This motors and mullets documentary focuses on a group who are obsessed by stock car racing. Shot by Stuart Dryburgh (Once Were Warriors) and Richard Scott, it follows a group of drivers and their crews and families, as they ready for Saturday night racing at Onehunga's Waikaraka Park Speedway. Hours are spent preparing and repairing the one-and-a-half tonne cars, which travel at up to 112 kilometres an hour in one of the few full contact motor sports. Passion, ego and cunning fuel the drama. Injuries and personal sacrifices are the price for the part-time petrol heads.
Brooke Clarkson races stock cars — a rare female in a male-dominated motorsport. After growing up watching her dad and uncle race, taking to the track herself seemed only natural. In this short documentary, Clarkson and her family are interviewed about the challenges she’s faced to get to the top, from her mother’s concerns, to outsiders arguing that girls shouldn’t be racing — they'll just get hurt. Now, at only 18 years old, she is racing one of the top stock cars in the country. The soundtrack includes ‘She Speeds’ — the classic track from Dunedin band Straitjacket Fits.
In the beginning — of both movies and books — is the word. Many classic Kiwi films and television dramas have come from books (Sleeping Dogs, Whale Rider); and many writers have found new readers, through being celebrated and adapted on screen. This collection showcases Kiwi books and authors on screen. Plus check out booklover Finlay Macdonald's backgrounder.
‘Fool’s Love’ was a chart topping debut for Misfits of Science — Auckland hip hoppers who were determined not to be carbon copy gangster rappers (and possessed of a sense of fun that wouldn’t let them). This song about “people in love with themselves” (complete with Doris Day sample) gets an award-winning (Best Video at the 2004 bNets and Juice TV Awards) treatment from directors Shane Mason and Mark Trethewey. The stock hip hop clichés (cars, booty girls and cash) are present but undermined by those oversized heads and the natural humour of the Misfits.
This Country Calendar episode profiles Billy Riddell, one of the few remaining drovers who was still moving herds the old fashioned way in the mid 1970s: “on the hoof” (the art of droving was being supplanted by rail and livestock trucks). The episode accompanies Riddell on a ‘drive’, as he moves a herd of cattle along the East Coast. Riddell’s narration recalls stampedes, river crossings, losing dogs and stock out to sea, the joys of butter, and why townies shouldn’t be on the roads: “the roads were there before cars were even blimmin' thought of”. He also reflects on a drover’s life.
Masters graduate Morgan Leigh Stewart has done time on film sets, in film festival offices, and behind the scenes of the 48 Hour Film contest. After learning the producing ropes across dozens of music videos and short films, Stewart was one of the producers of hit horror movie Deathgasm (2015). She was also a key player behind Auckland film collective The Hot House and K'Rd Stories, a series of shorts based on the iconic Auckland street. She made her directorial debut in 2018 with She Speeds; the documentary short about a female stock car driver was made for online series Loading Docs.
“When old and young come together to do this, it shows the strength of their convictions.” This film is a detailed chronicle of a key moment in the Māori renaissance: the 1975 land march led by then 79-year-old Whina Cooper. A coalition of Māori groups set out from the far north for Wellington, opposed to further loss of their land. This early Geoff Steven documentary includes interviews with many on the march, including Eva Rickard, Tama Poata and Whina Cooper. There is stirring evidence of Cooper’s oratory skills. Steven writes about making the film in the backgrounder.
David Blyth cemented his place in the Kiwi filmmaking renaissance with two films that left social realism far behind: 1978 experimental feature Angel Mine, and 1984's Death Warmed Up, New Zealand's first homegrown horror movie. Since then Blyth's work has included family friendly vampire film Moonrise, a number of documentaries on war, and varied works exploring sexuality.
Train enthusiast David Sims captured the dying days of steam trains in this 1968 National Film Unit short. It features arresting images of a Kb class locomotive billowing steam as it tackles the Southern Alps, en route from Canterbury to the West Coast. Kb Country was released in Kiwi cinemas in January 1968, just months before the steam locomotives working the Midland Line were replaced by diesel-electrics. Sims earned his directing stripes with the film. As he writes in this background piece, making it involved a mixture of snow, joy and at least two moments of complete terror.
Producer Colin Follas worked on a long line of agriculture-related TV shows: from Country Calendar (which he regularly fronted, with such aplomb he was known as 'One Shot Follas') to specialist productions Ag Report and Farming with Pictures. He set up company Tiger Films, and produced shows ranging from corporate videos and food promotions to award-winning Treaty of Waitangi drama Nga Tohu: Signatures.