This 1972 NFU documentary looks at the care of children born with physical disabilities. Aimed at families with ‘crippled’ children, the film was directed by Frank Chilton for the Crippled Children Society (now CCS Disability Action). Parents, doctors, teachers and field officers are shown engaging with children and young adults at home and in the community, from spring-loaded splints for spina bifida patients to Māori stick games as therapy for cerebral palsy. It is introduced by Mrs New Zealand 1970, Alison Henry (whose son was born with a congenital foot defect).
Recut from material shot at least five years before, this National Film Unit short appears to have been driven by the Tourist and Publicity Department. Coming in for praise are New Zealand’s primary exports (farm products), road and railways, and social security. In the 50s long distance air links were opening NZ up to the world but international tourism was not a major industry, and NZ was focused firmly on agriculture. People are shown farming, “a little unsmiling” on city streets, and at play (fishing, sailing and skiing). Kids drink milk and Māori are assimilating.
It started with grunge and ended with Spice Girls; Di died, Clinton didn't inhale and the All Blacks were poisoned. On screen, Ice TV and Havoc were for the kids and a grown-up Kiwi cinema delivered a powerful triple punch. Tua's linguistic jab proved just as memorable, Tem got a geography lesson and Thingee's eye popped and reverberated around our living rooms.
Arm yourself with jaffas and get set for debate: NZ On Screen has gone out on a limb and selected an all-time NZ feature film Top 10. Starring the icons of the Kiwi big screen — Blondini, Ada, Beth, Boy. Whet your appetite for our finest features via choice 10-minute excerpts of the movies. Cook the man some eggs, we're taking this Top 10 to Invercargill!
This 1982 film, made for the New Zealand Council for Recreation and Sport, is an impressionistic exploration of play. Child narrators talk about what play means to them, while the images capture young people engaged in recreation. The focus is on informal play: kids and teenagers at playgrounds, hunting for frogs, reading, skylarking in the snow, doing cartwheels on the beach, fixing motorbikes, skipping, stargazing and playing Space Attack. Seagulls inspire dreams of flight for a young girl, and a fancy dress ball for adults shows the enduring spirit of play.
Rainbow-coloured goats and a herd of children on horseback feature in this 1965 Australian movie. Expat Kiwi producer Roger Mirams called on a stable of actors from his TV work for this part-musical romp, about a group of youngsters who discover a way to change the colour of animal wool. The cast includes Grease's Olivia Newton-John (in her screen debut) and Howard Morrison (as a shearer who teaches the kids a Māori stick game). After co-founding Kiwi production company Pacific Films, Mirams had left Aotearoa in 1957 to launch a short-lived Australian arm of Pacific.
After hitting Wellington for a Ranfurly Shield game, two brothers from the sticks (Grant Tilly and Pork Pie's Kelly Johnson) have to sneak their abruptly deceased father back home. If the body isn’t buried there, they won’t inherit the family farm. Set back when "blokes were blokes and sheilas were their mums", director John Reid’s shaggy dog tale — a Weekend at Bernie's, reeking of stale beer and ciggies — both lauds and satirises the Kiwi male. Among the six clips, the final clip sees Tilly's character getting things off his chest, now that Dad is finally unable to answer back.
Before he achieved worldwide fame as an actor, Sam Neill directed documentary films for the National Film Unit. This film examines the philosophy, early achievements and frustrations of one of New Zealand's most innovative architects, Ian Athfield. Athfield won an international competition in 1975 to design housing for 140,000 squatters in Manila, in the Philippines, yet struggled to gain recognition back home. This film culminates in Athfield's trip to the Philippines to pursue the project. Shooter John Toon later memorably shot feature film Rain.
Nothing Trivial was a dramedy that kept score on the lives and loves of five friends in a pub quiz team called Sex on a Stick. The cast of City Lifers shifted to the suburbs and nearing middle age was led by Shane Cortese, Tandi Wright, Nicole Whippy, Debbie Newby-Ward and Blair Strang. Created by Rachel Lang and Gavin Strawhan, (the veteran writers behind Go Girls, Maddigan’s Quest, and Mercy Peak) the popular South Pacific Pictures production screened for three seasons on TV ONE. A fan-driven campaign saw NZ On Air fund a tele-movie to wrap up the series.
John McBeth's commentating career began after injuries put paid to his senior rugby playing days. He became Radio New Zealand's lead rugby commentator in 1985 and took that position at TVNZ in 1992. With his trademark sense of humour never far away, he has covered Olympic and Commonwealth Games and America's Cup yachting along with many other sports.