This collection celebrates more of the legendary TV moments that Kiwis gawked at, chortled with, and choked on our tea over. In the collection primer Paul (Eating Media Lunch) Casserly chews on rapper Redhead Kingpin’s equine advice to 3:45 LIVE! and mo’ memorable moments: from a NSFW Angela D'Audney to screen folk heroes Colin McKenzie and the Ingham twins.
This National Film Unit newsreel offers a wide-ranging look at ‘the national game’ in 1966. A muddy potted history (scored to rugby folk song ‘On the Ball’) rakes from the age grades to a Ranfurly Shield match, to the apex: the All Blacks. Ex-All Black fullback Bob Scott talks about the need for ‘four stone bantams’ to enjoy the game, while fellow AB Don ‘The Boot’ Clarke discusses the problems for a country player; Wellington College’s 1st XV plays a ‘traditional’ against Nelson in front of a mass haka on the terraces; and club players explain why they play (“it’s a manly game”).
There's panic on the streets as 19-year-old tearaway Ska (Matthew Hunter) comes to terms with love and death in Auckland's 80s urban underworld. After an ultimately tragic attempt to 'rescue' his prostitute sister, Ska plots revenge at a rock gig ... with riotous results. Directed by Bruce Morrison when broken glass was still on the ground from the Queen Street riot, the film was inspired by a story from 16-year-old Richard Lymposs. In this teen spirit-infused excerpt, street-fighter Ska saves rich girl Stacy (Kim Willoughby), and meets her classy parents.
The theatre of sport is given full-blown operatic treatment in this National Film Unit classic. Footage from the French 1979 rugby tour of New Zealand is rendered in slow-motion and cut to a Tchaikovsky score. The result is an often glorious, sometimes tongue-in-cheek, paean to rugby. Balletic lineouts, driving tackles, and the dark mysteries of the ruck, make for a ballsy Swan Lake in the mud. It includes the Bastille Day French victory over the All Blacks. Directed by NFU stalwart Arthur Everard, it won a jury prize at the Montreal World Film Festival.
This National Film Unit documentary follows the British Lions 1959 rugby tour to New Zealand. Prior to live televised sports coverage, match highlights were rushed onto cinema screens; NFU tour coverage was later edited into this feature length doco. On the field the series was won by the All Blacks 3-1, including the first test where Don Clarke famously kicked six penalties to beat the Lions’ four tries. Off the field, the Lions visited farms and resorts, drove trout and tried Māori song and dance with guide Rangi. A star back for the Lions was Peter Jackson.
In 1977 protesters occupied Bastion Point, after the announcement of a housing development on land once belonging to Ngāti Whātua. 506 days later police and army arrived en masse to remove them. This documentary examines the rich and tragic history of Bastion Point/ Takaparawhau — including how questionable methods were used to gradually take the land from Māori, while basic amenities were withheld from those remaining. The documentary features extensive interviews with protest leader Joe Hawke, and footage from seminal documentary Bastion Point Day 507.
Youngsters Romeo, Ed, and Polly wait in two cars after dark while their parents are inside drinking. It’s a situation many Kiwis would recognise: cars without parents outside the bar or rugby club. Soon cross-car rivalry warms to budding friendship. Winning performances, and the tender mix of comedy and romance saw the tale of a Te Kaha pub carpark become an international hit. Two Cars won a boot-full of awards, launched Waititi’s career, and was the second New Zealand short to be nominated for an Academy Award. Waititi infamously feigned sleep during the 2005 ceremony.
This star-studded short features Kiwi icon Colin ‘Pinetree’ Meads, plus Melanie Lynskey (Heavenly Creatures), 7 Days comics Dai Henwood and Steve Wrigley, Olympic shot putter Valerie Adams and All Black first five Beauden Barrett. The celebs reflect on a radical reboot of beloved Red Band gumboots by Denise L'Estrange-Corbet, from fashion label World. A deadpan Meads is alarmed by this affront to farming fashion. Co-produced by Millie Lynskey (sister of Melanie), the film took away the Viewer's Choice award at the local arm of short film event Tropfest.
“What’ll it be Aotearoa?” In 2009 Māori Television rebooted the classic television game show first hosted by Selwyn Toogood back in 1973. Presenters Pio Terei and Stacey Daniels Morrison travelled to the regions to quiz contestants with locally-specific questions, and the players earn the right to choose between the money or the bag. In this fourth season episode, the show travels to the Taranaki town of Opunake, birthplace of Peter Snell. Prizes include a multi-kai cooker and an electric guitar. The series is presented in English and te reo.
These behind the scenes shots of the NZBC's mid-60s flagship pop show offer a fascinating glimpse of TV studio production at the time (complete with fixed lens cameras). No broadcast footage from Let's Go survives, so this colour Standard 8 film — shot during a rehearsal by technician Clyde Cunningham — is also the only record of a series only ever seen in black and white. Peter Sinclair is the presenter (in his first TV job), the technicians are resplendent in white coats and the musicians are still in the thrall of Beatlemania with their suits and boots.