For this screen showcase of NZ visual arts talent, critic Mark Amery selects his top documentaries profiling artists. From the icons (Hotere, McCahon, Lye) to the unheralded (Edith Collier) to Takis the Greek, each portrait shines light on the person behind the canvas. "Naturally inquisitive, with an open wonder about the world, they make for inspiring onscreen company."
It started with grunge and ended with Spice Girls; Di died, Clinton didn't inhale and the All Blacks were poisoned. On screen, Ice TV and Havoc were for the kids and a grown-up Kiwi cinema delivered a powerful triple punch. Tua's linguistic jab proved just as memorable, Tem got a geography lesson and Thingee's eye popped and reverberated around our living rooms.
More than 100,000 New Zealanders served overseas in World War l. Over 18,000 died; at least 40,000 more were wounded. Campaigns involving Kiwis, from Gallipoli to the Western Front, were identity-forming, and the war's effects on society were deep. The World War l Collection is an evolving onscreen remembrance. Military expert Chris Pugsley writes about the collection here.
The first guest on this episode of the Neil Roberts hosted chat show is none other than Sir Robert Muldoon, who recounts a quiet lunch with the Queen, his confidence Winston Peters will be NZ’s first Māori Prime Minister, and his decision to perform in The Rocky Horror Show. When joined by UK actor James Faulkner (The Shadow Trader), Muldoon discusses the policies of “close personal friend” Margaret Thatcher before another Queen gets a nod, as When the Cat’s Away celebrate 'Melting Pot' hitting number one by singing the acapella opening of 'Bohemian Rhapsody'.
This is the final episode in the first series of New Zealand's classic 60s pop show. Host Peter Sinclair seems to have no idea that the show will return for another two years. Meanwhile Mr Lee Grant, Sandy Edmonds, Herma Keil, Bobby Davis, Tommy Adderley, a rocking Ray Woolf and the Chicks run through the big hits of 1967, managing to compress 21 songs into a frenetic half hour. Sinclair promises "big sounds, fun sounds, wild sounds" as the show ranges from blues-rock through ballads and 'Edelweiss', to a nod to the children watching with 'Ding Dong the Witch Is Dead'.
Wellington Paranormal was dubbed 'Police Ten 7 meets The X-Files' . These excerpts from episodes three and five of the first season demonstrate the show's mix of deadpan commentary with (sometimes) mysterious subject matter. Officers O'Leary (played by Karen O'Leary) and Minogue (Mike Minogue) deal with two call outs. A report of a pale, translucent figure floating 'airily' around a Lower Hutt car park is the definition of an 'open and shut 'case, but a stake out in a supposedly haunted house isn't so straightforward. Officer Minogue's enthusiasm for tasers comes a cropper too.
The meteoric career of one of NZ’s greatest entertainers is examined in this documentary. John Rowles went from a Kawerau childhood to stardom in London at 21; but, after headlining in Hawaii and Las Vegas, he saw it all slip away. Those roofing ads and near bankruptcy followed, but Rowles has retained his self belief and that voice. A stellar cast of interviewees analyse his strengths and weaknesses, including Sir Cliff Richard, Tom Jones, Neil Finn and late promoter Phil Warren. Amongst the star cameos, John’s sister Cheryl Moana explains the downside of his best-known local hit.
This hit TV series was spawned from big screen mockumentary What We Do in the Shadows (2014). After stumbling across the vampiric goings-on of the original movie, dim-witted police officers Minogue (Mike Minogue) and O'Leary (Karen O'Leary) are enlisted by a paranormal obsessed sergeant (Maaka Pohatu from The Modern Māori Quartet) to investigate unusual events— from cows up trees, to werewolves and zombie cops. Six episodes debuted on TVNZ 2 in 2018; four were directed by Shadows co-creator Jemaine Clement. A second season followed in 2019.
Jackie van Beek's CV is as impressive as it is long — she's a respected actor, writer, and director across comedy and drama, for stage, television and film.
Michael Heath's imagination has spawned movies bursting with murder and mayhem, as well as lyrical tales of childhood and unheralded artists. Heath's work ranges widely – some of his films are lyrical, comical and murderous all at the same time. His scripts include two contenders for New Zealand's first horror film (Death Warmed Up and Next of Kin), plus an affectionate adaptation of Ronald Hugh Morrieson classic The Scarecrow, which was the first Kiwi movie invited to the Cannes Film Festival. In recent years Heath has blossomed from writer into director.