Although there have been many moments of gold across Shortland Street's 6000 plus episodes, this scene shines worryingly bright and loud. The clip comes from a 2001 episode where the hospital staff put on a live musical. Shortland longtimer Chris Warner (Michael Galvin) dons a sparkly suit, so he can trade raps and swords with a dreadlocked figure in black (aka Doctor Victor Kahu, played by Calvin Tuteao). But when the villain refuses to die, Warner is not amused. Galvin has expressed relief that the episode screened so soon after the events of September 11, and few people saw it.  

"This is what happens when jocks meet geeks." That's how a modern knight defines the brutal sport of medieval combat. Participants don armour, swords and battle axes to fight each other, with the hope of representing New Zealand. The documentary's eccentric cast — including rookie Nick Waiariki and Steel Thorns captain Martainn 'The Machine' Cuff — have to overcome an array of obstacles, including a fear of wolves. Directors Andy Deere and Ryan Heron made this film as a follow-up to their 2016 Loading Doc short film of the same name. 

Harold Beven reckons he’s the luckiest man to serve in the Second World War. Born in a village east of London, he saw plenty of action in the (UK) Royal Navy, but by his own admission, never got his feet wet. Joining up as soon as possible after the outbreak of war, Beven served in almost all the naval theatres. As a Chief Petty Officer, he was involved in the evacuations of Greece and Crete — and later the allied invasions of Sicily and Italy — as well as the D-Day invasion of France. At the age of 96, Beven remembers entire conversations as if it was yesterday.

"It’s more than just a sport: it’s honour, glory, victory." This 2016 Loading Doc follows knight-in-waiting Martainn Cuff as he and his Steel Thorns team prepare for battle in the "misunderstood sport" of full contact medieval combat. The Taranaki ex-soldier carries 33 kilograms of armour and the burden of a leadership role into the fray, at the national champs. The short documentary was made by Ryan Heron and Andy Deere, who were Whanganui school friends of Cuff’s. Heron and Deere direct commercials; they previously teamed up for award-winning short comedy Return.

This special report from late 80s/early 90s current affairs show Frontline looks at the Wahine disaster, on its 25th anniversary. Fifty-one people died on 10 April 1968 after the interisland ferry struck Barrett Reef near Wellington, in a huge storm. The first part ('From Reef to Ruin') features archive footage and interviews with survivors and rescuers. In the second part ('Fatal Shores'), reporter Rob Harley examines whether the ferry could have been better equipped, and more lives saved. A third part ('Strait Answers') is not shown here due to copyright issues with some of the footage. 

Brian Edwards was working as a television reporter when the Wahine sank on 10 April 1968 in Wellington Harbour. Twenty-five years later Edwards presented this TV3 documentary about the tragedy, which remains New Zealand's worst modern maritime disaster. Wahine - The Untold Story interviews passengers and crew, and features harrowing rescue footage and stills. Interviewees criticise the way the evacuation was handled — "we'd been lied to continually" — while helmsman Ken MacLeod remembers the challenges of trying to keep the Wahine on course.  

This pirates of the South Seas tale stars Tommy Lee Jones (Men in Black, The Fugitive) as rogue Bully Hayes, who helps a missionary save his kidnapped-by-savages wife. Produced by Kiwis Rob Whitehouse and Lloyd Phillips (12 Monkeys, Inglorious Basterds), the film was made in the 80s ‘tax-break’ feature surge and filmed in Fiji and New Zealand (with an NZ crew and supporting cast). John Hughes (Breakfast Club) and David Odell (Dark Crystal) scripted the old-fashioned swashbuckler from a Phillips story. It was released by Paramount in the US as Nate and Hayes.

This 1982 Lookout documentary charts Samoan novelist and poet Albert Wendt’s personal view of Samoans in Auckland. Set mainly in what was then predominantly Samoan Grey Lynn, Wendt looks at how New Zealand-born Samoans maintain the traditions of their homeland. He also examines the close ties between those in New Zealand and the wider ainga, or extended family, back home. The church’s role in the community is highlighted, along with sports. Wendt also addresses what he sees as the double edged sword of remittance: sending money back to islands.