When Mount Tarawera erupted on 10 June 1886, it took over 100 lives. It was also thought to have destroyed the Pink and White Terraces on Lake Rotomahana, then hailed as the eighth wonder of the natural world. This documentary follows a team of New Zealand and American scientists — led by Kiwi geologist Cornel de Ronde — as they scour the lake floor, to see if any traces of the legendary structures remain. Also examined are the area's history, and the lead-up to the eruption. In 2018 de Ronde robustly criticised a theory that the remains of the terraces were now partly on land.
“Quardle oodle ardle wardle doodle”. Denis Glover’s classic poem The Magpies has inspired plays, art by Dick Frizzell, spats about onomatopoeia, and this 1974 short film, produced by publisher Alister Taylor. It centres around Glover musing on Magpies in his smoky Terrace flat in Wellington, during an interview with Glover’s son Rupert. Bookending the interview are two readings of the poem by director Martyn Sanderson. Sanderson’s memorable voice scores scenes of rural decay, and animation interpreting the tragedy of Tom and Elizabeth (the farming couple whose dreams go bad).
In June 1886 Mt Tarawera spectacularly erupted, and this documentary tells the story of the people who were caught in the catastrophic events. Around 120 people lost their lives, and the internationally famous Pink and White Terraces were destroyed. The documentary features an animated re-creation of the eruption, archival images, interviews with descendants of those involved, and readings from written eyewitness accounts. The author of the book Tarawera, Ron Keam, is also interviewed.
This 1978 National Film Unit documentary provides a potted history of settler groups that came to New Zealand from Europe. Archive material and narration covers the colonials. Then visits are paid to the German-descended Eggers, tobacco growers from Moutere, and newly arrived French bakers and Dutch dairy farmers. Aptly for a film directed by actor and future winemaker Sam Neill, the film drops in on an Italian play and the Babich family of Dalmatian winemakers. Neill worked at the NFU in his 20s, around the time of his breakout acting role in Sleeping Dogs (1977).
Saving Grace sees spiky street kid Grace (Kirsty Hamilton) get taken in by enigmatic carpenter, Gerald (Jim Moriarty). As Grace falls under (much older) Gerald's spell, she's flummoxed by his claim that he is the messiah. Could Gerald be Jesus of Cuba Street or is he a delusional dole bludger? The screenplay was adapted by Duncan Sarkies (Scarfies) from his stage play. Botes' dramatic feature debut converted fewer viewers than his earlier work, the classic hoodwinker Forgotten Silver; although critic Nicholas Reid welcomed an NZ film that offered "style and brains".
Stunt driver Judd (US Oscar winner Cliff Robertson) and his mechanic Casey (ex child star Leif Garrett) are in NZ racing 'Shaker' — their pink and black Trans-Am — when they're enlisted by scientist Dr Christine Ruben on a fast and furious dash from Dunedin. Unknown to the Yanks, Ruben (Lisa Harrow) has stolen a deadly virus that she's aiming to smuggle to the CIA, and away from the NZ military — who plan to use it for bio warfare! Touted as "fantasy car violence", the chase and stunt-laden Run was one of dozens of films sped out under an 80s tax break scheme.
Director Grahame McLean uses the notorious (then recent) 'Mr Asia' drug smuggling saga as fodder for this Wellington underbelly tale. Hello Sailor’s Harry Lyon headlines as a musician and ex-con who partners with a beautiful journo to investigate a global drug syndicate, in between nightclub sessions with fellow musos Beaver and Hammond Gamble. High on 80s guitar licks, Should I be Good? was made in the tax break era without Film Commission investment. McLean followed it right away with The Lie of the Land, becoming a rare Kiwi to make two movies back to back.
It's a Wonderful Life meets driver education in this NFU film that aims to scare those who would be careless in bad weather conditions. This now-quaint precursor to 2011's Ghost Chips road safety ad sets up a low-key mystery plot, as five naive unfortunates find themselves at a bus stop in pea-soup fog. Purgatorial befuddlement — the bus goes via 'Infinity Terrace' and a saucy angel is handing out harps — turns to moralizing, complete with flashbacks and a lecture from the weather god, as they discover why they've ended up en route to 'Elysian Fields'.
This National Film Unit newsreel offers a wide-ranging look at ‘the national game’ in 1966. A muddy potted history (scored to rugby folk song ‘On the Ball’) rakes from the age grades to a Ranfurly Shield match, to the apex: the All Blacks. Ex-All Black fullback Bob Scott talks about the need for ‘four stone bantams’ to enjoy the game, while fellow AB Don ‘The Boot’ Clarke discusses the problems for a country player; Wellington College’s 1st XV plays a ‘traditional’ against Nelson in front of a mass haka on the terraces; and club players explain why they play (“it’s a manly game”).
From modest beginnings at informal sessions at Wellington institution Deluxe Cafe (beside Embassy Theatre on Kent Terrace), the Wellington International Ukulele Orchestra has ridden the crest of the diminutive instrument's revival. Live favourites around the country, they have recorded a string of EPs featuring massed ukulele renditions of 80s favourites along with the occasional dash of Kiwiana and more contemporary numbers. Flight of the Conchords' Bret McKenzie was a founder member of the accomplished strummers.