians Francis Kora, James Tito, Maaka Pohatu and Matariki Whatarau — are here to reinvigorate a clutch of classic Māori party tunes, helped along by a guest list of young and old. With their laidback style the boys trade jokes and memories, and older generations share the songs that make a room sing. This episode also features a new and improved version of 'Ten Guitars', some seriously sharp suits, and a roof-lifting performance from cultural group Te Waka Huia.
This musical retooling of the ill-fated star-crossed love story began life as a concept album by ex Screaming Meemee members Peter van der Fluit and Michael McNeill. In 2010 they sent 38 songs to director Tim van Dammen, who decided to retell Shakespeare's classic romance as "a sort of trash opera — like an updated John Waters type thing". A caravan park is the canvas for a cast of beautiful young things, pop, rap, blades and beer crates. NZ Herald's Dominic Corry praised the film for its "emotionally-assured grasp of what makes this famous story so enduring".
Poi E: The Story of Our Song tells the story behind one of New Zealand’s most iconic pop songs. Led by Dalvanius Prime, the Patea Māori Club single was released soon after the closure of the town’s freezing works. Conquering disinterest from record labels and radio, Poi E became New Zealand's highest selling single in 1984. Written and directed by Tearepa Kahi (Mt Zion), the "warm, funny, touching" documentary (NZ Herald) features interviews with those involved, and famous fans (eg Taika Waititi). Poi E won applause after premiering at the opening of the 2016 Auckland Film Festival.
This 2002 documentary explores the stories behind one of Aotearoa’s most beloved songs: ‘Pokarekare Ana’. Claims for the authorship of the waiata aroha are examined, and Kiwis famous and lesser known reflect on the song’s place in the culture. Directed by Chas Toogood, the doco features classic performances: from St Joseph’s Girls’ Choir singing in the Waitomo Caves in 1960, to Inia Te Wiata going low in English, Kiri Te Kanawa soaring in concert, Hinewehi Mohi enlisting a 30,000 strong league crowd as backing singers, and sailing away in a 1987 America’s Cup campaign song.
Gary Cradle (Gareth Reeves) wants to go straight, but has to face up to a drug habit, family dysfunction, and the burden of guilt over a past sin. Gregory King's redemptive recovery yarn debuted at the Rotterdam Film Festival. King's second feature won Qantas Film and TV Awards for the best film made for under $1 million, and Ginny Loane's camerawork. Actors Reeves and Ian Mune (playing his far from supportive father) were also nominated. In February 2009 the film gained media attention after being made available to watch free online, for 24 hours.
Wayne Anderson is a man out of time. His three and a half octave voice and undying devotion to the “evergreens” of popular music (Elvis, Engelbert and Tom) should surely have seen him in Vegas by now. However, despite the best attempts of hapless manager Orlando, Wayne’s star has never ascended higher than the rather less lucrative Manurewa rest home circuit. The cameras follow him in his quest for a show business career – along with the perfect perm and hot pie – in a series where the boundary between fact and fiction is as elusive as that big break.
This Māori Television series aimed to celebrate Aotearoa’s "favourite party songs", through showband renditions led by the Modern Māori Quartet. Inspired by the great Kiwi garage party, each week the quartet (Francis Kora, Maaka Pohatu, Matariki Whatarau and James Tito) host special guests — some famous, some not — who are invited to perform their favourite track. They include Temuera Morrison, Tina Cross, Ria Hall, Jan Hellriegel and Troy Kingi. The members of the "Māori rat pack" met at drama school Toi Whakaari. They were the houseband on short-lived variety series Happy Hour.
This short film is one of writer/director Fiona Samuel’s first directorial efforts, and is a stylish and quirky tale of a plain woman with a beautiful voice who is trapped in a difficult life caring for her cranky elderly father. The singer waiting to bloom is beautifully played by actual singer Janet Roddick (Six Volts) in a rare on-screen role, and Desmond Kelly puts in a strong performance as the cantankerous Dad. The film won the Golden Mikeldi at 1997's Bilbao International Festival of Documentary and Short Film.