Beatlemania hit New Zealand in June 1964, as this footage makes clear. Welcoming 'the Fab Four' to Auckland after they arrive from Wellington, Mayor Sir Dove-Myer Robinson repeatedly asks the noisily enthusiastic crowd to "hold it please". He shakes John Lennon's finger, and the Beatles lark around with poi and attempt to hongi members of a Māori culture group. George Harrison also features in a short opening interview. Lennon threatened not to perform unless police protection was upgraded, after the Beatles encountered large crowds while arriving at their hotel.
It's hard to reduce legendary band Split Enz down to a single sound or image. Soon after forming in 1973, they began dressing like oddball circus performers, and their music straddled folk, vaudeville and art rock. Later the songs got shorter, poppier and — some say —better, and the visuals were toned down...but you could never accuse the Enz of looking biege. With Split Enz co-founder Tim Finn turning 65 in June 2017, this collection looks back at one of Aotearoa's most successful and eclectic bands. Writer Michael Higgins unravels the evolution of the Enz here.
The Beatles, Hendrix, The White Stripes, Cat Power, Aretha...popular music is strewn with acts for whom a cover song has proven no compromise to credibility. This collection proves that popular music in New Zealand is no different. Alongside chart toppers from The Holidaymakers, Tex Pistol and cover queens When the Cat's Away, Crummer does Clapton, Jon Steven goes slightly Jamaican, Head Like a Hole do Springsteen — and 'Nature' and 'Shoop Shoop' get soome added guitars.
By the mid 1980s, performer Ray Woolf had been a pop star, Play School presenter, Entertainer of the Year winner, presented his own TV show, and promoted Bic lighters in an ad campaign with Howard Morrison. Here, accompanied by dancers, he performs an abbreviated version of the Paul McCartney penned classic 'Penny Lane' (a rare Beatles single not to top the British charts). The song's nostalgic "blue suburban skies" are transplanted from Liverpool to Wellington’s Michael Fowler Centre, as part of a variety show celebrating 25 years of television in New Zealand.
This 'alternative' version of New Zealand history was made by the team behind Eating Media Lunch. Channelling Kenneth Cumberland —presenter of heavyweight 80s series Landmarks— Jeremy Wells plumbs the TV archives to poke fun at New Zealand, and its people. Some excruciating hilarity is mined from artifacts of visitation to southern shores, from Bill Clinton to the Beatles. Muhammad Ali's fast food tastes down under are examined; the Dalai Lama finds bad karma in Christchurch; Charles and Diana visit in 1981; and mirth is mined from all things ovine.
Wayne Mason — multi-instrumentalist and composer of The Fourmyula classic 'Nature' — talks about songwriting and his musical evolution in this episode, from a series made for high school students. He demonstrates his piano playing (on an energetic boogie-woogie work out) and a Scandalli accordion on 'High and Dry' (which he wrote in the Warratahs). He discusses the origins of 'Nature', and his songwriting technique (which always begins on a guitar); and muses on his high school band The Fourmyula which took him to Abbey Road, where he met The Beatles.
This song is taken from the only new album released in the 1990s by Kiwi music legends Hello Sailor. In an AudioCulture profile of the band, writer Murray Cammick praised the Dave McArtney-penned track as one of two strong additions to the Hello Sailor canon (alongside song 'New Tattoo', also from 1994). The music video features the band playing (on a Ponsonby street, in a derelict building) intercut with archive clips (famous sporting moments, returned servicemen, Edmund Hillary, hikoi, the Beatles tour), echoing the song’s lyrical themes of waning memories and nostalgia.
In New Zealand for his 1983 Serious Moonlight tour, David Bowie stops for a cigarette with Radio with Pictures, to talk about past, present and future projects. Bowie mentions recording hit album Let’s Dance in three weeks, and briefly touches on mysterious music and screen projects, and the "very funny" Ziggy Stardust concert film. Also mentioned: his opinions on Jagger versus McCartney, his desire to work again with Iggy Pop, and how he feels about making the cover of Time magazine. The interview is bookended with brief footage of Bowie's opening number at Athletic Park.
Opening with an image of Orpheus floating on the water, this inspired doco climaxes with a contender for NZ's most eyeopening montage yet. Loaded with examples of the infinite ways the human voice can make music, the film sees host Julian Waring introducing choirs, opera, balladeers and protest singers. Along the way Michael Heath recreates a performance by Florence Foster Jenkins, a worryingly close cousin of Asian-New Zealand songbird Wing. The mash-up finale uses 2000 photographs to summarise two decades of music, in a scene that must have blown minds in the suburbs.
This ambitious video for Head Like a Hole's cowpunk Bruce Springsteen cover was shot by commercials company Flying Fish — at vastly more expense than the low budget recording which supplies the soundtrack. There's more than a cursory nod to U2's LA rooftop video for 'Where The Streets Have No Name' (including fake radio coverage from Channel Z). But HLAH get a higher building, and, unlike U2's guerrilla effort, the apparent blessing of the city fathers (with Mayor Mark Blumsky on site). The video marked one of the last appearances of drummer Mark 'Hidee Beast' Hamill.