This motors and mullets documentary focuses on a group who are obsessed by stock car racing. Shot by Stuart Dryburgh (Once Were Warriors) and Richard Scott, it follows a group of drivers and their crews and families, as they ready for Saturday night racing at Onehunga's Waikaraka Park Speedway. Hours are spent preparing and repairing the one-and-a-half tonne cars, which travel at up to 112 kilometres an hour in one of the few full contact motor sports. Passion, ego and cunning fuel the drama. Injuries and personal sacrifices are the price for the part-time petrol heads.
NZ On Screen’s Top 10 most viewed titles of 2015 features two All Blacks, a pair of animated favourites, a number of guitars, the debut episode of Outrageous Fortune, and a documentary about moko. Check out the top 10 list below, and find out more about the top 10 here.
Fronted by Paul Holmes, this doco looks at the New Zealand Paralympic team at the 1996 Paralympics in Atlanta. It was the most successful team to date with a haul of nine gold medals, six silver and four bronze (and 44 personal bests). Triumph focuses on several disabled Kiwi athletes, from their arrival in the States to victory on the track, in the pool and on the field. The first Paralympics were held in Rome in 1960 with just 400 competitors. In Atlanta 3,500 athletes competed, 35 of them kiwis. Triumph broke ground screening in a primetime slot on TV One.
This Chong-Nee music video pays tribute to a young pole dancer who is a "master of her game". Skater turned TV presenter (Target) and nightclub operator (The Pony Club) Brooke Howard-Smith plays a fan paying for a visit, while Dei Hamo grabs a comfortable seat nearby to provide guest vocals. Musician and producer John Chong-Nee had collaborated with Dei Hamo before this track — the pair worked together on 'We Gon Ride', which topped the Kiwi singles charts for five weeks in late 2004.
In his typical one-man band style, Chris Knox’s music video for 'The Joy of Sex' keeps things simple for maximum effect. A strobing array of colours flickers as an animated image of Knox lists a series of contrasting word pairs — love/lust, yes/no etc — like some kind of health teacher gone mad. Manic animation matches his quick riffs, shifting and becoming more complex as the song reaches its conclusion. 'The Joy of Sex' was the opening track on Knox's sixth solo album Yes!!
Appearing on magazine show New Zealand Today in 1992, the Patea Māori Club perform their single 'Ngoi Ngoi'. The track appeared on the same album as their legendary hit 'Poi E'. The video sees the group performing on stage while maestro Dalvanius Prime sings backup, while holding his dog. Prime is strikingly dressed in purple and sporting a fairly unique pair of sunglasses. The song honours Ngoi Pēwhairangi. She was instrumental in helping Dalvanius learn about Māoritanga, and wrote lyrics for both 'Poi E' and Prince Tui Teka's earlier hit 'E Ipo'. She passed away in 1985.
“Unlike Siamese twins who are joined at the hip, we’re joined at the hip-hop…” This 1992 single was the opening track from MC OJ and Rhythm Slave’s What Can We Say? album, released on Murray Cammick’s Southside Records. The duo rap that “we won’t stop until we get enough”, and the hyperactive black and white video captures the youthful energy of the then teenage pair. There’s Converse trainers, turntables, breakdancing, a sinuous silhouette, a ballerina, a hip hop wedding, a massive pillow fight — and some giant trousers that MC and OJ jointly inhabit.
Although this track from teen hip hoppers Otis Frizzell (MC OJ) and Mark Williams (Slave) is very much a collaboration of Auckland talents, the video sees them on the streets of Wellington - plus the railway station and massive wharf building Shed 21, before it was turned into apartments. Co-written by the pair with (and produced by) Mark Tierney and Paul Casserly from Strawpeople, it features a screaming chorus from Mikey Havoc, then lead singer of Push Push. An early video to be funded by NZ On Air, the hyperactive promo was directed by Matt Palmer (Breathe).
This documentary tracks severely disabled Miles Roelants from his 21st birthday through a year that culminates in him meeting his hero, actor Michael J Fox, in Los Angeles. Roelants was born with spina bifida and his own interviews with his parents and siblings candidly confront the challenges faced by families with a disabled child. Also featured is Shelly West (real name Michelle Belesarius) who is blind with rheumatoid arthritis; despite that she is planning a trip to Italy. Miles Turns 21 was the first of a series of documentaries featuring the pair.
This classic kids’ adventure tale follows a 13-year-old boy on a quest to find his father, missing amidst the 1860s Otago gold rush. When it launched in September 1976, the 13 part series was the most expensive local TV drama yet made. Under the reins of director Tom Parkinson, the series brandished unprecedented production values, and panned the Central Otago vistas for all their worth. Its huge local popularity was matched abroad (BBC screened it multiple times); it showed that NZ-made kids’ drama could be exported, and helped establish the new second television channel.