A military exchange between New Zealand and the United Kingdom is the focus of this National Film Unit short. About 150 Kiwi soldiers head to London for Exercise Powderhorn in 1964, which includes guard duty at Buckingham Palace and the Tower of London. And they still have time to see the sights. Meanwhile a contingent from the Loyal Regiment in North Lancashire arrives in New Zealand for Exercise Te Rauparaha. They experience jungle warfare in a mock battle on the West Coast and practise mountain craft in the Southern Alps.
Kidult drama Gather your Dreams follows Kitty (Kerry McGregor), an aspiring performer travelling with her family's vaudeville troupe in 1930s NZ. In this episode, the troupe competes for viewers with boxing promoter Ted Crawley (George Henare) at a Depression relief camp. Troupe patriarch Wallace (Terence Cooper) plots to best Crawley by managing "Haggis the brawling Scot" (actor's agent and On the Mat legend Robert Bruce’s acting debut). But the 'worker's hope' turns out to be a stooge with a glass jaw. Will coaching from Kitty save the day? The show must go on!
Here to Stay uses New Zealand personalities to examine key settler groups that make up the Kiwi tribe. Each show mixes personal stories with a wider view, as the presenter sets out to discover what traits and icons their ethnic group contributed to the NZ blend. In the first (of two) series Michael Hurst, Theresa Healey, Ewen Gilmour, Jackie Clarke, Frano Botica and Bernadine Lim explore the English, Irish, German, Scot, Croatian, and Chinese stories respectively. Each episode includes identity reflections from a chorus of well-known Kiwis.
This NFU film features the 1948 celebrations which marked the centenary of Dunedin's founding. The Edinburgh of the South's Scots heritage figures prominently, with Jock Carlson taking over the more Caledonian parts of the narration from Selwyn Toogood. A tour of the city is followed by extensive footage of the carnival week's centrepiece: an elaborate "cavalcade of progress", as floats trace Dunedin's development over 100 years, before the ambitious light and fireworks finale. In the period the film was made, all of the NFU's colour footage was processed overseas.
After studies in radio broadcasting and English literature — and a stint as a radio DJ — Andrew Szusterman went on his OE, and ended up as Music Director of the UK branch of MTV. Back in New Zealand, he helped launch youth music channel C4, and rose up the MediaWorks ranks to become the group’s Chief Content Officer, curating content across television, radio and digital.
Jane Campion is one of the most dynamic — and applauded — filmmakers to emerge from Australasia. Campion's CV includes Cannes-winning road trip Peel, An Angel at My Table, based on the life of writer Janet Frame, and award-winning mini-series Top of the Lake. With her twisted settler romance The Piano (1993), she became the first woman to take the top award at the Cannes Film Festival.
Scots-born Erik Thomson moved to New Zealand at age seven. In the mid 90s his career took off, after he began acting in Australia. In 2004 he won an AFI award for feature Somersault, then later starred in Aussie TV hit Packed to the Rafters and NZ drama/comedy We're Here to Help. In 2016 Thomson won a Best Actor Logie for his role in TV series 800 Words, as an Australian widower who moves his family to NZ.
Brother of pioneering aviator Jean Batten, Rotorua-born John Batten began acting in films while living in the United States. By the 1930s he was winning starring roles in England, including The Great Game and submarine drama Men Like This. Later he appeared in his only known New Zealand film, Rudall Hayward short Song of the Wanganui. Batten passed away in England in 1993.
Aged 17, Max Quinn joined the NZ Broadcasting Corporation as a trainee cameraman. At 25 he was filming landmark television dramas like Hunter’s Gold. In 1980 he moved into directing and producing. Since joining Dunedin’s Natural History Unit (now NHNZ) in 1987, Quinn's many talents have helped cement his reputation as one of the most experienced polar filmmakers on the globe.
Starting with the National Film Unit in 1943, Bob Allen’s career as a motion picture sound recordist covered six decades. Based in the UK from 1953, he worked with well-known directors including Fred Zinnemann (Allen's work on The Day of the Jackal was BAFTA-nominated). He returned to his homeland to share his knowledge and experience as New Zealand feature filmmaking blossomed; and later to retire.