After countless romances, breakups and revelations — plus the odd psycho and crashing helicopter — Shortland Street turned 25 in May 2017. Made on the run, sold round the globe, the Kiwi soap opera juggernaut has provided a launchpad for dozens of actors and behind the scenes talents. Alongside best of clips, the very first episode, musical moments and favourite memories from the cast, Shortland star turned director Angela Bloomfield writes about how the show has changed here, while Mihi Murray backgrounds how it began — and how it reflects New Zealand.
This first episode of this 2013 crime drama begins with a meth-fuelled bank heist gone very wrong. Harry is a Samoan-Kiwi detective (played by Oscar Kightley, a million miles away from Morningside) pursuing justice in South Auckland. Sam Neill, in his first role on a Kiwi TV series, plays Harry’s detective buddy. Off the case, Harry struggles with his teen daughter in the wake of his wife’s suicide. The Chris Dudman-directed series screened for a season on TV3. Broadcaster John Campbell tweeted: “Not remotely suitable for kids. But nor are many excellent things.”
The last novel by Taranaki author Ronald Hugh Morrieson revolves around a freezing plant worker (Peter McCauley) in an inter-racial marriage. The role of an English remittance man was expanded in a failed attempt to cast Peter O'Toole (the role ultimately went to NZ-born Bruce Spence). Morrieson's view of small town NZ is a dark one, as he explores racism, violence, murder, suicide and blackmail. Bruno Lawrence contributes to Jonathan Crayford's jazz-tinged score, and features in the wedding band. The freezing works scenes were shot at the defunct plant in Patea.
"Maybe if we looked after our living as well as we do the dead, he'd still be here." After returning to his Marae from the city, Mana (Cliff Curtis) finds himself caught up in arrangements for a tangi. But when another local commits suicide, Mana finds himself caught between traditional values and his own sense of right. Meanwhile in the forest, it seems that other powers may have the final word. Also featuring George Henare; directed and written by Poata Eruera.
Hayley Robertson picked up Best Actress at Tropfest 2013 for her role as a mysterious young woman in this thoughtful short drama set in a bus stop somewhere in rural New Zealand. In gumboots and flannel shirt, her character arrives at the stop to find a confident well-dressed young law student, turning over a $20 bill in his hand. Passing time while waiting, she challenges him to a game; the playing of which slowly reveals their differing approaches to life, and the ourcome leads to the film’s shocking conclusion. Director Nick Garrett also composed the score.
This 1983 feature explores desire, death, and guilt in a World War II Japanese prisoner of war camp. From Japanese art cinema star Nagisa Oshima (director of the notorious In the Realm of the Senses), its leads were musicians David Bowie (as a defiant captive) and Ryuichi Sakamoto (a conflicted camp commander). The film was mainly shot in Auckland, and partly funded by Broadbank during the tax shelter 80s. Kiwi connections include ex-Broadbank employee Larry Parr as associate producer, first assistant director Lee Tamahori, and actor Alistair Browning as a PoW.
This short film takes its title from Russell Corgi's famous 1942 Buffalo Courier Express photograph of the exterior of the Genesee Hotel. Directed by Jonathan Ogilvie, the film is a series of close-ups of the photo coolly unfurling to reveal the full image. The snippets are overdubbed with a beguiling film noir-styled narration that imagines the context behind the extraordinary shot. Divorcee screened at many film festivals including in competition at Cannes in 1995. Corgi's photo was also referenced in the 'Passengers' issue of Neil Gaiman's Sandman comics.
Gina lives in a dark, silent, room in a Wellington rest home, unable to leave her bed, communicate except by a complex touch system, and barely able to move. A rare unnamed genetic disorder has left her living what she calls “an existence, not a life”. This documentary by Wellington film-makers Wendall Cooke and Jeremy Macey takes a look at her condition in relation to euthanasia, for which she is a passionate advocate. As Gina did not want to appear on camera, her sister Roslyn who suffers from the same condition, albeit less severely, portrays her in the film.
Daphne and Chloe offers a love triangle with a twist: here the couple under threat are two woman friends (despite rumours their relationship is romantic) who work at an advertising agency. Their friendship, based partly on warding off loneliness, is threatened when the cool, cultured Edith (Helena Ross), starts dating the new office boy (Michael Hurst) — a man 18 years her junior. The typing pool are abuzz. Daphne and Chloe was one of a trio of tele-plays that resulted after TVNZ gave legendary playwright Bruce Mason the chance to choose his themes.
Once Were Warriors opened the eyes of cinemagoers around the globe to an unexamined aspect of modern New Zealand life. Director Lee Tamahori's hard-hitting depiction of domestic and gang violence amongst an urban Māori whānau was adapted from the best-selling Alan Duff novel. The film provided career-defining roles for Temuera Morrison and Rena Owen as Jake the Muss and Beth Heke. It remains NZ's most watched local release in terms of bums on seats. Among a trio of backgrounders, Riwia Brown writes about adapting Duff's book for the screen.