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Johnstone's Journey - Settling for Suburbia

Television, 1978 (Full Length Episode)

In this fifth episode from his personal examination of New Zealand at the end of the 70s, Ian Johnstone explores the then new suburb of Massey in West Auckland — the latest instalment in what seemed, at the time, like an unending march of urban sprawl (which had already produced seemingly far-flung suburbs like Otara and Porirua). For Johnstone, Massey is an "infestation of houses", bafflingly lacking in community amenities. By turns wry, considered and accusatory, this masterful performance would have made him few friends in town planning circles.

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The City And The Suburb (part two)

Television, 1983 (Full Length)

This 1983 Hamish Keith-presented documentary is subtitled 'Housing New Zealand in the Twentieth Century'. Part two picks up from Michael Joseph Savage’s 1930s state housing scheme. Keith argues that as the emphasis shifted from renting to owning, middle class suburbia became the foundation of Kiwi postwar aspirations. He looks at changing demographics in the cities — as home owners fled on newly built motorways — and argues that the suburban ideal has become bland and out of reach, as New Zealand once again becomes a country of “mean streets and mansions”.

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Carnival Coast

Short Film, 1974 (Full Length)

In this National Film Unit-produced 'documentary' a circus sets up at the beach. Made for the Ministry of Works to stir debate about the use of coastal land, director Michael Reeves' wiggy treatment of the subject situates the film in the 'frustrated auteur meets sober commission' NFU tradition. Ringmaster Ian Mune is a seaside Willy Wonka canvassing claims to the coast. Demands of development, recreation, and housing are dramatised — including a bizarre look at stranger danger in suburbia, and a graphic illustration of the risks of off-mains sewerage treatment.

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About Face: Danny and Raewyn

Television, 1985 (Full Length)

Gritty, award-winning drama, set in Auckland suburbia. Danny and Raewyn's relationship is skating close to the edge. And so are their finances. Though the physical attraction between them remains, Raewyn is growing tired of encouraging Danny to make more effort. Then one night alcohol and memory collide with an order of black-market meat, and everything turns on its head. One of the most acclaimed episodes of the About Face series, Danny and Raewyn won funding after another episode fell through.

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This is Her

Short Film, 2008 (Full Length)

"This is me. This is my husband …" So narrates Evie as she watches her younger self labour with childbirth. "And this is the bitch who will one day steal him, and ruin my life." When the bitch is shown as an angelic six-year-old the tone is set for Katie Wolfe’s award-winning black comedy (her debut short as a director). Writer Kate McDermott’s wry narration moves between then and now, as fate delivers a less than wonderful life in Auckland suburbia. Selected for the Sundance Film Festival, This is Her was a breakout festival success, earning Wolfe notice as a filmmaker to watch.

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Crazy? Yes! Dumb? No!

The Mint Chicks, Music Video, 2006

This award-winner from the 2007 NZ Music Awards sees the Mint Chicks performing after dark, somewhere on the edge of suburbia, while a wolf (actually a siberian husky) sparks a journey through the streets — past people wrestling with poultry, and each other. Director Sam Peacocke (Manurewa, Shihad - Beautiful Machine) displays the same enigmatic approach taken with Mint Chicks clip Walking Off a Cliff Again. The band also took out NZ Music Awards for Best Group and Album. Real Groove magazine later rated this the best New Zealand single of the decade. 

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Passionless Moments

Short Film, 1983 (Full Length)

“There are one million passionless moments in your neighbourhood; each has a fragile presence which fades as it forms.” So says a voice in this early Jane Campion collaboration with writer Gerard Lee (Sweetie, Top of the Lake). Made — without permission — while both were students at Australian Film, Television and Radio School, the short eulogises 10 such moments to wry effect, from ‘Sleepy Jeans’ (misheard lyrics), to ‘Sex ... Thing’ (idle yoga thoughts). The celebration of the micro-absurdity of suburban life showed in the Un Certain Regard slot at Cannes 1986.

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The Summer the Queen Came

Television, 1992 (Full Length)

Miles (Joel Tobeck) is 16. His family are falling apart and he's got a crush on his cousin. An imminent royal visit offends his mother's political sensibilities and his father is spending time with a female neighbour. Christmas is coming and the twins have murder on their minds. Director Niki (Whale Rider) Caro's survey of the everyday eccentricities of family was nominated for best TV drama scipt and director at the 1994 NZ Film and TV Awards. The film was one of three half-hour dramas commissioned by TVNZ under the series title Another Country. Producer Owen Hughes writes about it here.

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The Hopes and Dreams of Gazza Snell

Film, 2010 (Trailer and Excerpts)

A tale of infuriating fathers and very fast go-karts, The Hopes and Dreams of Gazza Snell marks Robyn Malcolm’s first leading role on film. Malcolm plays Gail, long-suffering wife to the charming, ambitious Gazza Snell. Obsessed with go-karting, Gazza has banked heavily on the hope his sons’ racing talents will result in motorsport glory. But Gail is unconvinced. Australian talent William McInnes (Unfinished Sky, SeaChange) plays Gazza; the script is by Insiders Guide to Happiness award-winners David Brechin-Smith and Brendan Donovan (who also directs).

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Nothing Trivial - First Episode

Television, 2011 (Excerpts)

Nothing Trivial followed the lives and loves of five friends in their 30s and 40s, who compete in a weekly pub quiz. In this first 10 minutes of the debut episode, the Sex on a Stick team — played by Shane Cortese, Tandi Wright, Nicole Whippy, Debbie Newby-Ward and Blair Strang — gather at The Beagle to wrestle with John Wayne Bobbit trivia, and the trials of nearing middle age. The show was created by Rachel Lang and Gavin Stawhan (Go Girls). In the background piece, Lang explains how the show came to be, and argues Kiwis could give its professional actors more credit.