Eating Media Lunch satirised mainstream media, from "issues of the day" journalism to reality TV to the society pages (lampooned in the "celebrity share market index index"). No fish was too big or barrel too small. Presenter Jeremy Wells kept a straight face over seven seasons of often controversial episodes, while investigating issues inexplicably missed by other media (eg the porno film made in Taranaki and shot in te reo, or ritalin-fueled reality programme Medswap). EML's seventh season won Best Comedy Programme at the 2008 Qantas Film and Television Awards.
In this highlights special culled from the first four years of Eating Media Lunch, presenter Jeremy Wells manages to keep a straight face while mercilessly satirising all manner of mainstream media. Leaping channels and barriers of taste, the episode shows the fine line between send-up and target. The 'Worst of EML' tests the patience of talkback radio hosts and goes behind the demise of celebrity merino Shrek; plus terrorist blooper reels, Destiny Church protests, Target hijinks, and our first indigenous porno flick (you have been warned: not suitable for children).
Forget who shot JR or what was under the hatch ... where were you when Thingee's eye popped out, 'O' was for 'awesome', or Bob "stormed out of the bracken like a yeti" to bop Rod in the 'Tumble in Taupō'? From Wainuiomata to Guatemala this Top 10 presents the most viewed clips from the previous NZ On Screen Legendary Moments collections (in descending order).
This collection celebrates more of the legendary TV moments that Kiwis gawked at, chortled with, and choked on our tea over. In the collection primer Paul (Eating Media Lunch) Casserly chews on rapper Redhead Kingpin’s equine advice to 3:45 LIVE! and mo’ memorable moments: from a NSFW Angela D'Audney to screen folk heroes Colin McKenzie and the Ingham twins.
This collection celebrates the legendary moments that New Zealanders — huddled around the telly — gawked at, chortled with, and choked on our Choysa over as they played out on our screens. "There's a generation who remember where they were when JFK was shot", but as Paul Casserly asks in his collection primer, "where were you when Thingee's eye popped out?"
In 2012 an unusual world first won overseas media attention: Campbell Live followed two rescue dogs as they attempted to drive a car. The dog story was an example of a New Zealand story going viral around the globe. This collection offers other stories that won overseas attention: a royal baby's encounter with a Buzzy Bee; an American tourist going missing off the Cook Strait ferry; Coronation Street stars; celebrity sheep Shrek (in clip two of Eating Media Lunch) and David Lange's famous line about uranium (in clip three of Revolution).
This edition of Prime TV’s history of New Zealand television looks at 50 years of entertainment. The smorgasbord of music, comedy and variety shows ranges from 60s pop stars to Popstars, from the anarchy of Blerta to the anarchy of Telethon, from Radio with Pictures to Dancing with the Stars. Music television moves from C’mon and country, to punk and hip hop videos. Comedy follows the formative Fred Dagg and Billy T, through to Eating Media Lunch and 7 Days. A roll call of New Zealand entertainers muse on seeing Kiwis laugh, sing and shimmy on the small screen.
With a career born from student radio, Paul Casserly shifted his focus from music to television in the 1990s.
Jeremy Wells made his broadcasting debut on student radio station 95bFM, reading the news on Mikey Havoc’s breakfast show. The pair teamed up again for Havoc, a talk and music show on the fledgling MTV, before hosting travelogue/social commentary shows Havoc and Newsboy's Sell-Out Tour, and Havoc's Luxury Suites and Conference Facility on TVNZ. Wells then worked with producer/director Paul Casserly to produce seven seasons of the media satire show Eating Media Lunch, which won Best Comedy Programme at the Qantas Film and Television Awards in 2008. He also presented the satirical series The Unauthorised History Of New Zealand in 2005, and an episode of Intrepid Journeys in 2007.
Producer Philip Smith comes from a family of entrepreneurs, so it’s always been in his nature to pursue opportunities. Currently working as head of the production company he created, Great Southern Television, Smith also had an eventful career in journalism before moving into producing. He was once expelled out of Tanzania while working as a print journalist, and sold his first production company for several million dollars while still in his early 30s. Great Southern has produced Lion Man, Eating Media Lunch, The Unauthorised History of NZ and The Cult. Smith lives in both Auckland and Queenstown, where he does a lot of brainstorming out in his woolshed.